CutCommon

CutCommon is a English-speaking media specialized in the field of classical music and opera. As such, CutCommon is a qualified source of soClassiQ, like Drew McManus - Adaptistration or The Well-Tempered Ear and many others. The oldest article indexed by soClassiQ is dated 2018-01-10. Since then, a total of 1071 articles have been written and published by CutCommon.

CutCommon activity

With 45 articles published in the last 90 days, CutCommon is currently a quite active news source. "Quite active" does not mean that CutCommon is less interesting than another more prolific source or more interesting than a less dynamic source. Each media follows a specific editorial line, publishing according to its own rhythm.

This editorial activity is slowing down compared to the previous period.

The last article in CutCommon, "How Antonio Gambale composed Esty’s beautiful music in Unorthodox", is dated 2020-08-03. By 2019, this source had published 411 articles (133 since the beginning of 2020). Over the past 12 months, CutCommon has published an average of 22 articles per month.

CutCommon in the last 36 months

Weekly publications:

2018
2019
2020
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

 CutCommon  All indexed sources

CutCommon has been selected by soClassiQ to be among its qualified sources because we believe that its articles fully contribute to the knowledge of classical music and opera. Because it is up to everyone to make their own opinion, to love CutCommon or to prefer other writings, all our visitors and members are invited to discover CutCommon. If you like it, feel free to add it to your browser bookmarks or soClassiQ bookmarks (for its members, with the button below). This will allow you to come back to it easily and regularly.

The latest articles from CutCommon

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CutCommon

2020-08-03 06:56:08

BY STEPHANIE ESLAKE FOR LEVEL AND GAIN Unorthodox is one of the boldest character tales in recent Netflix history. Inspired by Deborah Feldman’s 2012 autobiography,

CutCommon

2020-07-28 00:36:21

BY STEPHANIE ESLAKE The last time the Sydney Eisteddfod cancelled its festival was during World War II. Now, in the face of a global pandemic,

CutCommon

2020-07-22 01:13:28

LETTER FROM NICK BAILEY — AUSTRALIAN NATIONAL ACADEMY OF MUSIC GENERAL MANAGER As we arrive at the conclusion of an eventful online semester, I am

CutCommon

2020-07-22 00:24:04

CONTENT COURTESY PATTERNMAKERS (HELMED BY AUSTRALIAN RESEARCHER TANDI PALMER WILLIAMS)/AUSTRALIA COUNCIL FOR THE ARTS Editor’s note: If you’re in Victoria or a high-risk area of

CutCommon

2020-07-13 04:23:37

CONTENT COURTESY CENTRAL COAST CONSERVATORIUM OF MUSIC Patrick Brennan — conductor and artistic director of the Central Coast Conservatorium of Music — has much in

CutCommon

2020-07-08 05:12:20

BY MIRANDA ILCHEF, LEAD WRITER (NSW) This is the third interview in Miranda’s exclusive new CutCommon series Mastering your practice. Please note that these stories may include

CutCommon

2020-07-08 01:21:19

BY JENNY ERIKSSON, FOUNDER OF ELYSIAN FIELDS My Swedish grandfather, a working-class merchant seaman from Stockholm, stepped off a ship in Melbourne in the 1920s.

CutCommon

2020-07-08 00:18:02

BY STEPHANIE ESLAKE The Australian National Academy of Music finds itself in the middle of a unique COVID-19 situation: not only has it needed to

CutCommon

2020-07-06 03:13:46

BY STEPHANIE ESLAKE FOR LEVEL AND GAIN When ROB (Robin Coudert) signed on to compose the score to The Bureau (Le Bureau des LĂ©gendes), he

CutCommon

2020-07-06 00:05:53

BY STEPHANIE ESLAKE Since the pandemic first hit our industry, the Melbourne Digital Concert Hall has offered something of a safe-haven to arts practitioners in

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