Aimé Ambroise Simon Leborne Vídeos
compositor, profesor de música
- ópera
- Francia
Última actualización
2024-05-05
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Jean Henri Ravina Charles Valentin Alkan Friedrich Kalkbrenner Pierre Rode Morhange Pierre Joseph Guillaume Zimmermann Zimmermann Anton Reicha Leborne 1834 1842
Project: Making nice, completely unknown pieces more known. It is an deeply romantic piece and fulfills all clichés, but I still like it. Lots of passages are "standard composing" of that time I would say, but parts like "un poco accelerando" or the final build up leading to the "ff con fuoco" are special, and really beautiful. This andante was released in 1842, so Jean-Henri was approximately 24 years young. We have a very interesting dedication, also: "à son ami Charles-Valentin Alkan", some people probably will know for his crazy virtuosity. To his person, Wikipedia says: "Jean-Henri Ravina started his musical studies with his mother, Eugénie Ravina, a famous professor in Bordeaux. He made his first public appearance performing works by Friedrich Kalkbrenner at the age of 8, and the violinist Pierre Rode, who was present at the concert, encouraged him to continue his musical studies. Ravina then went to Paris, where he attended the private musical school of Alkan Morhange (Charles-Valentin Alkan's father), later he entered the piano class of Pierre-Joseph-Guillaume Zimmermann at the Paris Conservatory. He also studied counterpoint with Anton Reicha and Leborne there. In 1834 he received a first prize for piano performance. The 17-year-old Ravina became assistant to a professor at the Conservatory, but he resigned two years later to devote himself to his career as a virtuoso. He became a touring pianist, with performances in France, Spain and Russia. His whirlwind tours were highly acclaimed, and his compositions were immensely popular with his fans. At the same time he acquired an excellent reputation as a music teacher." Indeed, some parts of this caprice are virtuosic and difficult to perform. Played on my really bad keyboard somewhat over an hour after first sight. You will hear LOTS of imperfections, but this channel is not about me. I just want to make these pieces and artists more known. Go and play (better) in your concerts! :)
Deslandres Simon Leborne François Benoist Stoltz Gounod Carl Nielsen Opéra Comique 1840 1860 1862 1872 1884 1911
Adolphe-Edouard-Marie Deslandres +••.••(...)) was a French composer and organist. The son of longtime music director of the church of Sainte-Marie des Batignolles Laurent Deslandres, he studied at the Paris Conservatoire counterpoint and fugue with Simon Leborne and organ under François Benoist . In 1860 he won the cantata Ivan IV the Second Grand Prix de Rome . In 1862 he became organist at the church of Sainte-Marie, where his father worked as a conductor. He played here an organ of the company Stoltz-Frères and a choir organ of the company Merklin . In addition to important sacred works such as the Messe de Saint-André, at the Notre Dame de Paris was performed, and a fair Solenelle Deslandres composed several successful comic operas. In 1872 the opera et Dimanche Lundi was at the Opéra-Comique premiered and was extremely well received by Gounod . 1884 was followed by the world premiere of Le Baiser, other operas were performed at the Alcazar. Deslandres also composed some organ works for the piano, and an Air de ballet Etudes de concert en staccato, a scherzo for orchestra and four Méditations for violin, cello, horn, harp, organ and bass. Although he was best known as an organist, "Trois Pieces en Quintette" (Three Pieces for Wind Quintet) by Deslandres is the first of his pieces and is a set of variations on a hymn tune. The theme is warmly scored, with the horn tellingly used to enrich the texture. The subsequent variations are sparser, with a piquant touch pervading. It is all very graceful and skillfully voiced, and while Deslandres's variations are not as individual as those of Carl Nielsen (in his Wind Quintet of 21 years later), it leaves one wondering if the great Dane was acquainted with the Frenchman's work. These 3 Pieces were composed entirely for Woodwind Quintet (Flute, Oboe, Bb Clarinet, French Horn & Bassoon).
Deslandres Simon Leborne François Benoist Stoltz Gounod Carl Nielsen Opéra Comique 1840 1860 1862 1872 1884 1911
Adolphe-Edouard-Marie Deslandres +••.••(...)) was a French composer and organist. The son of longtime music director of the church of Sainte-Marie des Batignolles Laurent Deslandres, he studied at the Paris Conservatoire counterpoint and fugue with Simon Leborne and organ under François Benoist . In 1860 he won the cantata Ivan IV the Second Grand Prix de Rome . In 1862 he became organist at the church of Sainte-Marie, where his father worked as a conductor. He played here an organ of the company Stoltz-Frères and a choir organ of the company Merklin . In addition to important sacred works such as the Messe de Saint-André, at the Notre Dame de Paris was performed, and a fair Solenelle Deslandres composed several successful comic operas. In 1872 the opera et Dimanche Lundi was at the Opéra-Comique premiered and was extremely well received by Gounod . 1884 was followed by the world premiere of Le Baiser, other operas were performed at the Alcazar. Deslandres also composed some organ works for the piano, and an Air de ballet Etudes de concert en staccato, a scherzo for orchestra and four Méditations for violin, cello, horn, harp, organ and bass. Although he was best known as an organist, "Trois Pieces en Quintette" (Three Pieces for Wind Quintet) by Deslandres is the first of his pieces and is a set of variations on a hymn tune. The theme is warmly scored, with the horn tellingly used to enrich the texture. The subsequent variations are sparser, with a piquant touch pervading. It is all very graceful and skillfully voiced, and while Deslandres's variations are not as individual as those of Carl Nielsen (in his Wind Quintet of 21 years later), it leaves one wondering if the great Dane was acquainted with the Frenchman's work. Although these 3 Pieces were composed entirely for Woodwind Quintet (Flute, Oboe, Bb Clarinet, French Horn & Bassoon) I created this arrangement for String Quintet (3 Violins, Viola & Cello).
Deslandres Simon Leborne François Benoist Stoltz Gounod Carl Nielsen Opéra Comique 1840 1860 1862 1872 1884 1911
Adolphe-Edouard-Marie Deslandres +••.••(...)) was a French composer and organist. The son of longtime music director of the church of Sainte-Marie des Batignolles Laurent Deslandres, he studied at the Paris Conservatoire counterpoint and fugue with Simon Leborne and organ under François Benoist . In 1860 he won the cantata Ivan IV the Second Grand Prix de Rome . In 1862 he became organist at the church of Sainte-Marie, where his father worked as a conductor. He played here an organ of the company Stoltz-Frères and a choir organ of the company Merklin . In addition to important sacred works such as the Messe de Saint-André, at the Notre Dame de Paris was performed, and a fair Solenelle Deslandres composed several successful comic operas. In 1872 the opera et Dimanche Lundi was at the Opéra-Comique premiered and was extremely well received by Gounod . 1884 was followed by the world premiere of Le Baiser, other operas were performed at the Alcazar. Deslandres also composed some organ works for the piano, and an Air de ballet Etudes de concert en staccato, a scherzo for orchestra and four Méditations for violin, cello, horn, harp, organ and bass. Although he was best known as an organist, "Trois Pieces en Quintette" (Three Pieces for Wind Quintet) by Deslandres is the first of his pieces and is a set of variations on a hymn tune. The theme is warmly scored, with the horn tellingly used to enrich the texture. The subsequent variations are sparser, with a piquant touch pervading. It is all very graceful and skillfully voiced, and while Deslandres's variations are not as individual as those of Carl Nielsen (in his Wind Quintet of 21 years later), it leaves one wondering if the great Dane was acquainted with the Frenchman's work. These 3 Pieces were composed entirely for Woodwind Quintet (Flute, Oboe, Bb Clarinet, French Horn & Bassoon).
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