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2024-06-17
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My new Scriabin album is now released. Get your own signed CD here: (http•••) Scriabin's poem to the 4th Sonata (originally in French): In a light mist, transparent vapor Lost afar and yet distinct A star gleams softly. How beautiful! The bluish mystery Of her glow Beckons me, cradles me. O bring me to thee, far distant star! Bathe me in trembling rays Sweet light! Sharp desire, voluptuous and crazed yet sweet Endlessly with no other goal than longing I would desire But no! I vault in joyous leap Freely I take wing. Mad dance, godlike play! Intoxicating, shining one! It is toward thee, adored star My flight guides me. Mad dance, godlike play! Intoxicating, shining one! Toward thee, created freely for me To serve the end My flight of liberation! In this play Sheer caprice In moments I forget thee In the maelstrom that carries me I veer from they glimmering rays. In the intensity of desire Thou fadest O distant goal. But ever thou shinest As I forever desire thee! Thou expandest, Star! Now thou art a Sun Flamboyant Sun! Sun of Triumph! Approaching thee by my desire for thee I lave myself in they changing waves O joyous god. I swallow thee Sea of light. My self-of-light I engulf thee!
Behind The Scenes - (http•••) Download ludope from (http•••) Referral Code :- LUDOPE1000 Amit Bhadana Presents Amit Bhadana LL.B Part 02 Chote se talaab se nikal kar Amit ab aa pahuncha hai kanoon ke us samandar mein jahan Advocate Mehta jaise magarmach raj karte hain. Ek taraf Ana Ferris ka pecheeda case hai to dossari taraf Advocate Mehta ka khauf, lekin Amit bhi musibaton se ladd kar yahan tak pahuncha hai aur har hallaat se jeeta hai. Shuru shuru mein kadam ladkhadate hain, ye challenge zara bhaari padta hai par jab Amit himmat juta kar apni chaal chalta hai to dushman ka har vaar khaali jata hai. Jhooth ka kohra saaf hone ke baad jab sach ka sooraj nikalta hai to sab ki aankhen khuli ki khuli reh jati hain. Ek taraf sach ka jhanda liye Amit hai aur doosari taraf jhooth ki fauj, dekhiye is hadkamp ka kya hoga natija? Follow me on Instagram : (http•••) Kalakar : Amit Bhadana Stefy Patel Hemant Pandey Rajesh Sharma Hitakshi Wadhwa Manoj Bakshi Dheeraj Sood Himanshu Chhabra Ravi Dudeja Swati Verma Rajesh Gandhi Aquib Uz Zaman Ashok Chhabra Vikas Bainsla Pankaj Kasana Narendra Divik Video Credits : Created by - Amit Bhadana Story and Dialogues by - Amit Bhadana Screenplay by - Amit Bhadana, Swapnil Narendra, Adheesh Verma Directed by - Ravi Verma Produced by - Amit Bhadana First Assistant Director - Fanush Saini Director of Photography - Durgesh Pandey 2nd Unit D.O.P - Lovely Bansal Editor - Mohd. Firoj Aalam Music & BGM - Lovepreet Singh Casting Director - Kabir Singh Production Designer - Shreya Jain Costume Stylist - Rishu Gupta Makeup - Govind Sankhla & Team Hair - Rohit Diwakar, Simran Bhola D.I Colorist - Rahil Merchant Thumbnail By - Muzzamil Hayaat Sound Designer - Karan Arjun Singh Sound Effects & Mixing - Sanjay Mishra Foley - Karan Arjun Singh,Anil Pawar,Harish Nath Foley Engineer - Sujit Lohar On-Location Sound Recordist - Shiv Mishra Executive Producer - Veer Rathore Line Producer - Suryansh Bhojwani Legal Advisor- Hemraj Singh Direction Team - 2nd Assistant Director - Vishal Kumar 3rd Assistant Director - Mandira Bhatnagar 4th Assistant Director - Advya Bajpai Costume Assistant Director - Dimple Chaudhary Art Assistant Director - Divya Singhmar Script Supervisor - Himanshu Tanwar Floor runner - Simranjeet Intern - Lakshay Masand VFX - Thirsty Crown Studio Vfx guy Shrinay Vfx guy Aman Bts - Adywise Subtitle By - Vansh Audio Credits : Song Title - Save Me Link - (http•••) Singer/Composer/Lyrics - Talwiinder Mix/Master - Push kahlon Prod. By Carona Song Title - Jeet Hai Meri Singer/Composer: Shubham Mehta Additional Vocals: Lovepreet Singh Lyrics: Raahi (Amit) Music: Lovepreet Singh Guitars: Prateek Chauhan Drums: Satyam Srivastav Song Title - Bhadana Saab LLB Singer: Sihag Muzic Rap: Candy Sheoran Lyrics/ Composer: Candy Sheoran Music: Lovepreet Singh Song Title - Shiv Rudrastakam Singer - Shivam Pandey Song Title - Intezar Singer: Sihag Muzic Lyrics/Composer: Candy Sheoran Music: Crush Waale Yaar Special Thanks to Uttar Pradesh Police Pyaar Banaye Rakhein ???? ️ #AmitBhadana #AmitBhadanaLLB
Joseph Holbrooke Vaughan Williams Ornstein Schoenberg Heymann Seaman Shakespeare Beethoven Barnett 1878 1920 1925 1958
Joseph Holbrooke (1878 – 1958) was an English composer, conductor, and pianist. Joseph Holbrooke belongs to the generation of composers at the core of the twentieth century British musical renaissance. He died in 1958, the same year as Vaughan Williams, and in almost total obscurity. His neglect began after the Great War and the gradient of descent increased dramatically from 1925 onwards. However he had a heyday and one with considerable celebrity. He wrote a considerable amount of light music and not once did he veer in the direction of atonalism although the four dances for solo piano may be taken as lampooning the trendiness of people like Ornstein and Schoenberg. Jazzy moments find their way into some of the music of the Twenties. For example he wrote music for the big society balls of the day and also went dancing with his wife Dorothy, better known as 'Dot'. Holbrooke has a strong handle on melody and perhaps his apprenticeship in the music halls accounts for the fact that he retained an unfeigned and unashamed admiration for real whistleable tunes. These found their way into his concert music which (with a few exceptions), contrary to popular myth, are not for monster-sized orchestras. Klaus Heymann's adventurous recording company Marco Polo have already recorded a number of his orchestral works but what we desperately need now are recordings of the symphony (No. 2) Apollo and the Seaman and the impressionistic tone poem Queen Mab (after Shakespeare). The three music-dramas are a natural for cinema or TV. In fact Holbrooke used film as part of the scenery in the premieres of all three works. The late works based on Poe short stories also appear to be worth exploring and are at the very least intriguing. These include the overture Amontillado, and the two 1930s tone poems The Pit and the Pendulum and The Maelstrom. All are in urgent need of exploratory performances. A full score of the overture and The Pit and The Pendulum exist; however the full score of The Maelstrom, which may also be entitled Descent Into the Maelstrom appears to be missing. At a less ambitious level we need recordings of his two titled piano sonatas of the 1930s/40s. There is so much which remains an unknown quantity with Holbrooke. His eight symphonies are each scored completely differently from the other seven. We can look at the later symphonies (5-8) and wonder particularly about the eighth symphony (Dance Symphony) which is scored for piano and orchestra. This work may well trace its origins back to the popular music he wrote during the 1920s but it could just as easily point towards new directions and experiments. Throughout his life Holbrooke was an experimenter but one who chose the language of romance in which to express himself. Like Beethoven, Holbrooke was afflicted with deafness. This set in relatively early from 1920 onwards. Visitors to the family home often had to contend with Holbrooke struggling with a massive old-fashioned hearing aid. Composition and re-composition continued. He revised earlier works and quarried discarded works for thematic material. There are also a few cases of the same work emerging under a different title. He occupied himself during the late 1930s and through into the 1940s with an autobiography. (Robert Barnett) / - A method to find scores: (http•••) - My donation link to keep the channel growing: (http•••) Thanks for listening :-)