Francesco Lucio Vídeos
compositor, organista
- órgano
- ópera, música clásica
- República de Venecia
Última actualización
2024-05-03
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Claudio Abbado Gustav Mahler Maurizio Pollini Andrea Rost Alan Titus Ramón Vargas Larissa Diadkova Stella Doufexis Elizabeth Futral Massimo Giordano Anatoly Kocherga Carmela Remigio Eric Ericson Karita Mattila Violeta Urmana Thomas Moser Moser Eike Eike Wilm Schulte Wilm Verdi Beethoven Mariss Jansons Bernard Haitink Seiji Ozawa Zubin Mehta Berliner Philharmoniker Gustav Mahler Jugendorchester Orchestra Mozart Swedish Radio Choir Orfeón Donostiarra Lucerne Festival Orchestra
Berliner Philharmoniker · Gustav Mahler Jugendorchester · Lucerne Festival Orchestra · Orchestra Mozart Claudio Abbado Maurizio Pollini (piano), Prague Radio Choir, Andrea Rost (soprano), Alan Titus (baritone) Ramón Vargas (tenor), Larissa Diadkova (mezzo-soprano), Stella Doufexis (mezzo-soprano), Enrico Facini (tenor), Elizabeth Futral (soprano), Lucio Gallo (baritone) Massimo Giordano (tenor), Anatoly Kocherga (bass) Anthony Mee (tenor) Carmela Remigio (soprano), Swedish Radio Choir, Eric Ericson Chamberchoir, Orfeón Donostiarra, Karita Mattila (soprano) Violeta Urmana (mezzo-soprano) Thomas Moser (tenor), Eike Wilm Schulte (baritone) What made Claudio Abbado stand out was his unpretentious, noble character, his democratic understanding of music making and his ability to celebrate the live moment on stage. Claudio Abbado empathized with his musicians. In order to be able to maintain contact with each individual during the conducting, he usually conducted from memory. "I am Claudio - for everyone" quickly became Abbado's oft-quoted statement. DVD 1: Hearing the Silence - Sketches for a Portrait by Paul Smaczny DVD 2: Claudio Abbado conducts Verdi DVD 3: Claudio Abbado conducts Verdi: Messa da Requiem DVD 4: Claudio Abbado conducts Beethoven Symphonies 3 & 9 DVD 5: Claudio Abbado conducts Mahler Symphony No. 9 DVD 6: Claudio Abbado conducts Mahler and Beethoven at Lucerne DVD 7: Claudio Abbado conducts Brandenburg Concertos INFO: (http•••) BUY DVD: (http•••) (DE) | (http•••) (US) If you enjoy our Conductors' Series, our other editions may also be of interest to you: MARISS JANSONS: (http•••) BERNARD HAITINK: (http•••) SEIJI OZAWA: (http•••) ZUBIN MEHTA: (http•••) MORE INFORMATION ON OUR CONDUCTORS' SERIES: (http•••) FACEBOOK: (http•••) TWITTER: (http•••) SUBSCRIBE TO OUR NEWSLETTER: (http•••)
Johann Christian Bach Bach Jean Pierre Rampal Pierre Pierlot Gérard Jarry Serge Collot Karl Friedrich Abel Christian Ferdinand Abel Burney Frederick Great 1735 1764 1768 1772 1776 1781 1782
00:00 Quintet No. 2 in G major: Allegro - Allegro assai 06:00 Quintet No. 5 in A major: Allegretto - Tempo di Minuetto 11:30 Quintet No. 1 in C major: Allegretto - Andantino - Minuetto con variazione 21:39 Quintet No. 6 in D major: Allegro - Andantino - Allegro assai 31:29 Quintet No. 3 in F major: Andante - Rondo (Allegretto) 38:14 Quintet No. 4 in E flat major: Andante - Minuetto - Allegro Flute: Jean-Pierre Rampal / Oboe: Pierre Pierlot French String Trio: Gérard Jarry, violin / Serge Collot, viola / Michael Tournus, cello Johann Christian Bach’s activities in London were not limited to the composition of Italian operas. In the English capital he met again a former pupil of his father’s: the viola da gamba player and composer Karl Friedrich Abel. It was for the latter’s father, Christian Ferdinand Abel, a member of the Coethen orchestra, that Johann Sebastian had composed his Suites for unaccompanied cello. In London Johann Christian joined forces with the son, Karl Friedrich, and founded a concert society. They were joint directors from 1764 to 1781, and Abel continued for a while after Johann Christian’s death. They gave a concert every week and, as Burney tells us, "as their own compositions were new and excellent, and the best performers of all kinds, which our capital could supply, enlisted under their banners, this concert was better patronised and longer supported than perhaps any one had ever been in this country; having continued for full twenty years with uninterrupted prosperity.’ Johann Christian was among the first to play the pianoforte publicly in London (June 2, 1768). He and Abel thus presented themselves as performers and composers at the same time. When the eight-year-old Mozart arrived in London in 1764 he found Johann Christian concert director, harpsichord teacher to Queen Charlotte, accompanist to the King (who, like Frederick the Great, played the flute), and music master to the royal children. Mozart listened with all his ears to the new compositions of the two German masters who were then setting the tone of English musical taste, and even copied some of them out. (It is known that the Symphony in E flat major, K. 18, formerly attributed to Mozart, is actually by Abel.) Several sets of works have come down to us in which Johann Christian employs wind instruments, sometimes alone and sometimes in combination with strings. Opus 11 — six quintets for flute, oboe, violin, viola, and bass — was published by Welcker in London about 1776. The Quintet in D major, Op. 22 has the same instrumentation. Other works include a Quintet in F major for oboe, violin, viola, cello, and harpsichord, four wind quintets published in Dublin after the composer’s death and known as Military Pieces, and six Sinfonias for two clarinets, two horns, and bassoon usually regarded nowadays as arrangements. Mrs. Papendieck’s diary recounts an episode in Johann Christian’s life about 1776. "John Bach’ was in the habit of playing every Thursday at her house with the Queen’s chamber musicians, and he and Abel would take turns to compose something for these gatherings. One day, having forgotten that it was his turn, Johann Christian sat down before dinner and composed "a ravishing first movement for a quintet in E flat major"; two copyists wrote out the parts at his dictation as the work proceeded. This was the origin of the fourth Quintet of Opus 11. The completed set was dedicated to Karl Theodor, Elector Palatine at Mannheim, where Johann Christian had enjoyed a real triumph with his Temistocles in 1772, and where he presented Lucio Silla in 1776. The dedication of the Quintets read as follows: "Your Highness’s benevolent approval of my efforts at Mannheim has given me infinite satisfaction. Music and the fine arts, supported by your favor and guided by your taste and the thoughtful strength of your judgment, flourish there with unsurpassed vigor. Your Highness’s new command gives me the greatest joy. I am also eager to offer Your Highness this modest token of my constant gratitude for the consideration you have been pleased to accord me.”
Malin Hartelius Margarethe Bence William Christie Vienna State Opera 1768 1966 1989 1991 1992 1997 2006
THE SONGBIRD: Born in 1966 in Malmo, Malin Hartelius studied music in Vienna with soprano Margarethe Bence. In 1989, she became a member of the Vienna State Opera Studio, appearing as Celia (Lucio Silla) and Papagena. in 1991 she became a member of the Zürich Opera and sang Pamina, Adele, Blonde, and Ännchen. Her Salzburg debut in 1992 was Barbarina; she returned in 1997 as Blonde. In Paris, Hartelius sang "Les Indes galantes" with William Christie, and Servilia and Adele. She was Konstanze in Zurich, Zerlina at Glyndebourne, and Susanna at the Aix-en-Provence Festival. Further engagements in leading high soprano roles in prestigious venues in Europe have followed. THE MUSIC: "La finta semplice" K. 51 (46a) is an opera buffa composed in 1768 by a 12-year-old Mozart while he and his father Leopold were spending the year in Vienna. Due to court intrigues it was not performed there, but premiered in Salzburg the following year. After that, it was over 200 years until another staged performance, in Salzburg in 2006. The leading soprano role of Rosina has the exquisite aria, "Amoretti, che ascosi qui siete," that was described by one music critic (rightly, I’d argue) as having a "nobility of utterance" and "achieving the expressive intensity of the later Mozart." Which is certainly the case in this stunning floated rendition by Hartelius.
Felisa Lázaro Lázaro Manuel Fernández Caballero 1857 1895 1907 1930
"Yo quiero a un hombre con toda el alma", romanza de Rosario de la zarzuela "El cabo primero" (original de Carlos Arniches y Celso Lucio, con música de Manuel Fernández Caballero). Felisa Lázaro +••.••(...)), soprano y actriz Grabación: Pathé, 1907 Imagen del vídeo: Fotografía de Felisa Lázaro de 1895 en la que aparece caracterizada como Rosario de la zarzuela "El cabo primero" (colección González-Remmers, Alemania). También me puedes seguir: En Facebook: (http•••) En Instagram: (http•••) #zarzuela #zarzuelagoldenage
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- cronología: Compositores (Europa). Intérpretes (Europa).
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