Zoé de La Rue Vídeos
compositor
- Francia
Última actualización
2024-05-21
Actualizar
Film KARMA avec DOSSEH, NIRO, SOFIANE, ESCOBAR MACSON, SETH GUEKO, et bien d'autres, disponible avec sa B.O. Dans les bacs et en digital. ► Commande le coffret CD/DVD (film+B.O.) ici à 11,89€ : (http•••) ► Commande la B.O. ici à 6,99€ : (http•••) ► Rejoins DOSSEH sur : Facebook : (http•••) sur Twitter : (http•••) Sur instagram : (http•••) ► Résumé Du Film : Karma raconte l'histoire d'une bande de trois amis d'enfance, composée de Koffi (Escobar Macson), Chris (Bassirou) et Ahmess (Dosseh). En pleine construction de sa carrière de rappeur, Ahmess prend sous les conseils de ses deux compères la décision de stopper ses activités illégales. Mais Malheureusement, la rue et les histoires qu'ils y ont eues vont les rattraper...
Goldschmidt Rondeau Chantal Juillet Berthold Goldschmidt Radio Symphonie Orchester Berlin 1996
Provided to YouTube by Universal Music Group Goldschmidt: Rondeau "Rue du Rocher" · Chantal Juillet · Radio-Symphonie-Orchester Berlin · Berthold Goldschmidt Goldschmidt: The Goldschmidt Album ℗ 1996 Decca Music Group Limited Released on: 1996-01-01 Producer, Recording Producer: Michael Haas Studio Personnel, Balance Engineer: Philip Siney Studio Personnel, Recording Engineer: Michael Mailes Composer: Berthold Goldschmidt Auto-generated by YouTube.
Chopin Grinberg Arthur Meyer 1791 1845 1863 1882 1900 1974 1987 1996 2015
Hotel Chopin as seen in the Film "Mon Homme" My Man (French: Mon Homme) is a 1996 French drama film written and directed by Bertrand Blier. It was entered into the 46th Berlin International Film Festival where Anouk Grinberg won the Silver Bear for Best Actress. The Passage Jouffroy is a covered walkway in the south of the 9th arrondissement of Paris, on the border with the 2nd arrondissement. It begins in the south between 10 and 12 boulevard Montmartre, and ends in the north at 9 rue de la Grange-Batelière.[1] Each passage is about 140 metres (460 ft) long and 4 metres (13 ft) wide. About 80 metres (260 ft) from its entrance on the Boulevard Montmartre, the passage makes a right angle turn and runs west for a few metres before descending some stairs. It then continues in a northerly direction to its outlet on the rue Grange-Batelière. This was imposed by the irregular pattern of the three plots on which the passage was built. This last part of the passage is particularly narrow, leaving room only for the corridor and a shop. The Passage des Panoramas opens as a continuation of the passage Jouffroy on the other side of the Boulevard Montmartre. The Passage Verdeau does the same on the other side, after crossing the street from the Grange Batelière. The passage is covered by a canopy of metal and glass. An ornate clock stucco overlooks the alley. The floor is paved with a geometric pattern composed of white, gray and black squares. The exit from the musée Grévin is located inside the Passage Jouffroy. History[edit] The Passage Jouffroy was built in 1845 along the line of the Passage des Panoramas in order to capitalize on the popularity of the latter. A private company was formed to manage it, headed by Count Felix de Jouffroy-Gonsans +••.••(...)), who gave his name to the passage, and M. Verdeau, who gave his name to the passage that was built as a further extension, the passage Verdeau. The passage was built by architects François Destailleur and Romain de Bourges. The Passage Jouffroy represents an important stage in the technological evolution of the 19th century and the mastery of iron structures. It is the first Parisian passage built entirely of metal and glass. Only the decorative elements are wooden. It is also the first passage heated by the ground. In the early 1880s Arthur Meyer, founder of the newspaper Le Gaulois, joined the cartoonist Alfred Grévin to create a gallery of wax figures on a property adjacent to the passage. It was inaugurated on 10 January 1882 and has since taken the name of the musée Grévin. The exit of the museum, decorated with a montage of various characters, is in the passage and contributes in large part to its success.[citation needed] The museum includes a hall of mirrors that was originally housed in the Palais des mirages designed by Eugène Hénard for the Exposition Universelle (1900).[3] In 1974 the passage was registered as a French historical monument. The passage was completely renovated in 1987 and regained its original paving. Camera: Canon 100d Lense: Canon EF 24-105mm f/4.0 L IS USM Lens Paris - June 2015
Kai Wessel Fröhlich Torre Capella Torre 2017
Provided to YouTube by NAXOS of America Missa pro Fidelibus Defunctis: II. Kyrie · Kai Wessel Ein musikalisches Gipfeltreffen ℗ 2017 Musik Museum Released on: 2017-09-15 Artist: Kai Wessel Artist: Bernd Oliver Fröhlich Artist: Harry van Berne Artist: Matthias Lutze Conductor: Katharina Bäuml Ensemble: Capella de la Torre Composer: Pierre de La Rue Auto-generated by YouTube.
o
- cronología: Compositores (Europa).
- Índices (por orden alfabético): L...