Adolf Busch Vídeos
compositor, concertino, profesor de música
- violín
- música clásica
- Alemania, Estados Unidos
streaming
Última actualización
2024-05-14
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Fritz Busch Audrey Mildmay Henderson Brownlee Helletsgruber Pataky Salvatore Baccaloni Rebel Glyndebourne Festival Opera
SP DM 424 DON GIOVANNI-Recitativo-IO DEGGIO AD OGNI PATTO (I NMust Close Accounts With This Madman) Aria -FIN CH’ HAN DAL VINO (Wine, Flow Like a Fountain) (Act 1) (Mozart) Baccaioni, Browniee and Glyndebourne Festival Opera Company conducted by Fritz Busch (Recorded in Europe) DM 423-17 16434-B (14763-A, 014574) DON GIOVANNI-Recitativo-MESETTO, SENTI UN PO (Masetto! List Awhile) Aria -part 1 BATTI, O BEL MASETTO, O BEL MASETTO (Chide Me, Chide Me, Dear Masetto) (Act 1) (Mozart) Mildmay, Henderson and Glyndebourne Festival Opera Company conducted by Fritz Busch (Recorded in Europe) DM 423-18 16435-A (14763-B, 014575) DON GIOVANNI-Aria- cont.-PACE, PACE, OVITAMIAI (Ah! I See, Love) Recitativo-GUARDA UN PO (Look You Now) Finale-Part 1-PRESTO, PRESTO (Act 1) (Mozart) Mildmay, Henderson, Brownlee and Glyndebourne Festival Opera Company conducted by Fritz Busch (Recorded in Europe) DM 423-19 16436-A (14764-A, 014576) DON GIOVANNI-Finale-Part 2-TRA QUEST’ ARBORI CELATA (Frendly Grove, Thy Shady Distance) (Act 1) (Mozart) Mildmay, Henderson, Brownlee Helletsgruber, Pataky, Souez and Glyndebourne Festival Opera Company conducted by Fritz Busch (Recorded in Europe) DM 424-20 16437-A (14764-B, 014577) DON GIOVANNI-Finale-Part 3-SIGNOR GUARDATE UN POCO (Master, I Pray Observe) (Act 1) (Mozart) Baccaloni, Brownlee, Souez, Helletsgruber, Pataky, and Glyndebourne Festival Opera Company conducted by Fritz Busch (Recorded in Europe) DM 424-21 16438-A (14765-A, 014578) DON GIOVANNI-Finale-Part 3-SIGNOR GUARDATE UN POCO (Master, I Pray Observe) (Act 1) (Mozart) Baccaloni, Brownlee, Souez, Helletsgruber, Pataky, and Glyndebourne Festival Opera Company conducted by Fritz Busch (Recorded in Europe) DM 424-21 16438-A (14765-A, 014578) DON GIOVANNI-Finale-Part 4-RIPOSATE VEZZOSE RAGAZZE (Pause a Moment) (Act 1) (Mozart) Brownlee, Baccaloni, Henderson, Mildmay, Souez, Helletsgruber, Pataky, and Glyndebourne Festival Opera Company conducted by Fritz Busch (Recorded in Europe) DM 424-22 16439-A (14765-B, 014579) DON GIOVANNI-Finale-Part 5-RICOMINCIATE IL SUONO! (Strike Up a Stirring Music) (Act 1) (Mozart) Brownlee, Baccaloni, Henderson, Souez, Helletsgruber, Pataky, Mildmay and Glyndebourne Festival Opera Company conducted by Fritz Busch (Recorded in Europe) DM 424-23 16440-A (14766-A, 014580) DON GIOVANNI-Finale-concluded- ECCO IL BIRBOI (See the Scoundrel) (Act 1) (Mozart) Brownlee, Baccaloni, Henderson, Helletsgruber, Pataky, Mildmay and Glyndebourne Festival Opera Company conducted by Fritz Busch (Recorded in Europe) DM 424-24 16440-B (14766-B, 014581) DON GIOVANNI-EH VIA BUFFONE (How Now, Sir Stupid?) (Duet) (Act 2) (Mozart) John Brownless, Bar. -Salvatore Baccaloni, Bass and Glyndebourne Festival Opera Company conducted by Fritz Busch (Recorded in Europe) DM 424-25 16439-B (14767-A, 014582) DON GIOVANNI-AH, TACI, IN GIUSTO COREI (Ah, Lull Thy Rebel Yearning, Fond Heart) (Trio) (Act 2) (Mozart) Helletsgruber, Baccaloni, Brownless and Glyndebourne Festival Opera Company conducted by Fritz Busch (Recorded in Europe) DM 424-26 16438-B (14767-B, 014583) DON GIOVANNI-DEI , CHE CIMENTO E QUESTOI (O, ‘Twere Too Keen a Trial) (Trio-concluded) (Act 2) (Mozart) Helletsgruber, Baccaloni, Brownless and Glyndebourne Festival Opera Company conducted by Fritz Busch (Recorded in Europe) DM 424-27 16437-B (14768-A, 014584) DON GIOVANNI-CANZONETTA-DEH VIENI ALLA FINESTRA (Open Thy Csement, Dearest) Recitative- VE GENTE ALLA FINESTRA (Someone is at the Window) (Act 2) (Mozart) Brownless, Hendersonand Glyndebourne Festival Opera Company conducted by Fritz Busch (Recorded in Europe) DM 424-28 16436-B (14768-B, 014585) DON GIOVANNI-Aria-META DI VOI QUA VADANO (Do you Pursue the Right-hand Path) Recitative- ZITTO, LASCIA CH’ lo SENTA (Softly, While We Listen) (Act 2) (Mozart) Brownless, Henderson, Mildmay and Glyndebourne Festival Opera Company conducted by Fritz Busch (Recorded in Europe) DM 424-29 16435-B (14769-A, 014586) DON GIOVANNI-Aria-VEDRAI CARINO (List, and I’II Find, Love) (Act 2) (Mozart) Audrey Mildmay, Sop and Glyndebourne Festival Opera Company conducted by Fritz Busch (Recorded in Europe) DM 424-30 16434-B (14769-B, 014587)
Ivor Gurney Adolf Busch Busch Carl Flesch Hamilton Harty John Barbirolli Manley Boyd Neel Frank Bridge Benjamin Britten John Ireland Beethoven Ralph Vaughan Williams Lark Bach Henry Purcell Dvořák Arthur Benjamin Benjamin Dale Lennox Berkeley Kenneth Leighton Edmund Rubbra York Bowen Howard Ferguson Arthur Bliss Béla Bartók Handel Rachmaninoff Smetana Arnold Bax Yehudi Menuhin London Symphony Orchestra Aeolian Quartet Salzburg Festival Proms 1686 1697 1718 1908 1909 1911 1927 1930 1935 1936 1937 1938 1940 1942 1947 1952 1963 1966 1978 1979 1987
The Apple Orchard by Ivor Gurney, Frederick Grinke - Violin Ivor Newton - Piano Recorded in 1942. The Apple Orchard is one of two short pieces written for violin and piano by Ivor Gurney that were published posthumously in 1940. Frederick Grinke CBE (8 August 1911 – 16 March 1987) was a Canadian-born violinist who had an international career as soloist, chamber musician, and teacher. He was known especially for his performances of 20th-century English music. He started to learn the violin at the age of 9, and studied with John Waterhouse and others in Winnipeg. He made his first broadcast at the age of about 12, and formed a trio at age 15. In 1927, he won a Dominion of Canada scholarship award to the Royal Academy of Music in London, where he studied with Rowsby Woof. He continued his studies (at age 21) for a summer with Adolf Busch in Switzerland, and afterwards in Belgium and London with Carl Flesch. Hamilton Harty considered appointing him leader of the London Symphony Orchestra at the age of 21, but the offer was not made on account of his youth. From around 1930 to 1936, Grinke was second violin of the Kutcher String Quartet (in which John Barbirolli was for a time the 'cellist). In 1935, with pianist, Dorothy Manley, he gave the premiere of the Canadian composer Hector Gratton's Quatrieme danse canadienne. It was with Manley and Florence Hooton, both fellow students at the Academy, that Grinke formed his trio, Kendall Taylor later replacing Manley. In 1937 he became concertmaster of the Boyd Neel Orchestra, a post he would hold until 1947. His first performance with them was at the Salzburg Festival in 1937, giving the premiere of the Variations on a Theme of Frank Bridge by Benjamin Britten. Thereafter he performed with them in Europe, USA, Australia and New Zealand, the London Proms, and at the Edinburgh Festival. He resigned as concertmaster to pursue his solo career. During the later 1940s, Grinke made numerous recordings, mainly for Decca, many of which were originally released in the last years of 78rpm records. His recordings of John Ireland's chamber music include the Phantasie Trio of 1908, the 1938 Trio no 3 in E major, and The Holy Boy (with Florence Hooton (cello) and Kendall Taylor (piano)), and the Violin Sonata no 1 of 1909 with the composer at the piano. The trio also recorded the Phantasy trio of Frank Bridge and the Beethoven trio in E flat. Ralph Vaughan Williams dedicated his Sonata in A minor, written in 1952, to Grinke, who recorded the composer's Concerto Accademico in D minor, and The Lark Ascending, with the Boyd Neel Orchestra. Grinke and David Martin (also a Canadian violinist) performed J.S. Bach's Concerto for two violins at Vaughan Williams's funeral. Among other recordings from the 1940s were no's 3 and 9 from the 1697 set of 10 Sonatas by Henry Purcell, with Jean Pougnet and Boris Ord, and Purcell's sonata in G minor with Arnold Goldsbrough. He is heard with Kendall Taylor in the Dvořák G major Sonatina op 100, and with Watson Forbes (violist of the Stratton Quartet and Aeolian Quartet) in Mozart duos. He also premiered and recorded works by Arthur Benjamin, Benjamin Dale, Lennox Berkeley, Kenneth Leighton, Edmund Rubbra, York Bowen, Howard Ferguson, Arthur Bliss, Béla Bartók, Beethoven, Handel, Rachmaninoff and Smetana, often accompanied by Ivor Newton. He recorded all six Brandenburg Concertos with the Boyd Neel Orchestra, and made a broadcast of the Arnold Bax violin concerto from Australia. From 1963 to 1966 he taught at the Yehudi Menuhin School at Stoke D'Abernon, Surrey. He frequently sat on juries for international competitions. He retired from the Royal Academy of Music in 1978, where his students included John Georgiadis, and was appointed a CBE in 1979, but continued teaching until his death, which occurred in 1987. The National Portrait Gallery lists 8 portraits of Grinke in its collections.[ Grinke played an instrument by J. B. Rogerius of 1686, with aluminium-covered D and A, and silver-covered G and steel E strings, but also often played a Stradivarius dated 1718, lent by the Royal Academy of Music. He was married in 1942 to Dorothy Sirr Sheldon and had one son. He is buried in the churchyard of St Mary, Thornham Parva, Suffolk.
Busch Brahms Adolf Georg Wilhelm Busch Grümmer Rudolf Serkin Schubert Beethoven Busch Quartet Marlboro Music School Festival 1891 1920 1927 1932 1933 1938 1951 1952
C minor Op. 51-1, 1. Allegro Recorded in 1932. Adolf Georg Wilhelm Busch (August 8, 1891 / June 9, 1952) was a German-born violinist and composer. After World War I, he founded the Busch Quartet, which from the 1920--21 season included Gösta Andreasson, violin, Karl Doktor, viola, and Paul Grümmer, cello. The quartet was in existence with varying personnel until 1951. The additional member of the circle was Rudolf Serkin, who became Busch's duo partner at 18 and eventually married Busch's daughter, Irene. The Busch Quartet and Serkin became the nucleus of the Busch Chamber Players, a forerunner of modern chamber orchestras. In 1927, with the rise of Adolf Hitler, Busch decided he could not in good conscience stay in Germany, so he emigrated to Basel, Switzerland. (Busch was not Jewish and was popular in Germany, but firmly opposed Nazism from the beginning.) On 1 April 1933 he repudiated Germany altogether and in 1938 he boycotted Italy. On the outbreak of World War II, Busch emigrated from Basel to the United States, where he eventually settled in Vermont. There, he was one of the founders with Rudolf Serkin of the Marlboro Music School and Festival. The Busch Quartet was particularly admired for its interpretations of Brahms, Schubert, and above all Beethoven. It made a series of recordings in the 1930s that included many of these composers' works for string quartet.
Johannes Brahms Busch Adolf Busch Busch Quartet 1833 1873 1897 1932
Johannes Brahms +••.••(...)) String Quartet in C minor, Op. 51, No. 1 (1873) I. Allegro II. Romanze. Poco adagio III. Allegretto molto moderato e comodo - Un poco più animato IV. Allegro Busch Quartet Adolf Busch, Violin Gösta Andreasson, Violin Karl Doktor, Viola Hermann Busch, Cello (HMV, recorded Sept. 19, 1932) 78 rpm transfers.
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- cronología: Compositores (Europa). Intérpretes (Europa).
- Índices (por orden alfabético): B...