Adèle Bonnaud Vídeos
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Erik Satie Latour Mady Mesplé Benoit Bertin Laforge Pierre Dervaux Bonnaud Claude Debussy Maurice Ravel Orchestre Paris 1899 1900 1902 1920
Geneviève de Brabant, marionette opera in 3 acts for voices, chorus & piano (ca. 1900) Libretto: J.P. Contamine de Latour Orchestration: Roger Desormière Acte I: Choeur / Entrée des soldats Acte II: Entracte / Air de Geneviève / Sonnerie de cor / Entrée des soldats Acte III: Entracte / Choeur / Air de Golo / Entrée des soldats / Petit air de Geneviève / Choeur final Mady Mesplé / Geneviève Jean-Christophe Benoit / Golo Pierre Bertin / Récitant Choeur du Théâtre National de l'Opera de Paris Jean Laforge & Orchestre de Paris Pierre Dervaux From 1899 on Satie started making money as a cabaret pianist (mostly accompanying Vincent Hyspa, later also Paulette Darty), adapting over a hundred compositions of popular music for piano (or piano and voice), adding some of his own. The most popular of these were Je te veux (text by Henry Pacory), Tendrement (text by Vincent Hyspa), Poudre d'or (a waltz), La Diva de l'"Empire" (text by Dominique Bonnaud/Numa Blès), Le Picadilly (A March), Légende Californienne (text by Contamine de Latour lost, but the music later reappears in La Belle Excentrique), and many more (probably even more have been lost). In his later years Satie would reject all his cabaret music as vile and against his nature (although he revived some of the fun of it in his 1920 Belle excentrique), but for the time being, it was an income. Only a few compositions that Satie himself took seriously remain from this period: Jack-in-the-box, music to a pantomime by Jules Dépaquit (called a "clownerie" by Satie), Geneviève de Brabant, a short comic opera on a serious theme, text by Lord Cheminot, The Dreamy Fish, piano music to accompany a lost tale by Lord Cheminot, and a few others (mostly incomplete, hardly any of them staged, and none of them published at the time). Both Geneviève de Brabant and The Dreamy Fish have been analysed (e.g. by Ornella Volta) as containing elements of competition with Claude Debussy, of which Debussy was probably not aware (Satie not making this music public). Meanwhile, Debussy was having one of his first major successes with Pelléas et Mélisande in 1902, leading a few years later to 'who-was-precursor-to-whom' debates between the two composers (in which Maurice Ravel would also get involved). [classicalm.com] Art by Walter Goldfarb
Claude Helffer Matthias Krüger Krüger Abrahamyan Samson François Albert Roussel Dutilleux Bonnaud Jacques Lenot Edison Denisov Olivier Greif Alberto Ginastera Ricardo Viñes André Jolivet 2016 2017
1. Claudia Chan (Lauréate au 12e Concours du Prix Claude Helffer) - Matthias Krüger, Renk +••.••(...)’) 2. Marianna Abrahamyan (Lauréate au 12e Concours des Prix : SACEM, Samson François, Albert Roussel, des Etudiants du Conservatoire, Bourse Dutilleux) - Albert Roussel, Trois pièces pour piano (7’) 3. Julien Blanc (Lauréat au 12e Concours du Prix Chevillion-Bonnaud - Interpretation) - Jacques Lenot, Etude pour piano n° 9 (1’30’’) - Francesco Filidei, Toccata (3’) 4. Tae Kim (Lauréat au 12e Concours des Prix : Edison Denisov, Chevillion Bonnaud - Interpretation) - Edison Denisov, Variations (4’) - Olivier Greif, extraits des Portaits et apparitions (5’) 5. Philippe Hattat (Lauréat au 12e Concours des Prix : Alberto Ginastera, Ricardo Viñes, Chevillion Bonnaud - Composition) - Philippe Hattat, Causa Pulchritudinis +••.••(...)’) 6. Lorenzo Soulès (Lauréat au 12e Concours du Prix André Jolivet) André Jolivet, Suite Mana (12’)
Bonnaud Jacques Lenot Marcel Landowski Suzanne Giraud 2017
Julien Blanc is the Interpretation Prize Chevillion-Bonnaud (under the aegis of the Fondation de France) during the 12e Concours international de piano d'Orléans. He plays in this video "Étude pour piano n° 9" by Jacques Lenot and "Toccata" by Francesco Filidei. Film recorded by WDM-Digital during the concert of 21th of March 2017 in CRR de Paris - Auditorium Marcel Landowski in partnership with the Atelier contemporain of Suzanne Giraud and Fondation de France.
Yasuda Scriabine Dusapin Debussy Matsumiya Bonnaud 2018
A. SCRIABINE Huit Études (op. 42) 1. Presto (ré bémol majeur) P. DUSAPIN Sept Études pour piano 4. Mikado C. DEBUSSY Préludes Livre I: Les sons et les parfums tournent dans l’air du soir Ce qu’a vu le vent d’Ouest K. MATSUMIYA Pentacle (prix A. Chevillion - Y. Bonnaud)
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