Helene Liebmann Vídeos
compositora alemana
Conmemoraciones 2025 (Nacimiento: Helene Liebmann)
- piano, voz
- Alemania
- compositor, pianista, cantante
Última actualización
2024-05-06
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Friedrich Hollaender Franz Wachsmann Pommer Boyer Théâtre Monnaie 1933 1938 1957
"Ich und die Kaiserin" (lit. The empress and I) was Lilian Harvey's final film for UFA before leaving for Hollywood. The movie was directed by composer Friedrich Hollaender who also composed the music for this film operetta which was set in France. "Wie hab' ich nur leben können ohne dich?" (Lit. How could I possibly have lived without you) was sung by Lilian harvey and is one of Hollaender's most beautiful German compositions. "Ich und die Kaiserin" premiered on 22.2.1933, roughly three weeks after Hitler became chancellor. This was to have a profound effect on the movie's staff : composers Friedrich Hollaender and Franz Wachsmann (later : Waxmann) , actors Conrad Veidt and Mady Christians, producer Erich Pommer, lyricist Robert Gilbert and screen writers Walter Reisch and Robert Liebmann all left Germany. While most has succesful careers in England and Hollywood, Robert Liebmann was killed in Auschwitz. As was customary for Lilian Harvey movies at that time a French version called "Moi et l'impératrice" and an English version called "The only girl" were made as well. In these versions Conrad Veidt was replaced by Charles Boyer. In French "Wie hab' ich nur leben können ohne dich?" became "Loin de toi" (Lit. Far from you), in English "But for you". Lilian Harvey recorded all three versions. Today's video features two very different versions : one in German by Luigi Bernauer as Fred Lustig accompanied by the Parlophon Tanzorchester (studio band) and one in French by Danièle Bregis. The French version of "Wie hab' ich nur leben können ohne dich?" was a big succes for singer Lys Gauty and her recording is the best known today. Danièle Bregis is somewhat of an enigma. This classically trained soprano appeared in operettas and light operas in France before signing a contract with the "Théâtre de la Monnaie" - the Brussels opera in 1938. Her last performance was in 1957. Apparently she died in Brussels (date unknown). The two records are obviously very different but what they have in common is their condition : both records are well used and the Danièle Bregis record is in extremely bad condition. Yet both records play with very little surface noise. Due to its rarity I chose to present the Bregis recording as well. The record is shown at the end of the video. the video features pictures of Lilian Harvey - undoubtedly Europe's most popular movie star in the early 1930s. About the records : "Wie hab' ich nur leben können ohne dich?" Parlophon Tanzorchester / Gesang : Fred Lustig (Luigi Bernauer) Parlophon B 49 558-II / mx. Be 10245 Berlin, 1933 This record has a serious rumbling sound / hum near the end. "Loin de Toi" Danièle Bregis Disque Gramophone K 6938 / mx. 50-3051 Paris, May 1933 Record in very bad condition
Erhältlich im HOANZL Online Shop: (http•••) „Ich mag das Unbekannte lieber als das Vertraute." KARL MARCOVICS Atmen, das Regiedebüt von Karl Markovics, begleitet den 18-jährigen Kogler (Thomas Schubert) bei seinen Freigängen aus der Jugendstrafanstalt - genau genommen sind es Versuche, sich das Fundament eines Daseins aufzubauen. Justament in einem Bestattungsunternehmen beginnt der Einzelgänger seine erste geregelte Arbeit, die ihn indirekt auch zur Suche nach seiner ihm unbekannten Mutter inspiriert. In konzentrierten Breitwandbildern, die zwischen Milieurealismus und symbolbeladeneren Szenen wechseln, inszeniert Markovics eine langsame Passage in die Freiheit. Ein warmer, emphatischer Film um einen Helden, der mit seinem Leben ins Reine kommen will. Dominik Kamalzadeh, Der Standard
Jacob Liebmann Beer Liebmann Joly Bbc Singers 1791 1831 1853 1864
Giacomo Meyerbeer (born Jacob Liebmann Beer; 5 September 1791 – 2 May 1864) was a German opera composer of Jewish birth who has been described as perhaps the most successful stage composer of the nineteenth century. With his 1831 opera Robert le diable and its successors, he gave the genre of grand opera 'decisive character'. Meyerbeer's grand opera style was achieved by his merging of German orchestra style with Italian vocal tradition. These were employed in the context of sensational and melodramatic libretti created by Eugène Scribe and were enhanced by the up-to-date theatre technology of the Paris Opéra. They set a standard which helped to maintain Paris as the opera capital of the nineteenth century. Psalm 91 Qui in manu Dei requiescit Margaret Feaviour, soprano and Andrew Murgatroyd, tenor BBC Singers conducted by Simon Joly Recorded 3/3/93 at St. Paul's Knightsbridge, London
Jacob Liebmann Beer Liebmann Richard Wagner 1791 1849 1864
"Coronation March" - Multiple Speakers by Giacomo Meyerbeer (1849) According to Wikipedia: / Giacomo Meyerbeer (born Jacob Liebmann Beer; 5 September 1791 / 2 May 1864) was a German opera composer of Jewish birth. Meyerbeer's grand opera style was achieved by his merging of German orchestra style with Italian vocal tradition. The "Coronation March" comes from his opera Le prophète (1849). His operas made him the most frequently performed composer at the world's leading opera houses in the nineteenth century. He was an early supporter of Richard Wagner, enabling the first production of the latter's opera, Rienzi, although Wagner later became a bitter enemy. Apart from around 50 songs, Meyerbeer wrote little except for the stage. The critical assaults from Wagner and his supporters, especially after his death, led to a decline in the popularity of his works. His operas were suppressed by the Nazi regime in Germany, and were neglected by opera houses through most of the twentieth century. Meyerbeer's works are only infrequently performed today. / This music is recorded with microphones in my organ room. I am using an old midi file I created from an album of organ music. The instruments used are the Hauptwerk St. George's Casavant Frères Organ from Exemplum Organum and SampleTank 2.5 from IK Multimedia (clarinets, trumpets, flute, and tuba). All of the samples are mixing and celesting in the room air, rather than electronically and digitally, which makes for a cleaner, more dynamic sound. (Headphones will give the best listening results.)
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- cronología: Compositores (Europa). Cantantes líricos (Europa). Intérpretes (Europa).
- Índices (por orden alfabético): L...