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Philippe Hurel Jean Deroyer Chauvin Fèvre Cottet Ensemble Court Circuit
Philippe Hurel, Cantus Pour soprano, flûte, clarinette, violon, violoncelle, percussion et piano Ensemble Court-circuit Jean Deroyer (direction) Elise Chauvin (soprano) Jérémie Fèvre (flûte) | Pierre Dutrieu (clarinette) | Ève Payeur (percussion) | Jean-Marie Cottet (piano) | Alexandra Greffin-Klein (violon) | Alexis Descharmes (violoncelle) Avec le soutien de MFA - Musiques française d'aujourd'hui et du FCM - Le fonds pour la création musicale Motus, compagnie musicale Acheter le CD : (http•••) L'actualité de l'ensemble Court-circuit (http•••) Facebook : (http•••)
Performed by Bonnie and Michael Jorgensen from Bonnie and Michael's farewell recital. On May 1, 2003, just three weeks after he shipped out, 34-year-old U. S. Army Pfc. Jesse Givens died in Iraq. Givens was parked in a battle tank by the bank of the Euphrates River in Al Habbaniyah. The riverbank gave way, the tank fell into the river, and he drowned. Two weeks before his death, Givens wrote a final letter and mailed it to his wife Melissa, his five-year-old son Dakota (nicknamed ‘Toad’) and his unborn child Carson (nicknamed ‘Bean’). “He called me a week before [his death] and told me he had written the letter, but not to open it unless he died,” Melissa Givens said. Since 2003, the letter has been published in the New York Times and featured in the HBO Documentary Film “The Last Letters Home.” In 2006 the men’s ensemble Cantus commissioned composer Lee Hoiby to write a piece for them. Hoiby received permission from Melissa Givens to set the words of the letter to music. The work was subsequently arranged by the composer for baritone and piano.
Johann Sebastian Bach Moller Leib Arleen Auger Gabriele Schreckenbach Lutz Michael Harder Philippe Huttenlocher Helmuth Rilling Bach Collegium Stuttgart 1502 1587 1617 1725
Ach Gott, wie manches Herzeleid (Oh God, how much heartache), BWV 3, is a church cantata by Johann Sebastian Bach. He composed the chorale cantata in Leipzig for the Second Sunday after Epiphany and first performed it on 14 January 1725. It is based on the hymn published by Martin Moller in 1587. Bach composed the cantata in his second year as Thomaskantor in Leipzig as part of cantata cycle of chorale cantatas, for the second Sunday after Epiphany. The work is based on a hymn without evident connection to the prescribed readings. It is a meditation on Jesus as a comforter in distress, based on a medieval model. An unknown librettist reworked the ideas of the 18 stanzas in six movements, retaining the words of stanzas 1, 2 and 18 as movements 1, 2 and 6. Similarly, Bach retained the choral melody in three movements, set as a chorale fantasia in the opening chorus with the bass singing the cantus firmus, as a four-part setting with interspersed recitatives in the second movement, and in the closing chorale. He scored the cantata for two oboes d'amore, strings and continuo, with an added trobone to support the bass in the first movement, and a horn to support the soprano in the last movement. It's set in six movements: 0:00 - No.1 Chorus: "Ach Gott, wie manches Herzeleid" 5:31 - No.2 Recitative/Chorale: "Wie schwerlich läßt sich Fleisch und Blut" 8:23 - No.3 Aria: "Empfind ich Höllenangst und Pein" 15:02 - No.4 Recitative: "Es mag mir Leib und Geist verschmachten" 16:17 - No.5 Duetto: "Wenn Sorgen auf mich dringen" 24:06 - No.6 Chorale: "Erhalt mein Herz im Glauben rein" Performer(s): Arleen Auger (soprano), Gabriele Schreckenbach (contralto), Lutz-Michael Harder (tenor), Philippe Huttenlocher (bass); Gachinger Kanteroi, Bach-Collegium Stuttgart, conducted by Helmuth Rilling
Benjamin Britten Renata Pokupić 2006
Provided to YouTube by Croatia Records d.d. Benjamin Britten: A Charm Of Lullaby, Op. 41: The Highland Balou · Renata Pokupić · Đorđe Stanetti After The Crossing ℗ Cantus Released on: 2006-01-02 Composer: Benjamin Britten Auto-generated by YouTube.
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- Coros (Europa).
- Índices (por orden alfabético): C...