Damián Ramírez Vídeos
cantante argentino
Conmemoraciones 2025 (Nacimiento: Damián Ramírez)
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2024-05-01
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Johann Sebastian Bach Claudio Abbado Giuliano Carmignola Michala Petri Christian Ludwig Giuseppe Verdi Herbert Karajan Orchestra Mozart Vienna State Opera Berlin Philharmonic Teatro Municipale Valli Milan Scala 1685 1718 1720 1721 1750 1933 1968 1984 1989 2002 2004 2007 2011 2014
Claudio Abbado and the Orchestra Mozart perform Johann Sebastian Bach’s Brandenburg Concerto No. 4 in G major, BWV 1049, at the Teatro Municipale Valli in Reggio Emilia, Italy (2007). This Brandenburg Concerto No. 4 has a very special line-up: principal violin (Giuliano Carmignola), two recorders (Michala Petri and Nikolaj Tarasov) and a string orchestra. Bach described the recorders as "Fiauti d'echo", or "echo flutes", although it’s not quite clear what he meant by that. The fourth of the Brandenburg concerts is the only work that uses "echo flutes" as far as we know today. The Brandenburg Concerto No. 4 was probably written in 1720 as one of the last or even the last of the six Brandenburg Concertos. 00:00 I. Allegro 07:11 II. Andante 10:54 III. Presto The Brandenburg Concertos (BWV 1046–1051) by Johann Sebastian Bach (1685 – 1750) are a collection of six instrumental works, which Bach dedicated to Christian Ludwig, Margrave of Brandenburg, in 1721. They are regarded as some of the best orchestral compositions of the Baroque era. The concerts were, however, likely composed between 1718 and 1721, for Bach’s Köthener Hofkappelle. Bach’s original title, Six Concerts with Various Instruments, describes exactly what is special about these concerts; the varied use of several instruments – with different strings, wind instruments, or solo harpsichord for the concertini. Watch the other 5 Brandenburg Concertos with Abbado and the Orchestra Mozart: (http•••) (http•••) (http•••) (http•••) (http•••) The Orchestra Mozart was founded in 2004 to afford talented, young musicians the opportunity to play in a world-class orchestra, with world-class conductors. Claudio Abbado +••.••(...)) is considered one of the greatest conductors of all time. In 2011, Classic Voice music magazine named Abbado the most important of the top 100 living conductors. He was born into a family of musicians in Milan, Italy, on June 26, 1933. Following his study of conducting, piano, and composition at the Giuseppe Verdi Conservatory in Milan, he furthered his education at the Vienna Music Academy. In 1968, Abbado became head conductor of the Milan Scala. In the subsequent years, he could be seen on the world’s great concert stages; in Milan, London, and Chicago. Following his 1984 debut at the Vienna State Opera, he became the city’s general music director. In October of 1989, the members of the Berlin Philharmonic elected him artistic director, succeeding Herbert von Karajan. He remained in Berlin until 2002. Abbado died in Bologna on January 20, 2014, aged 80, following a long battle with cancer. EuroArts Music International GmbH Watch more concerts in your personal concert hall: (http•••) and in our Bach playlist: (http•••) Subscribe to DW Classical Music: (http•••) #JohannSebastianBach #BrandenburgConcertos #ClaudioAbbado
Johann Sebastian Bach Claudio Abbado Ottavio Dantone Christian Ludwig Giuseppe Verdi Herbert Karajan Giuliano Carmignola Jacques Zoon Orchestra Mozart Vienna State Opera Berlin Philharmonic Teatro Municipale Valli Milan Scala 1050 1403 1685 1718 1721 1750 1933 1968 1984 1989 2002 2004 2007 2011 2014
Claudio Abbado and the Orchestra Mozart perform Johann Sebastian Bach’s Brandenburg Concerto No. 5 in D major, BWV 1050, at the Teatro Municipale Valli in Reggio Emilia, Italy (2007). Bach’s fifth Brandenburg Concerto is special in two respects: It includes a ‘concertino’ with harpsichord, transverse flute and violin, in which the three solo instruments confront the string orchestra as if in a kind of dialogue. And the slow middle movement is played by the three soloists without any string orchestra at all. This second movement is a restrained lament in which violin, flute and harpsichord enter into a canonic dialogue with each other. What is also special about the Fifth Brandenburg Concerto is that Bach gave the harpsichord a prominent role. In the first movement, this tradition-steeped keyboard instrument has a three-minute solo passage that is brilliantly handled by Ottavio Dantone (05:56). Because of this harpsichord solo, the Brandenburg Concerto No. 5 is considered perhaps the earliest example of a solo concerto for a keyboard instrument. 00:00 I. Allegro 09:00 II. Affettuoso 14:03 III. Allegro Dantone plays a harpsichord from the workshop of William Horn, which is also a feast for the eyes with its many decorations on a bright red base in the middle of the stage. The Latin quotation in the lid of the ornate keyboard instrument ‘Nulla scientia melior musica animae harmonia’ (There is no science better than the music of the soul) could have been written just for this Brandenburg Concerto, which seems to have drawn its rhythm from the pulse of the human soul. The Brandenburg Concertos (BWV 1046–1051) by Johann Sebastian Bach (1685 – 1750) are a collection of six instrumental works that Bach dedicated to Christian Ludwig, Margrave of Brandenburg, in 1721. They are regarded as some of the best orchestral compositions of the Baroque era. The concerts were, however, likely composed between 1718 and 1721, for Bach’s Köthener Hofkappelle. Bach’s original title, Six Concerts with Various Instruments, describes exactly what is special about these concerts; the varied use of several instruments – with different strings, wind instruments, or solo harpsichord for the concertini. Watch the other 5 Brandenburg Concertos with Abbado and the Orchestra Mozart: (http•••) (http•••) (http•••) (http•••) (http•••) The Orchestra Mozart was founded in 2004 to afford talented young musicians the opportunity to play in a world-class orchestra, with world-class conductors. Claudio Abbado +••.••(...)) is considered one of the greatest conductors of all time. In 2011, Classic Voice music magazine named Abbado the most important of the top 100 living conductors. He was born into a family of musicians in Milan, Italy, on June 26, 1933. Following his study of conducting, piano, and composition at the Giuseppe Verdi Conservatory in Milan, he continued his education at the Vienna Music Academy. In 1968, Abbado became head conductor of the Milan Scala. In the subsequent years, he could be seen on the world’s great concert stages, in Milan, London, and Chicago. Following his 1984 debut at the Vienna State Opera, he became the city’s general music director. In October of 1989, the members of the Berlin Philharmonic elected him artistic director, succeeding Herbert von Karajan. He remained in Berlin until 2002. Abbado died in Bologna on January 20, 2014, aged 80, following a long battle with cancer. Giuliano Carmignola – Violin Ottavio Dantone – Harpsichord Jacques Zoon – Flute Orchestra Mozart Claudio Abbado – Conductor EuroArts Watch more concerts in your personal concert hall: (http•••) and in our Bach playlist: (http•••) Subscribe to DW Classical Music: (http•••) #JohannSebastianBach #BrandenburgConcertos #ClaudioAbbado
Beethoven Claudio Abbado London Symphony Orchestra 1852 1984
Ludwig van Beethoven Symphony No.3 in E flat major, op.55 "Eroica" 00:00 I. Allegro con brio 18:52 II. Marcia funebre, Adagio assai 35:10 III. Scherzo. Allegro vivace - Trio 41:07 IV. Finale. Allegro molto - Poco Andante - Presto London Symphony Orchestra Claudio Abbado Live Recording: 4/1984, London
Feodor Ivanovich Chaliapin Clarke Bourdon Dmitri Usatov Gounod Sergei Rachmaninoff Mussorgsky Boito Arturo Toscanini Sir Thomas Beecham Pabst Private Opera Bolshoi Theatre Scala Metropolitan Opera 1847 1872 1873 1894 1896 1899 1901 1907 1913 1914 1918 1921 1926 1927 1929 1931 1932 1933 1937 1938 1943 1984
Feodor Chaliapin sings - in English - 'The Blind Ploughman,' with orchestra conducted by Rosario Bourdon, recorded by Victor in the Church Building at Camden, New Jersey, on 18 March 1927. From Wikipedia: Feodor Ivanovich Chaliapin... February 13 [O.S. February 1] 1873 – April 12, 1938) was a Russian opera singer. Possessing a deep and expressive bass voice, he enjoyed an important international career at major opera houses and is often credited with establishing the tradition of naturalistic acting in his chosen art form... Feodor Chaliapin was born into a peasant family...His vocal teacher was Dmitri Usatov +••.••(...)). Chaliapin began his career at Tbilisi and at the Imperial Opera in Saint Petersburg in 1894. He was then invited to sing at the Mamontov Private Opera (1896–1899); he first appeared there as Mephistopheles in Gounod's Faust, in which role he achieved considerable success. At Mamontov Chaliapin met Sergei Rachmaninoff +••.••(...)), who was serving as an assistant conductor there and with whom he remained friends for life. Rachmaninoff taught him much about musicianship, including how to analyze a music score, and insisted that Chaliapin learn not only his own roles but also all the other roles in the operas in which he was scheduled to appear. With Rachmaninoff he learned the title role of Mussorgsky's Boris Godunov, which became his signature character. Chaliapin returned the favour by showing Rachmaninoff how he built each of his interpretations around a culminating moment or 'point.' Regardless of where that point was or at which dynamic within that piece, the performer had to know how to approach it with absolute calculation and precision; otherwise, the whole construction of the piece could crumble and the piece could become disjointed. Rachmaninoff put this approach to considerable use when he became a full-time concert-pianist after World War I. On the strength of his Mamontov appearances, the Bolshoi Theatre in Moscow engaged Chaliapin, and he appeared there regularly from 1899 until 1914. During the First World War of 1914-1918 Chaliapin also appeared regularly at the Zimin Private Opera in Moscow. In addition, from 1901, Chaliapin began touring in the West, making a sensational debut at La Scala that year as the devil in a production of Boito's Mefistofele, under the baton of one of the 20th century's most dynamic opera conductors, Arturo Toscanini. At the end of his career, Toscanini observed that the Russian bass was the greatest operatic talent with whom he had ever worked. The singer's Metropolitan Opera debut in the 1907 season was disappointing due to the unprecedented frankness of his stage acting; but he returned to the Met in 1921 and sang there with immense success for eight seasons, New York's audiences having grown more broad-minded since 1907. In 1913 Chaliapin was introduced to London and Paris by the brilliant entrepreneur Sergei Diaghilev +••.••(...)), at which point he began giving well-received solo recitals in which he sang traditional Russian folk-songs as well as more serious fare... Chaliapin toured Australia in 1926, giving a series of recitals which were highly acclaimed...[He remained] perpetually outside Russia after 1921. He still maintained, however, that he was not anti-Soviet. Chaliapin initially moved to Finland and later lived in France. Cosmopolitan Paris, with its significant Russian émigré population, became his base, and ultimately, the city of his death. He was renowned for his larger-than-life carousing during this period, but he never sacrificed his dedication to his art. Chaliapin's attachment to Paris did not prevent him from pursuing an international operatic and concert career in England, the United States, and further afield. In May 1931 he appeared in the Russian Season directed by Sir Thomas Beecham at London's Lyceum Theatre. His most famous part was the title role of Boris Godunov (excerpts of which he recorded 1929–31 and earlier)... Largely owing to his advocacy, Russian operas...became well known in the West. Chaliapin made one sound film for the director G. W. Pabst, the 1933 Don Quixote. The film was made in three different versions – French, English, and German, as was sometimes the prevailing custom. Chaliapin starred in all three versions, each of which used the same script, sets, and costumes, but different supporting casts... In 1932, Chaliapin published a memoir, Man and Mask: Forty Years in the Life of a Singer... Chaliapin's last stage performance took place at the Monte Carlo Opera in 1937, as Boris. He died the following year of leukaemia, aged 65, in Paris, where he was interred. In 1984, his remains were transferred from Paris to Moscow in an elaborate ceremony. They were re-buried in the Novodevichy Cemetery... I transferred this side from an Australian laminated pressing of HMV DA 993.
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- cronología: Cantantes líricos (Sudamérica). Intérpretes (Sudamérica).
- Índices (por orden alfabético): R...