John Chest Vídeos
Última actualización
2024-05-19
Actualizar
Jerry Hadley Hadley Chest Donizetti Verdi Jonas Kaufmann Puccini Simoneau Bizet Alan Titus Philip Langridge Anna Bolena
No. Jerry Hadley is one of the greatest lyric tenors I've heard, his voice is phenomenal. Not nasal, not constricted, not woofy, not throaty, and his chest voice is well-developed. Bravo Maestro Hadley!!! Music: -Tombe degli avi miei (Donizetti’s Lucia di Lammermoor) by Jerry Hadley -Ingemisco (Verdi's Requiem) by Jonas Kaufmann and Jerry Hadley -Che gelida manina (Puccini's La Boheme) by Jonas Kaufmann and Jerry Hadley -Dalla sua pace (Mozart's Don Giovanni) by Jerry Hadley -Rachel quand du seigneur (Halevy's La Juive) by Leopold Simoneau -Au fond du temple saint (Bizet's Pearl fishers) by Jerry Hadley/Alan Titus -Se all'impero amici dei (Mozart's La Clemenza di Tito) by Philip Langridge and Jerry Hadley -Ah cosi nei ridente (Donizetti's Anna Bolena) by Jerry Hadley
Jerry Hadley Hadley Callas Chest
I DON'T OWN THESE VIDEOS AND I AM NOT ASSOCIATED WITH TIO. I saved them as an old subscriber and I am sharing them because they are constantly being removed and it looks like they will never be back. I didn't save the controversial content of their short comeback (saying Callas wasn't good or chest voice is bad) because it was very suspicious and completely opposite of what they advocated for over a year, but I will gradually upload all their videos from before their channel went down for the first time that I know were 100% made by them.
Dusolina Giannini Giannini Callas Chest
I DON'T OWN THESE VIDEOS AND I AM NOT ASSOCIATED WITH TIO. I saved them as an old subscriber and I am sharing them because they are constantly being removed and it looks like they will never be back. I didn't save the controversial content of their short comeback (saying Callas wasn't good or chest voice is bad) because it was very suspicious and completely opposite of what they advocated for over a year, but I will gradually upload all their videos from before their channel went down for the first time that I know were 100% made by them.
Tchaikovsky Chest Modest Tchaikovsky Nikolay Rimsky Korsakov Borne Raab Aleksandra Krutikova 1807 1860 1866 1872 1873 1874
Tchaikovsky: Six Romances Op. 16 (1873) II. Wait! (Погоди!) Moderato assai (A minor–A major) Tchaikovsky's Six Romances (Шесть романсов), Op. 16 (TH 95 ; ČW 218-223), were written in Moscow in December 1872 and January 1873. Instrumentation: Scored for high voice (Nos. 1, 2, 4, 5, 6), or low voice (No. 3), with piano accompaniment. Movements: II. Wait! (Погоди!) Moderato assai (A minor–A major) Wait a minute! Why hurry! After all, and so life rushes with an arrow. Wait a minute! Wait a minute! you will be able to forgive As the rays of the east will light up. But will we wait for such a night? Look, look how wonderful The dome of heaven has been removed with stars! How dreamy the moon looks! How dark in this canopy of trees, And what silence everywhere! You can only hear the birches whispering, Let the heart beat in the ardent chest... The air is full of the scent of roses... Dear friend! This is life, not dreams! Life flies... wait! Life flies... wait! Nikolay Grekov (1807–1866), from an untitled poem (by 1860). Composition: The romances were composed by Tchaikovsky in Moscow, apparently soon after finishing work on his Second Symphony. On 2/14 November 1872 he wrote that: "... the symphony, which I'm finishing off, has engrossed me so deeply that I'm not able to do anything else". By 15/27 November the symphony was ready and copied out. In letters to his father of 22 November/4 December and 9/21 December. Tchaikovsky reported that he was going to relax after completing his symphony. and not write anything further. But on 10/22 December he told Modest Tchaikovsky: "Now I am forced to rest by the absence of any inspiration or inclination to compose; I did try to write some romances, but somehow they all came out badly, and I couldn't find words that I liked. If you aren't particularly busy, could you send me a list of suitable verses? I've filled a whole ream of paper with verses, but they are all so terrible that not one of them is suitable to set to music". It seems that in December, not having found an appropriate text, Tchaikovsky wrote the words himself for the romance So What? (No. 5). Modest Tchaikovsky understood that the Op. 16 romances were written in December 1872. This information is contained in a letter from Tchaikovsky to Vasily Bessel concerning the publication of the pieces: "During his stay in Saint Petersburg [in December 1872] Tchaikovsky often met with... members of the so-called "mighty-handful"... One evening at Rimsky-Korsakov's, Pyotr Ilyich played his new symphony on the piano, precipitating an enthusiastic response from all those present... Tchaikovsky then presented Bessel with his latest Six Romances, Op. 16, for publication. which had only just been composed". The author's opinion that the romance So What? (No. 5) was the best of the Op. 16 set is borne out in a letter to Vasily Bessel of 21 February/5 March 1873: "I recommended ... one of my new romances to Madame Raab, namely So What?". Performances: The romances O, Sing that Song (No. 4) and So What? (No. 5) were performed, seemingly for the first time, in December 1874 – the first by Aleksandra Krutikova, and the second by Mariya Kamenskaya. Publication: The Six Romances were published for the first time by Vasily Bessel in March 1873, along with the composer's piano arrangements of Nos. 1, 4 and 5. In letters of 4/16 March and 7/19 March 1873. Tchaikovsky wrote to Bessel: "I have only just received my romances and hurried to drop you this note to urge you to sequestrate them, i.e. to withdraw all copies of these romances, since they contain some appalling printing errors. I hurriedly checked through them and saw several musical mistakes, and one literary error, sufficient in itself to spoil the whole work. Indeed in the best romance (in my opinion), No. 5, on page 4 in place of the word korish (кориш) [you find fault] the word kutish (кутиш) [you get drunk] has been printed instead, which made me shudder. I implore you at once to gather together all copies and thoroughly examine the proofs, which if you want, I will do myself... The point is that I really expected No. 5 to be a success, but the word kutish has ruined any chance of that". Autographs: Tchaikovsky's manuscript scores of all six romances are now preserved in the Russian National Museum of Music in Moscow (ф. 88, No. 131). The same archive also holds the autograph of Tchaikovsky's arrangement of No. 5 for solo piano (ф. 88, No. 132). Dedication: Each of the Op. 16 romances is dedicated to a different person: II. Wait is dedicated to Nikolay Rimsky-Korsakov.
o
- cronología: Cantantes líricos.
- Índices (por orden alfabético): C...