Oratorio Society Of New York Vídeos
grupo musical estadounidense
- Coro
- Estados Unidos
redes sociales
streaming
canales de video
Última actualización
2024-04-27
Actualizar
George Frideric Handel Nicholson Belov Bedford Haydn Suzuki Bach Malatesta George London Rhode Orpheus Chamber Orchestra Chamber Orchestra New York Boston Baroque Emmanuel Music Oratorio Society New York Metropolitan Opera National Symphony Orchestra Walt Disney Concert Hall Tanglewood Boston Symphony Hall 1902 1912 2010
Classical III Handel's Messiah, Part I Sunday, November 28, 2010 / 3pm St. Anthony of Padua Parish Mastersingers by the Sea University of Massachusetts / Dartmouth University Chorus Sine Nomine Kristen A. Watson, Soprano Hillary Nicholson, Mezzo-Soprano Matthew Anderson, Tenor Anton Belov, Baritone The New Bedford Symphony Orchestra will join forces with the vocal talents of several local choruses as well as four distinguished soloists to bring you one of the most sacred oratorios of all time, George Frideric Handel's Messiah. If one were to measure success for a musical composition in terms of frequency of performance, Messiah must be considered one of the most successful of all time. Fortunately there are other, more profound measures to consider, such as richness and variety of the music, insightful matching of word and sound, and the consistently inspired evocations of pathos, serenity and joy that Handel's masterpiece brings us in full force. Soprano Kristen Watson has made solo debuts with the Orpheus Chamber Orchestra of New York City, Boston Baroque, the Handel & Haydn Society, and Emmanuel Music, at such venues as the Walt Disney Concert Hall, Metropolitan Museum of Art, Tanglewood, and Boston's Symphony Hall. Mezzo soprano Hillary Nicholson has sung over fifty operatic roles, including Carmen, Dorabella, Cherubino, Maddalena, Dame Quickly, Emilia, Hansel, Suzuki and Orfeo with such noted companies as Cleveland Opera, Sacramento Opera and the Metropolitan in New York City. Tenor Matthew Anderson has been praised for the polished musicality he brings to the repertoire of oratorio, opera, and musical theater. He was the second prize winner in the Oratorio Society of New York Solo Competition, and sings regularly as a soloist in the renowned Emmanuel Music Bach Cantata Series in Boston, as well as other local New England chorales and ensembles. Baritone Anton Belov's voice has been called "rich and mellifluous" by the New York Times, and the Philadelphia Inquirer calls it "that of an emerging star." He has earned critical acclaim for his portrayals of Don Giovanni, Count Almaviva, Doctor Malatesta and Eugene Onegin. Mr. Belov is First Place winner of eight vocal competitions including the George London Competition, the Young Concert Artists International Competition and the Metropolitan Opera National Council Auditions. Mastersingers by the Sea is an auditioned chamber chorus based in Falmouth that champions the rich and diverse repertoire for chamber chorus from the Renaissance through the present. The University of Massachusetts-Dartmouth University Chorus is comprised of over fifty student and community members with a repertoire ranging from contemporary works to major choral works of the classical idiom. Tianxu Zhou has been director of the UMD University Chorus for two years and has appeared as a baritone soloist on many occasions in New England and with the Washington, D.C. Opera Company and the National Symphony Orchestra. He is also a member of the Rhode Island College music faculty, where he teaches voice and directs the Men's Chorus. About St. Anthony's One of the largest and most beautiful Catholic Churches in New England, St. Anthony of Padua Parish was built between 1902-1912. Designed by the Montreal architect Joseph Venne (the architect of the famous St. Joseph's Oratory in Montreal) and decorated by two famous Italian artists, Giovanni Castagnoli and Guido Nincheri, the Church would be fitting as the cathedral of any major European City. Among its many features are its renowned 1912 Casavant Frères Organ, its 5,500 decorative lights and its 256-foot steeple. Originally built by French Canadian immigrants to New Bedford, it now serves both English-speaking and Portuguese-speaking Catholics. A full history of the parish is found at www.saintanthonynewbedford.com. Please note that St. Anthony's is not handicap accessible. Video by: 3 Thirteen Productions.com www.3thirteenproductions.com
Leopold Damrosch Walter Johannes Damrosch Ries Dehn Franz Liszt Beethoven Handel Carl Bergmann Helm Severe Pacific Symphony New York Philharmonic Oratorio Society New York Metropolitan Opera Gewandhaus 1340 1832 1859 1862 1867 1871 1873 1874 1876 1877 1880 1881 1883 1884 1885 1922
It is my sincere and express desire that any and all remuneration that may be due me from this presentation be instead directed towards all holders of copyright. Should any copyright holders require its removal, I hereby request that I be notified directly and I will not hesitate to delete it as soon as possible. Leopold Damrosch +••.••(...)) Symphony in A Major I. Poco andante - Allegro vivace con fuoco 0:00 II. Intermezzo scherzando: Vivace con leggierezza 13:40 III. Quasi marcia: Solenne 19:22 IV. Allegro vivace assai 37:25 Azusa Pacific Symphony Orchestra Christopher Russell, conductor Leopold Damrosch (1832 – 1885) was a German American orchestral conductor and composer. Damrosch was born in Posen (Poznań), Kingdom of Prussia, the son of Heinrich Damrosch. His father was Jewish and his mother was Lutheran. Leopold Damrosch was baptized a Lutheran when marrying his wife, former opera singer Helene von Heimburg. Damrosch began his musical education at the age of nine, learning the violin against the wishes of his parents, who wanted him to become a doctor. Capitulating to the wishes of his parents he entered the University of Berlin and completed his PhD in medicine but during his spare time he studied violin under Ries, and thorough bass with Dehn and Bohmer. After he completed his degree Damrosch decided to dedicate his life and energy to music. He gained fame as a violinist and began to play to large audiences in many major German cities including Berlin and Hamburg. He went to Weimar, and was received by Franz Liszt, who appointed him solo-violinist in the Ducal orchestra. It has been said mistakenly that Liszt dedicated his Symphonic poem № 2 to Damrosch. However, Liszt did dedicate the similarly named Le Triomphe funèbre du Tasse, the third part of Trois odes funèbres, to Damrosch who conducted the first performance in New York on March 24, 1877. Damrosch first appeared as a conductor during the season of 1859 where he conducted the Philharmonic concerts in Breslau. He continued to conduct the Philharmonic for three years due to the success of this season. In 1862 Damrosch founded a symphonic society in Breslau with an orchestra of eighty performers, modelled after the Gewandhaus concerts of Leipzig. This society gained fame throughout Germany and Damrosch invited Liszt to conduct several of the performances, an invitation which he accepted. Wagner also accepted the invitation to conduct his own manuscript compositions in the winter of 1867. In 1871, Damrosch emigrated to the United States of America at the invitation of the Arion Society in New York. At his first concerts in the United States he introduced himself as conductor, composer, and violinist. At his successful debut in New York on 6 May 1871, Leopold Damrosch played as violin soloist at the first time with the New York Philharmonic, performing Beethoven's violin concerto with his own cadenza on the program at the Academy of Music. He participated in many concerts over this period and in 1873 he founded the Oratorio Society of New York. In 1874 Damrosch gave another concert at the Oratorio Society, this time with a full orchestra, consisting of Handel's Samson. For Christmas that year Messiah was performed. In 1876, Damrosch succeeded Carl Bergmann at the helm of the New York Philharmonic, but his high-minded programming frightened the typical New York subscriber, so his tenure with the orchestra ended quickly. The next year he established the Symphony society, which became closely identified with the Oratorio Society and several joint performances were organized. The co-operation of these societies reached its climax in the great "musical festival" which was held in the armory of the 7th regiment in New York, from 3 till 7 May 1881. The orchestra was composed of 250 pieces, and Dr. Damrosch selected a large number of artists for soloists. The degree of Doctor of Music was conferred upon him by Columbia in 1880. In 1883, Damrosch traveled extensively through the west with his orchestra. In September 1884, he began a remarkable series of operatic performances as General Manager and chief conductor of the Metropolitan Opera in New York. For its second season it turned to Damrosch to direct the company in German repertory. The company comprised some of the greatest artists of the German opera houses, and, in contrast with the hitherto prevailing mode, every part, even the smallest, was carefully presented. He conducted every performance except during the last week of his life, when he took a severe cold, from which he never recovered. He died in New York City in 1885. Damrosch was buried in Woodlawn Cemetery in The Bronx, New York City. His sons Frank Damrosch and Walter Johannes Damrosch, both born in Breslau, in 1859 and 1862 respectively, both succeeded him as conductors of the Oratorio Society of New York. His daughter, Clara Mannes, was a music teacher. His grandchildren were musician Leopold Mannes and writer Marya Mannes.
Rachmaninoff Oratorio Society New York 2019
Oratorio Society of New York's Rachmaninoff Vespers ENCORE performance. The Cathedral of St. John the Divine. November 5, 2019. Kent Tritle, conductor Tim Dwight, videographer
o
- Coros (Norteamérica).
- Índices (por orden alfabético): O...