Cromwell Everson Vídeos
compositor sudafricano
Conmemoraciones 2025 (Nacimiento: Cromwell Everson)
- ópera
- Sudáfrica
- compositor, músico académico
Última actualización
2024-05-03
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Side A off of the album Earth Horns With Electronic Drone. "Necessary reissue of an enormous, seminal drone session conducted by Japanese Fluxus Yoshi Wada and friends. For this recording Wada assembled his self-made 20' and 10' horns at Everson Museum of Art, Syracuse, New York on February 24 , 1974, with players including Rhys Chatham, Barbara Stewart, Garrett List, Liz Phillips, and Wada, himself. The spellbinding performance on four pipes revolves around a single drone attuned to the frequency of the space and its acoustic information, essentially recycling the low, bellowing sound of the pipes into a complex yet ostensibly static feedback loop of harmonic overtones and electronic oscillation. This LP version holds the entire 2 hr 42 min performance for those who really want to go out there. Each player in turn contributes to its subtly balanced stasis, immersing us in their radiant circular meditations so deeply that even the slightest fluctuations can become butterfly waves of ear-teasing harmonic intricacy. It feels a far more primal and ritualist sort of minimalism compared with say Glass or Reich, and should be considered closer to the transcendent works of Pandit Pran Nath or Eliane Radigue. " (http•••)
Johannes Brahms Johann Sebastian Bach Beethoven Bülow William Shakespeare Schlegel Gärtner Macpherson Everson Nielsen Kansas City Chorale 1564 1616 1736 1744 1767 1788 1796 1803 1805 1833 1845 1857 1860 1867 1897
Johannes Brahms (7 May 1833 – 3 April 1897) was a German composer and pianist of the Romantic period. Born in Hamburg into a Lutheran family, Brahms spent much of his professional life in Vienna, Austria. His reputation and status as a composer are such that he is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the "Three Bs" of music, a comment originally made by the nineteenth-century conductor Hans von Bülow. 4 Songs, Op. 17 (1860) for female choir, 2 horns and harp. 1. Es tönt ein voller Harfenklang Poco Adagio, con molto espressione (C major) - Friedrich Ruperti (1805–1867) 2. Lied von Shakespeare Andante (E-flat major) (4:00) August Wilhelm Schlegel (1767–1845), after William Shakespeare +••.••(...)) 3. Der Gärtner Allegretto (E-flat major) (5:35) Joseph von Eichendorff (1788–1857) 4. Gesang aus Fingal Andante (C minor) (8:30) Johann Gottfried Herder +••.••(...)), after James Macpherson (1736–1796) as Ossian Dan Everson & Steve Multer, horns Erik C. Nielsen, harp Kansas City Chorale conducted by Charles Bruffy These four choral songs have the paradoxical distinction of both beginning the excellent line of secular part songs by Brahms and being completely unique within that output. Written for three-part women’s chorus throughout (except for a brief four-part a cappella passage in the middle section of No. 4), the choral style does anticipate somewhat that of the later a cappella part songs for mixed chorus (Opp. 42, 62, 93a, and 104). Op. 17, however, is set apart not only by being accompanied, but by the nature of that accompaniment: the exceedingly romantic combination of two horns and harp. The latter was an instrument to which Brahms would rarely again turn (only in the German Requiem, Op. 45 and in the Nänie, Op. 82, and in none of the symphonies). He remarked that he was not particularly fond of the instrument when it had to go and “make an effect.” In contrast, he always wrote effectively for horns, despite refusing to compose for the new valve instrument. The highly diverse texts lend themselves well to this combination. The harp’s characteristic arpeggios are prominent in Nos. 1 and 3. Both of these songs use the horns sparingly. No 1 restricts itself to one horn in a very specific role. Nos. 2 and 4 exploit the characteristic natural horn harmonies, known as “horn fifths,” to great effect. In these two songs, the harp is mostly restricted to block chords. The choral writing is relatively simple. Multi-voice counterpoint is kept at a minimum, the three parts singing mostly in block harmonies.
Maio Vieira Lopes Everson Guilherme Arana Fernández Vargas Melo Robson 2021
Campeonato Brasileiro Série A 2021 Data: 30 de maio de 2021 Horário: 11h (de Brasília) Local: Mineirão, Belo Horizonte (MG) Árbitro: Caio Max Augusto Vieira (RN) Assistentes: Jean Marcio dos Santos e Lorival Candido das Flores (ambos do RN) VAR: Héber Roberto Lopes Cartões amarelos: Felipe Alves (FOR), Igor Rabello (ATL). Lucas Crispim (FOR), Allan( ATL), Wellington Paulista (FOR), Éderson (FOR) Cartões vermelhos: Gols: Hulk (pênalti), aos 40’-1ºT(1-0), Yago Pikachu, 14’-2ºT(1-1), Yago Pikachu, 48’-2ºT(1-2) ATLÉTICO-MG (Técnico: Cuca) Everson, Guga (Hyoran, aos 41’-2ºT), Igor Rabello, Junior Alonso e Guilherme Arana; Allan (Zaracho, aos 16’-2ºT)), Tchê Tchê e Nacho Fernández (Nathan, aos 25’-2ºT); Savarino (Savarino, aos 17’-2ºT), Hulk e Marrony (Vargas, aos 25’-2ºT). FORTALEZA (Técnico: Juan Pablo Vojvoda) Felipe Alves; Tinga, Marcelo Benevenuto, Titi e Daniel Guedes (Yago Pikachu- intervalo); Ederson, Felipe (Matheus Jussa, aos 38’-2ºT) e Lucas Crispim (Bruno Melo, aos 42’-2ºT); Matheus Vargas, Robson (David, aos 19’-2ºT) e Wellington Paulista (Romarinho, aos 19’-2ºT). #fortaleza #atleticomineiro #campeonatobrasileiro
- cronología: Compositores (África).
- Índices (por orden alfabético): E...