Latest episodes broadcast Classical music podcasts
Thoroughly Good Classical Music Podcast
Hailstones, frogs and sexy trills. Monteverdi Choir's director Peter Whelan joins Amy Wood and Nick Pritchard to introduce the detail and the colour in Handel's oratorio Israel in Egypt.
Jess Gillam swaps music with pianist James Baillieu, including works by Mozart, Bach, and Ella Fitzgerald.Pianist James Baillieu has worked with musicians including Lise Davidsen, Timothy Ridout and Pretty Yende, and has performed everywhere from Carnegie Hall to Vienna Musikverein. He is also Senior Professor of Ensemble Piano and a Fellow at the Royal Academy of Music in London. He’s brought Martha Argerich playing Schumann and a classic Bob Dylan song, while Jess's choices include Mahler and Goldfrapp.PLAYLIST: WOLFGANG AMADEUS MOZART – “Signori, di fuori” (Le nozze de Figaro: Act 2, Scene 9) [Lorenzo Regazzo (bass), Simon Keenlyside (baritone), Patrizia Ciofi (sop), Véronique Gens (sop), Concerto Köln, René Jacobs (cond)] JOHN ADAMS – Hallelujah Junction (1st mvt) [Nicolas Hodges (piano), Rolf Hind (piano)] BOB DYLAN – Blowin’ in the Wind GUSTAV MAHLER – Symphony No 5 in C sharp minor (4th mvt, Adagietto) [Simón Bolívar Youth Orchestra of Venezuela, Gustavo Dudamel (cond)] JUAN TIZOL/DUKE ELLINGTON/IRVING MILLS – Caravan [Ella Fitzgerald (singer), Duke Ellington and his Orchestra] JOHANN SEBASTIAN BACH – Cello Suite No 2 in D minor, BWV 1008 (4th mvt, Sarabande) [Yo-Yo Ma (cello)] ROBERT SCHUMANN - Von fremden Ländern und Menschen (Kinderszenen, Op 15: No 1) [Martha Argerich (piano)] GOLDFRAPP – Lovely HeadProduced by Rachel Gill.
In this episode of the Mind Over Finger Podcast, we explore the art of conditioning for optimal musical performance. Join us as we uncover practical strategies to bridge the gap between practice and stage, empowering musicians to excel in high-pressure situations. Whether you're a seasoned professional or just starting your musical journey, these insights will help you unleash your full potential on stage. Tune in now to elevate your performance game! Sign up now for the brand-new FREE workshop – Mastering the Stage Download the transcript from this episode HERE Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/ THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show’s musical theme: Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.
Modern Classical Music Podcast
Modern Classical Music Ep163 - Contemporary Instrumental Music mix for Art, Painting, Reading, and Relaxation
2024-03-15 01:03:36
Duration (h:m:s): 46:39
Modern Classical Music Ep163 - Contemporary Instrumental Music mix for Art, Painting, Reading, and Relaxationhttps://www.youtube.com/c/SteampunkRadioSophie Hutchings - After MostAbel Korzeniowski - AllegianceAbandoned Toys - Spiraling into the SunPoppy Ackroyd - AliquotAngels of Venice - After the HarvestEluvium - AmreikRising Shadows - Amnesia RevealedGoldmund - All Four Holy MountainsA Winged Victory for the Sullen - All Farewells are SuddenBen Woods - After the Wind
I love performing, but when it comes in a surge like it has this week, it reminds me that the cap exists. This is beyond the maximum amount of time I can spend playing in orchestras. But what if I need more money than this? Or need to have a life that works for ME? I'm offering a FREE Five Day Challenge starting March 25. Seeking Work-Life Balance, for the WORKING, LIVING Musician. We'll meet on zoom (or you'll enjoy the replay) every day to look at how you could intentionally rebalance your pillars of MONEY, TIME, and JOY and thrive in your creative career! Register here Thanks for joining me on Crushing Classical! Theme music by DreamVance. You can join my email list HERE, so you never miss an episode! I help people to lean into their creative careers and start or grow their income streams. You can read more or hop onto a short discovery call from my website. I'm your host, Jennet Ingle. I love you all. Stay safe out there!
Morgan Sullivan came to singing later than many other professional singers do. Nevertheless she has achieved success as a freelance musician who has performed with numerous top tier ensembles, including Bach Collegium Japan, Folger Consort, and American Baroque Orchestra among many others. She has also recorded music by Brahms and Schutz with Yale Schola Cantorum. The singer, composer, and harpsichordist also teaches and coaches(mostly NON-singers) with a particular focus on providing gender affirming voice care. Suzanne spoke with Morgan Sullivan about her life in music.
Sticky Notes: The Classical Music Podcast
Klezmer music has always been very close to my heart, even as a classical violinist. During the pandemic I attempted to learn Klezmer clarinet, and soon I began collaborating with the great Klezmer(and classical!) violinist Abigale Reisman on her work for Klezmer band and orchestra called Gedanken. Abigale taught me so much about Klezmer music, including the fact that despite its reputation as a clarinet-centric genre, the violin is actually the original voice of the Klezmer sound. I've been wanting to do a show about Klezmer music for a while, and Abigale was the perfect person to talk to, as she has experience in both the classical and Klezmer worlds, and was able to talk about the differences between the two sounds, as well as all of the characteristics that make Klezmer music so instantly recognizable. We also talked about the similiarites between classical and Klezmer music, which classical violinists had the most Klezmer like sound, and how to tell the difference between a traditional Eastern European folk tune and a Jewish Klezmer folk tune. I so enjoyed this conversation and I hope you will too! You'll hear an excerpt of Abigale's band Ezekiel's Wheels at the end of the show, but check them out here: https://www.youtube.com/@ewklezmer/videos Link to the concert I mentioned at the top of the show: https://www.br-klassik.de/audio/20240308-on-demand-so-joshua-weilerstein-vilde-frang-strawinsky-schostakowitsch-100.html
Fanny Mendelssohn-Hensel - Andante con motoHeather Schmidt, pianoMore info about today's track: Naxos 8.570825Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon
The uplifting sound of the horn, particularly in an orchestral setting, is familiar to audiences worldwide – but how do you play this wonderful instrument? Charlotte Smith interviews former London Symphony, London Philharmonic and current Royal Opera House principal horn David Pyatt, who takes her through her first horn lesson. This episode is sponsored by Bang & Olufsen. Musical excerpts:Brahms Symphony No. 1London Symphony Orchestra/Jonathan PasternackNaxos 8.572448 (2011)https://www.naxos.com/CatalogueDetail/?id=8.572448 Franz Strauss Nocturno for Horn and Piano, Op 7 from David Pyatt RecitalDavid Pyatt (horn); Martin Jones (piano)Erato 9029534229 (1998)https://www.warnerclassics.com/release/recital-horn-works Interview recorded at the Royal Academy of Music, London: https://www.ram.ac.ukStudent horn loaned with kind permission by Paxman Musical Instruments, London: https://www.paxman.co.uk Learn more about your ad choices. Visit podcastchoices.com/adchoices
LA Opera Podcasts: Behind the Curtain
2024-03-13 20:03:02
Duration (h:m:s): 35:17
William Grant Still's Highway 1, USA is an opera about family. Listen in as affiliated scholar, Dr. Kristi Brown-Montesano and the grand-daughter of William Grant Still - Celeste Headlee, discuss who Still was at home - and how the powerful women in his life influenced the drama we see unfold on stage.