Amy Black Vídeos
cantante de ópera británica
- mezzosoprano
- Reino Unido
- cantante de ópera
Última actualización
2024-05-04
Actualizar
***ฝากกด LIKE กด SHARE และกด SU***ฝากกด LIKE กด SHARE และกด SUBSCRIBE อย่าลืมกดกระดิ่งแจ้งเตือนนะคะ*** ช่องทางการติดตามอื่น ๆ - Facebook : (http•••) - TikTok : (http•••) AFPW "Distortion" | March 7, 2023 | WWE 2K22 "Universe Mode" 00:00 - Start 00:45 - Maya Fabulous (C) vs Alexia Lopez "AFPW World Television Title - Ladder Match" 16:29 - Segment 16:53 - Abbott vs Anne Black "1st Round AFPW Intercontinental Title Tournament" 29:31 - The Baddest Women vs Rock n' Roll Roses "#1 Contenders Match for the AFPW World Tag Team Title Match" 39:43 - Emma Panzer vs Vickie Armstrong "1st Round AFPW Intercontinental Title Tournament" 49:32 - Segment 48:03 - [Main Event] Anna Angels vs Alice Miller "AFPW World Championship Eliminator Match" / Song in this video... METAL MUSIC Heavy Metal Instrumental - Creative Commons [ Musique sans droits d'auteur ] 著作権のない音楽 (http•••) Bryan Tan - Sexy on the floor (http•••) Energetic Anime EDM by OddVision, Infraction [No Copyright Music] / Superstar (http•••) Synthwave Metal - Xenomorph // No Copyright Music (http•••) ◄ METAL MUSIC ► NO COPYRIGHT MUSIC [ Free Copyright Music ]著作権のない音楽 [ Musique sans droits d'auteur ] (http•••) nWo Japan Theme Song (http•••) Royalty Free Music #293 (Gritt and Sour Chords) Grunge/Hard Rock/Metal (http•••) ♫ [ Free Copyright Metal Music ] Musique Libre De Droits Rock Gold Metal 저작권없는음악 (http•••) Track: To Dominate by Matty M. Music provided by LZtvE Original Video: (http•••) Track: I'm Not Right by Legna Zeg Music provided by Smokinkat Records Original Video: (http•••) Track: Hush by Legna Zeg Music provided by Smokinkat Records Original Video: (http•••) Usage Policy: (http•••) Track: Hypocrite by Legna Zeg Music provided by Smokinkat Records Original Video: (http•••) / #WWE2K22 #wwe2k22gameplay #wwe2k22caws #wwe2k22universemode #wwe2k22 #เกมมวยปล้ำ #มวยปล้ำ #มวยปล้ำหญิง #Wrestling #AFPW #AFPWDistortion #UniverseMode #ElenaChambers #sports #fightingsports #กีฬา #กีฬาต่อสู้
Michael Brown Rosenfeld 1500 1719 1912 1949 2006 2008 2014 2018
This is a conversation between Shamika Klassen and host, Johannes Castner, about Shamika's original concept Techno Womanism, what influenced her to create the concept and many other related ideas, such as identity. Shamika's paper on Techno womanism can be downloaded here: (http•••) Here is her paper, with Dr. Xeturah Woodley: (http•••) In our discussion we referred to a number of people and books: (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••) (http•••)ign/PDF/speculative-everything.pdf (http•••) 00:00 Techno Womanism 00:00 theme song (written, performed and mixed by Neal Rosenfeld, sang by Jennifer Youngs) 00:35 welcoming message 00:47 introducing Shamika Klassen 02:04 introduction to Techno Womanism 02:30 what is Womanism 03:48 the three waves of Womanism 04:53 how Shamika came to create Techno-Womanism 08:02 Liberation Theology 10:06 theology and ethics 11:12 the tenets of Techno-Womanism 15:00 biases and the need for intersectionality 17:19 Foucault's critique of human categories as domination 19:12 is removing categories cultural erasure? 19:49 can AGI (Artificial General Intelligence) force us to rethink our identites as humans? 20:48 where does identity come from? 21:51 human identity after the white supremacist system falls 31:57 technological perpetuation of the white suprimacist system 32:59 biases and blind justice, the case of recidivism 41:47 technologists must understand whom they are building things for 43:58 what does scaling mean for diversity; is Techno Womanism a global concept? 45:03 the need to teach humanities alongside computer science 45:46 the Black Mirror Writer's Room exercise 46:33 Speculative Design 49:24 the ethical dimension of Speculative Design 52:18 Augmented Intelligence 55:19 who is and who will be in the driver's seat, AI, corporate leaders, or most of us? 58:33 user experience research to bring marginalized peoples into the process of building the future 59:44 how to keep up with Shamika's work 01:00:30 call to keep the conversation going 01:00:50 what's next on the show
Zappa Pak Vincent Derosa Estes Estrada Sherwood Feldman Guerin Haynes Richards Rizzi Schaeffer Paul Smith Zito Abnuceals Emuukha Electric Symphony Orchestra 1550 1967 1968
Frank Zappa and the Abnuceals Emuukha Electric Symphony Orchestra Lumpy Gravy is the debut solo album by Frank Zappa, written by Zappa and performed by a group of session players he dubbed the Abnuceals Emuukha Electric Symphony Orchestra. Zappa conducted the orchestra but did not perform on the album. It is his third album overall: his previous releases had been under the name of his group, the Mothers of Invention. It was commissioned and briefly released, on August 7, 1967, by Capitol Records in the 4-track Stereo-Pak format only and then withdrawn due to a lawsuit from MGM Records. MGM claimed that the album violated Zappa's contract with their subsidiary, Verve Records. In 1968 it was reedited and released by MGM's Verve Records on May 13, 1968. The final version of the album consisted of two musique concrète pieces that combined elements from the original orchestral performance with elements of surf music and the spoken word. It was praised for its music and editing. Produced simultaneously with We're Only in It for the Money, Zappa saw Lumpy Gravy as the second part of a conceptual continuity that later included his final album, Civilization Phaze III. Musicians - Abnuceals Emuukha Electric Symphony Orchestra : Arnold Belnick – strings Harold Bemko – strings Chuck Berghofer – bass Jimmy Carl Black – chorus Jimmy Bond – bass Monica Boscia – chorus Dennis Budimir – guitar Frank Capp – drums Donald Christlieb – woodwind Gene Cipriano – woodwind Vincent DeRosa – french horn Joseph DiFiore – strings Jesse Ehrlich – strings Alan Estes – percussion, drums Gene Estes – percussion Louis "Louie the Turkey" Cuneo – chorus Roy Estrada – bass, chorus Larry Fanoga (Euclid James "Motorhead" Sherwood) – vocals, chorus Victor Feldman – percussion, drums Bunk Gardner – woodwind James Getzoff – strings Philip Goldberg – strings John Guerin – drums Bruce Hampton – chorus Jimmy "Senyah" Haynes – guitar Harry Hyams – strings Jules Jacob – woodwind Pete Jolly – piano, celeste, harpsichord Harold Kelling - vocals Ray Kelly – strings Jerome Kessler – strings Alexander Koltun – strings Bernard Kundell – strings William Kurasch – strings Michael Lang – piano, celeste, harpsichord Arthur Maebe – French horn Leonard Malarsky – strings Shelly Manne – drums Lincoln Mayorga – piano, celeste, harpsichord Ted Nash – woodwind Richard Parissi – French horn Glenn Phillips - vocals Don Randi – piano Jerome Reisler – strings Emil Richards – percussion Tony Rizzi – guitar John Rotella – percussion, woodwind Joseph Saxon – strings Ralph Schaeffer – strings Leonard Selic – strings Kenny Shroyer – trombone Paul Smith – piano, celeste, harpsichord Tommy Tedesco – guitar Al Viola – guitar Bob West – bass Tibor Zelig – strings Jimmy Zito – trumpet 1968 version, part one No. Title Length 1. "The Way I See It, Barry" 0:06 2. "Duodenum" 1:32 3. "Oh No" 2:03 4. "Bit of Nostalgia" 1:35 5. "It's from Kansas" 0:30 6. "Bored Out 90 Over" 0:31 7. "Almost Chinese" 0:25 8. "Switching Girls" 0:29 9. "Oh No Again" 1:13 10. "At the Gas Station" 2:41 11. "Another Pickup" 0:54 12. "I Don't Know If I Can Go Through This Again" 3:49 Total length: 15:50 1968 version, part two No. Title Length 1. "Very Distraughtening" 1:33 2. "White Ugliness" 2:22 3. "Amen" 1:33 4. "Just One More Time" 0:58 5. "A Vicious Circle" 1:12 6. "King Kong" 0:43 7. "Drums Are Too Noisy" 0:58 8. "Kangaroos" 0:57 9. "Envelops the Bath Tub" 3:42 10. "Take Your Clothes Off"
Mikis Theodorakis Papadopoulos 1987
Strosse to Stroma sou yia dio (prepare your bed for two) from the cycle Gitonia ton Angelon lyrics by Iakovos Kambanellis. The intro to the sung was the inspiration for the famous theme from Zorba the Greek which leads up to the Kritikos Choros (Cretan Dance) which concludes the piece. Bouzouki solo by Kostas Papadopoulos who together with Lakis Karnezis also plays on the original recording Not long before the fall of the Berlin Wall Theodorakis gave an open-air concert on the Rosa Luxemburgplatz in the East German part of the city. This vcr recording was made in West Berlin and is in black and white due to the difference in tv systems between the two germanies (or so I have been told) An historic piece of "Ostalgie"
o
- cronología: Cantantes líricos (Europa).
- Índices (por orden alfabético): B...