Berthold Tours Vídeos
compositor neerlandés
- violín, órgano
- Reino de los Países Bajos
- compositor, director de orquesta, organista, violinista, arreglista
Última actualización
2024-05-02
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María Teresa Carreño García Sena Chopin Émile Sauret Giovanni Tagliapietra Tagliapietra Teresita Tagliapietra Carreño Eugen Albert 1853 1862 1863 1866 1873 1875 1876 1882 1885 1889 1891 1892 1895 1902 1905 1917
Welte Mignon piano roll, 1905 María Teresa Carreño García de Sena (December 22, 1853 / June 12, 1917) was a Venezuelan pianist, singer, composer, and conductor. Born into a musical family, she was at first taught by her father and her talent was recognized at an early age. In 1862 her family emigrated to New York City, and at the age of 8 she made her debut at Irving Hall that same year. In 1863 she performed for Abraham Lincoln at the White House. In 1866 she moved to Europe, and began touring, making her debut as an opera-singer in 1876. It wasn't until 1885 that she returned to Venezuela, and then only for a short period. In 1889 she returned to Europe for more touring, settling in Berlin as her home base. She mounted two world tours in the early years of the twentieth century, but her health deteriorated and she died in 1917, in her apartment in the Della Robbia at 740 West End Avenue on the north east corner at 96th Street in New York City. Teresa Carreño married four times: 1873-1875 to violinist Émile Sauret by whom she had a daughter, Emilita 1876-1891 in a common-law union with Italian opera-singer Giovanni Tagliapietra, by whom she had two surviving children, Giovanni and Teresita (born 24 December 1882); the latter also became a famous pianist, under the name of Teresita Tagliapietra-Carreño 1892-1895 to pianist Eugen d'Albert, himself oft-married, and together they produced two more daughters, Eugenia and Hertha 1902-1917 to Arturo Tagliapietra, the brother of her former common-law husband Giovanni Tagliapietra. Plaque commemorating Teresa Carreño at the place of her deathTeresa Carreño was also a composer; she composed at least 40 works for piano, 2 for voice and piano, 2 for choir and orchestra, and 2 as chamber music. She also left many incomplete works. On April 2, 1905, she recorded 18 pieces for the reproducing piano Welte-Mignon. (Wikipedia)
Yevgeny Aleksandrovich Mravinsky Shostakovich Yevgeniya Mravina Tchaikovsky Schubert Brahms Lugansky Mariinsky Theatre Bolshoi Royal Festival Hall 1903 1918 1923 1929 1931 1938 1946 1956 1960 1973 1984 1987 1988
Yevgeny Aleksandrovich Mravinsky (Russian: Евге́ний Алекса́ндрович Мрави́нский) (4 June [O.S. 22 May] 1903 / 19 January 1988) was a Soviet-Russian conductor. Mravinsky was born in Saint Petersburg. The soprano Yevgeniya Mravina was his aunt. His father died in 1918, and in that same year, he began to work backstage at the Mariinsky Theatre. He first studied biology at the university in Leningrad, before going to the Leningrad Conservatory to study music. He served as a ballet repetiteur from 1923 to 1931. His first public conducting appearance was in 1929. Through the 1930s he conducted at the Kirov Ballet and Bolshoi Opera. In September 1938, he won the All-Union Conductors Competition in Moscow. In October 1938, Mravinsky took up the post that he was to hold until 1988: principal conductor of the Leningrad Philharmonic Orchestra, with whom he had made his debut as a conductor in 1931. Under Mravinsky, the Leningrad Philharmonic gained a legendary reputation, particularly in Russian music such as Tchaikovsky and Shostakovich. During World War II, Mravinsky and the orchestra were evacuated to Siberia. But members of the Leningrad Philharmonic's reserve orchestra and the Leningrad Radio Orchestra were left behind in the siege of Leningrad, so it fell to Karl Eliasberg to conduct the surviving musicians in the Leningrad premiere of the Symphony No.7 "Leningrad" by Shostakovich. Mravinsky first went on tour abroad in 1946, including performances in Finland and in Czechoslovakia (at the Prague Spring Festival). Later tours with orchestra included a June 1956 itinerary to West Germany, East Germany, Austria and Switzerland. Their only tour to Great Britain was in September 1960 to the Edinburgh Festival and the Royal Festival Hall, London. Their first tour to Japan was in May 1973. Their last foreign tour was in 1984, to West Germany. His last concert was on 6 March 1987 (Schubert, Symphony No. 8, and Brahms, Symphony No. 4). Mravinsky died in Leningrad in 1988, aged 84. Recordings reveal Mravinsky to have an extraordinary technical control over the orchestra, especially over dynamics. He was also a very exciting conductor, frequently changing tempo in order to heighten the musical effect for which he was striving, often making prominent use of brass instrumentation. Surviving videos show that Mravinsky had a sober appearance at the podium, making simple but very clear gestures, often without a baton. The critic David Fanning has memorably described some of Mravinsky's Tchaikovsky performances: 'The Leningrad Philharmonic play like a wild stallion, only just held in check by the willpower of its master. Every smallest movement is placed with fierce pride; at any moment it may break into such a frenzied gallop that you hardly know whether to feel exhilarated or terrified'.... (http•••) A link to this wonderful artists personal Website: (http•••) Please Enjoy! I send my kind and warm regards,
Nicolas Cavallier Janacek Marchand Vogler Berlioz Opéra Rhin Théâtre Champs Élysées
Rencontre avec Nicolas Cavallier, baryton basse, à l'Opéra Grand Avignon, maison et ville de Culture qu'il fréquentait depuis son plus jeune âge en spectateur bien avant de débuter le chant. Nicolas Cavallier revient sur son parcours, parcours atypique, où enfant qu'il était d'artiste, est passé du haut de ses 20 ans, d'artisan d'encadrement et restauration de meubles à figurant, puis de figurant à chanteur d'art lyrique, après avoir tout laisser tombé et être parti en Angleterre, où il revint 6 ans après diplômé de la Royal Academy of Music de Londres. "Parti de très très bas" comme Nicolas Cavallier le précise, ses professeurs ne croyaient pas en une carrière possible pour le baryton qu'il est devenu aujourd'hui, avec une voix qui résonne l'excellence, et dont sa tessiture ne cesse d'évoluer. "Travailleur et être très déterminé, c'est ce qui amène les choses..." Aventurier à juste titre, Nicolas Cavallier a dépassé ses craintes et ses doutes, grâce à l'insouciance, qui lui a permis d'accepter les rôles qu'on lui proposait sans retenue sur ses capacités. Au moment de notre rencontre, Nicolas Cavallier interprétait le rôle de DiKoï dans Katia Kabanova de Janacek. Riche marchand, sa voix de baryton basse résonne avec force et symbolique comme résonne l'oeuvre interprétée en Tchèque. Ses projets : Albert (La Juive) à l’Opéra du Rhin, Nilakantha à Marseille, L’Homme de la Mancha à Tours, Heinrich der Vogler (Lohengrin) et Roméo et Juliette de Berlioz à Saint-Étienne, le Marquis de La Force (Dialogues des carmélites) à La Monnaie de Bruxelles et au Théâtre des Champs-Élysées.
Go on a virtual walking tour around downtown St. George, Utah, to see and learn about historical residential homes. This is the third tour of a series of three; the first two being of Pioneer Courthouse, the centerpiece of all three tours, and historical commercial buildings of downtown. Pioneer Courthouse Tour: (http•••) Commercial Building Tour: (http•••) #stgeorge #greaterzion #utah #utahhistory
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- cronología: Compositores (Europa). Directores de orquesta (Europa). Intérpretes (Europa).
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