Edith Mathis Vídeos
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Paul Hindemith Gansch Bach 1895 1939 1963 2017
Piano Accompaniment: (http•••) More Accompaniments: (http•••) Donate: (http•••) Buy me a coffee: (http•••) Sonata for Trumpet and Piano op. 137 (1939) Paul Hindemith +••.••(...)) Biographical Info The sonata opens with the trumpet proclaiming a sturdy theme over piano figuration to the performance direction mit Kraft (with strength). Two more ideas are presented, with the movement’s eventual form set out in the neatly symmetrical arrangement of A-B-C-A-C-B-A. The second movement has a quirky, whimsical air to it, somewhat like a comical march but with a pronounced undercurrent of tension. The last movement is the longest and the sonata’s center of emotional gravity. Entitled ''Trauermusik'' (music of mourning), it takes the trumpet, so often used as an instrument of brilliance and pomp and celebration, on a troubled, meditative journey that culminates in the somber intoning of the chorale-theme ''Alle Menschen müssen sterben'' (all men must die), which Bach had set as a chorale-prelude (BWV 643). This sonata was one of several Hindemith composed in 1939, as part of his project to supply music of substance and challenge to serious amateur performers on various instruments. This particular work took on a depth quite beyond the scope of its companion sonatas; it became one of Hindemith’s most personal expressions, and in that sense suggests a link to such works as the opera Mathis der Maler and the more familiar three-part symphony he created from materials in that work The music that became the flashpoint of his unplanned confrontation with the Nazi authorities in his native country. In 1939, the year he composed this sonata, Hindemith was living as an exile in Switzerland, where he watched his own country annex Austria, occupy Czechoslovakia, and finally ignite World War II by invading Poland, while its leaders were intensifying their obsession with anti-Semitism and moving determinedly toward full-scale genocide. The Trumpet Sonata, perhaps to Hindemith’s own surprise, became a protest and a profound lamentation. Perhaps as a reflection of these ominous events, Hindemith’s Trumpet Sonata took on a rather somber hue. Hindemith held this sonata in high esteem. To a friend he wrote that “it is maybe the best thing I have succeeded in doing in recent times.” Source: (http•••) Follow me for more on: Bandcamp: (http•••) Facebook: (http•••) Instagram: trumpetrecords #trumpetrecords #sivopenev Paul Hindemith - Sonata for Trumpet and Piano - I. Mit Kraft (Hans Gansch)
Paul Hindemith Weber Paul Sacher Yan Pascal Tortelier Tortelier Stevenson Basler Kammerorchester Bbc Philharmonic 1895 1923 1935 1938 1943 1951 1963
Paul Hindemith (16 November 1895 – 28 December 1963) was a prolific German composer, violist, violinist, teacher and conductor. In the 1920s, he became a major advocate of the Neue Sachlichkeit (new objectivity) style of music. Notable compositions include his song cycle Das Marienleben (1923), Der Schwanendreher for viola and orchestra (1935), and opera Mathis der Maler (1938). Hindemith's most popular work, both on record and in the concert hall, is likely the Symphonic Metamorphosis of Themes by Carl Maria von Weber, written in 1943. Please support my channel on (http•••) Symphonie „Die Harmonie der Welt“ (The Music of the Spheres) Dedication: Geschrieben für Paul Sacher und das Basler Kammerorchester zum fünfundzwanzigsten Geburtstag des Orchesters I. Musica Instrumentalis (0:00) II. Musica Humana (10:42) III. Musica Mundana (20:30) BBC Philharmonic conducted by Yan Pascal Tortelier Description by Joseph Stevenson This symphony is drawn from an opera about Johannes Kepler, the great astronomer who deduced the laws of orbital motion. Kepler was looking for the exact, perfect geometrical forms / circles, squares, equilateral triangles, and the like, that he believed must describe planetary motion. He called concept "The Harmony of the Universe, " (in German, Harmonie der Welt). Ironically, he discovered that there are no such relationships concerning spacing of the planets, and also that they move not in circular but in elliptical orbits, and not even at constant speeds. The symphony has three movements, "Machine Music, " "Human Music, " and "World Music." The three movements progressively seek to illuminate higher and higher spheres of musical/astrological imagery and musical purity. The music itself is high-minded and seeks to be free from human passions (except the passion for enlightenment), and seems at times to glow with an inner radiance.
Anton Heiller Heiden Bourdon 1923 1972 1979 1995 2019
Darko Pleli spielt Variationen über Nun komm, der Heiden Heiland (1972) von Anton Heiller +••.••(...)http•••) / an der Großen Mathis-Orgel in der Basilika "Unserer Lieben Frau zu den Schotten" in Wien I am 23. Dezember 2019. Darko Pleli performs Anton Heiller´s Variations on Nun komm, der Heiden Heiland +••.••(...)http•••) / . Recorded on the Great Mathis Organ (1995, III - P, 49) at the Benedictine Abbey of Our Beloved Lady of the Scots in Vienna on Dezember 23rd, 2019. Panasonic Lumix GH5 + Panasonic DMW-XLR1E XLR-Mikrofonadapter + Sontronics STC-1S Stereopaar Kleinmembran Niere BL + Windows Movie Maker Darko Pleli www.youtube.com/c/DarkoPleli www.facebook.com/plelidarko www.darkopleli.at www.gegenklang.at Mathis 1995, III-P/49 I. Hauptwerk / C - g''' Praestant 16’ Octave 8’ Flûte harmonique 8’ Viola di Gamba 8’ Octave 4’ Spitzflöte 4’ Quinte 2 2/3’ Doublette 2’ Mixtur 4fach 2’ Scharff 4fach 1’ Cornet 5fach 8’ Bombarde 16’ Trompette 8’ II. Rückpositiv / C - g ''' Gedackt 8’ Quintade 8’ Praestant 8’ Rohrflöte 4’ Sesquialtera 2fach 2 2/3’ Octave 2’ Waldflöte 2’ Larigot 1 1/3’ Cymbel 4fach 1’ Cromorne 8’ Tremulant III. Schwellwerk / C - g ''' Bourdon 16’ Portunalflöte 8’ Salicional 8’ Voix celeste 8’ Principal 4’ Flûte octaviante 4’ Salicet 4’ Nasat 2 2/3’ Octavin 2’ Terz 1 3/5’ Plein-jeu 5fach 2 2/3’ Trompette harmonique 8’ Basson-Hautbois 8’ Voix humaine 8’ Clairon harmonique 4’ Tremulant Pedal / C - f ' Untersatz 32’ Principal 16’ Subbass 16’ Octavbass 8’ Bourdon 8’ Choralbass 4’ Hintersatz 5fach 4’ Posaune 16’ Zinke 8’ Clairon 4’ SPIELHILFEN (v.l.n.r.): El. Koppelhife, externer Sequenzer, Einzelzungen ab, SW - HW, RP - HW, SW - RP, RP - PED, SW - PED, HW -PED, Crescendo an, Sequenzer - Schwelltritt - Crescendo - Anches SW, Anches HW, Anches PED, Anches RP, externer Sequenzer, mechanische Spiel- und Registertraktur mit elektronischer Setzeranlage (Doppeltraktur)
Anton Heiller Schuen Bourdon 1923 1967 1979 1995 2020
Manuel Schuen spielt "Ecce lignum crucis - eine Meditation für Orgel" (1967) von Anton Heiller +••.••(...)http•••) / beim Eröffnungskonzert der Herbstsaison 2020 der Konzertreihe GEGENKLANG an der Großen Mathis-Orgel in der Basilika "Unserer Lieben Frau zu den Schotten" in Wien I am 14. September 2020. Manuel Schuen performs Anton Heiller´s "Ecce lignum crusis" +••.••(...)http•••) / . Recorded on the Great Mathis Organ (1995, III - P, 49) at the Benedictine Abbey of Our Beloved Lady of the Scots in Vienna on September 14th 2020. Panasonic Lumix GH5 + Panasonic DMW-XLR1E XLR-Mikrofonadapter + Sontronics STC-1S Stereopaar Kleinmembran Niere BL + Windows Movie Maker Darko Pleli www.youtube.com/c/DarkoPleli www.manuelschuen.at www.darkopleli.at www.gegenklang.at Mathis 1995, III-P/49 I. Hauptwerk / C - g''' Praestant 16’ Octave 8’ Flûte harmonique 8’ Viola di Gamba 8’ Octave 4’ Spitzflöte 4’ Quinte 2 2/3’ Doublette 2’ Mixtur 4fach 2’ Scharff 4fach 1’ Cornet 5fach 8’ Bombarde 16’ Trompette 8’ II. Rückpositiv / C - g ''' Gedackt 8’ Quintade 8’ Praestant 8’ Rohrflöte 4’ Sesquialtera 2fach 2 2/3’ Octave 2’ Waldflöte 2’ Larigot 1 1/3’ Cymbel 4fach 1’ Cromorne 8’ Tremulant III. Schwellwerk / C - g ''' Bourdon 16’ Portunalflöte 8’ Salicional 8’ Voix celeste 8’ Principal 4’ Flûte octaviante 4’ Salicet 4’ Nasat 2 2/3’ Octavin 2’ Terz 1 3/5’ Plein-jeu 5fach 2 2/3’ Trompette harmonique 8’ Basson-Hautbois 8’ Voix humaine 8’ Clairon harmonique 4’ Tremulant Pedal / C - f ' Untersatz 32’ Principal 16’ Subbass 16’ Octavbass 8’ Bourdon 8’ Choralbass 4’ Hintersatz 5fach 4’ Posaune 16’ Zinke 8’ Clairon 4’ SPIELHILFEN (v.l.n.r.): El. Koppelhife, externer Sequenzer, Einzelzungen ab, SW - HW, RP - HW, SW - RP, RP - PED, SW - PED, HW -PED, Crescendo an, Sequenzer - Schwelltritt - Crescendo - Anches SW, Anches HW, Anches PED, Anches RP, externer Sequenzer mechanische Spiel- und Registertraktur mit elektronischer Setzeranlage (Doppeltraktur)
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