Kathleen Ferrier Vídeos
contralto inglesa (1912-1953)
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- contralto
- música clásica
- Reino Unido, Reino Unido de Gran Bretaña e Irlanda
- cantante de ópera, artista discográfico
streaming
Última actualización
2024-05-27
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Elizabeth Harwood Kathleen Ferrier Lina Pagliughi Rossini Joan Sutherland Richard Strauss Scottish Opera Covent Garden Scala 1912 1916 1918 1933 1935 1938 1960 1961 1967 1969 1970 1971 1972 1975 1982 1990
~The "Glass Shatterers!" series focuses on sopranos who sustain High F, or sing higher. THE SONGBIRD: Elizabeth Harwood +••.••(...)) was raised in Yorkshire by musical parents / her mother was a professional soprano, Constance Read, and gave Harwood voice lessons. Harwood studied at the Royal Manchester College of Music and at the age of 21, she won the Kathleen Ferrier Memorial Scholarship and spent a year in Milan studying with Lina Pagliughi. Her professional debut came as Second Boy in "The Magic Flute" at Glyndebourne in 1960. She became a member of the Sadler's Wells company in 1961 where she sang Manon, Gilda, Rossini's Adele, Konstanze, Countess Rosina, Fiakermilli, and Zerbinetta. After a tour of Australia with Joan Sutherland's company in 1967, Harwood's regular appearances at the Scottish Opera began with Fiordiligi and continued with Sophie, Lucia, Rosalinde, and Eva (her only Wagner role). At Covent Garden in the 1960s and 1970s she sang Fiakermilli, Gilda, Oscar, Donna Elvira, Norina, Arabella, and Manon. For Glyndebourne, she was Fiordiligi, Countess Rosina, and, in 1982, the Marschallin. Appearances abroad included Aix-en-Provence (Donna Elvira in 1967, Galatea in 1969); Salzburg (Konstanze and Fiordiligi in 1970, Countess Rosina in 1972); The Met (Fiordiligi in 1975); and La Scala (Konstanze in 1971). Harwood died of cancer at age 52. This recording of the original 1912 version of Zerbinetta's aria from the BBC, with Norman Del Mar conducting, only exists in poor audio. I have long searched for a better quality file, and even had a contact who works in the audio archives of the BBC search for it there, but to no avail / so for now, this is the best we have. THE MUSIC: Richard Strauss's opera "Ariadne auf Naxos" premiered twice. The first was in 1912 in Stuttgart where it was conceived as a short opera to accompany a new adaption of Moliere's play, "Le Bourgeois gentilhomme." This version was performed in other cities over the next year (Zurich, Munich, Prague, and London), but the play/opera hybrid concept proved ineffective (and way too long at over six hours). Working with his librettist/partner Hugo von Hofmannsthal, Strauss refashioned the opera as a stand-alone work with a newly added prologue, which premiered in this new form to success in Vienna in 1916. This version of the opera was quickly embraced by critics, artists, and the public / it has since been recorded commercially many times and is performed regularly around the world. Only rarely have there been staged or even concert productions of the earlier 1912 version of the opera and there is only one commercial recording. One of the changes Strauss made for the 1916 score was to lower the key and cut or alter about four minutes of music from Zerbinetta's grand aria "Grossmächtige Prinzessin." (In this video, I have roughly marked the three sections of deleted or altered music). Both versions are insane, but this original version is incomprehensibly difficult at nearly 15 minutes in length and with a gruelingly high tessitura, including two High F-sharps. In either version, the scene demands a level of virtuosic musicianship and theatrical flair that is simply unmatched. Zerbinetta is a coloratura soubrette on steroids! In this scene and role, Strauss invented an entirely new musical language to exploit the unique glories of the coloratura soprano voice. He revisited this proprietary mode of highly gymnastic vocalism a few other times afterwards: in the art song "Amor" (1918), with Fiakermilli in "Arabella" (1933), and for Aminta in "Die schweigsame Frau" (1935).
Johann Sebastian Bach Herbert Karajan Walther Ludwig Paul Schöffler Irmgard Seefried Kathleen Ferrier Otto Edelmann Edelmann Kaufmann Harald Pröglhöf Otto Wiener Walter Berry Anny Felbermayer Wiener Symphoniker Musikverein 2010
Provided to YouTube by The Orchard Enterprises Matthäus Passion, BWV 244: °Ich will hier bei dir stehen" · Johann Sebastian Bach · Wiener Symphoniker · Herbert von Karajan · Musikverein of Vienna · Walther Ludwig · Paul Schöffler · Irmgard Seefried · Kathleen Ferrier · Otto Edelmann · Erich Kaufmann · Harald Pröglhöf · Otto Wiener · Walter Berry · Anny Felbermayer Bach: Matthäus Passion, BWV 244, Vol. 1 ℗ 2010 Classical Moments Released on: 2010-06-05 Music Publisher: Classical Moments Auto-generated by YouTube.
Linda Finnie Legge Kathleen Ferrier Charles Villiers Stanford Villiers 2013
Provided to YouTube by NAXOS of America An Irish Idyll in Six Miniatures, Op. 77: No. 2. The Fairy Lough · Linda Finnie · Linda Finnie · Anthony Legge · Anthony Legge Songs of the British Isles in Tribute to Kathleen Ferrier ℗ 2013 Chandos Released on: 2013-09-01 Artist: Linda Finnie Artist: Anthony Legge Composer: Charles Villiers Stanford Auto-generated by YouTube.
Éva Zino Francescatti Helge Roswaenge Bach Hubay Jemnitz Bartók Paganini Verdi Kathleen Ferrier Hegedűs Ferencsik 1925 1937 1997 2000
1997. május 11. Kossuth, 20.05 RÁDIÓFÓNIA / 57. rész 75 esztendő a magyar zene hullámhosszán +••.••(...)) Bieliczkyné Buzás Éva összeállítása Az 1937-es év zenei eseményeiből: A tartalomból: Budapest vendégei: Zino Francescatti hegedűművész és Helge Roswaenge operaénekes / Bach oratórikus műveinek előadása Lichtenberg Emil vezényletével / Interjú Jávor Pállal „Csak azért is" címmel / Elhunyt Hubay Jenő hegedűművész, pedagógus és zeneszerző / Jemnitz Sándor Prelúdium és fúga című művének bemutatója / „Népdalgyűjtés Törökországban". Bartók Béla előadása a rádióban / Az Egyetemi Énekkarok sikere Amerikában / Hetven éves a Kék Duna keringő Zenei bejátszások: 1./ Paganini: D-dúr hegedűverseny / részl. (Francescatti, Philadelphiai zkr. vez. Ormándy) 2./ Verdi: A trubadúr / Manrico f-moll áriája a III. felv-ból (Helge Roswaenge) 3./ Bach: h-moll mise - duett (Elisabeth Scwarzkopf, Kathleen Ferrier) 4./ Szent Pál apostol: A szeretet himnusza (Jávor Pál) 5./ Hubay: A cremonai hegedűs / hegedűszóló (a szerző) 6./ Jemnitz Sándor: Prelúdium és fúga / részl. (Rzkr. vez. Lehel György) 7./ Bartók: A bujdosó (ELTE Bartók kórusa, vez. Baross Gábor) 8./ J. Strauss: Kék Duna keringő / részl. (ÁHZ, vez. Ferencsik János) *
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- cronología: Cantantes líricos (Europa).
- Índices (por orden alfabético): F...