Julie Calvé Vídeos
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2024-05-13
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Jeanne Gerville Réache Verdi Schumann Rosine Laborde Pauline Viardot Opera Comique Covent Garden 1882 1899 1901 1902 1905 1907 1910 1911 1915 1969
For "zarahleander85" / French contralto Jeanne Gerville-Réache +••.••(...)) / Ich grolle nicht / Il trovatore (Verdi) / H. Heine; R. schumann) Recorded: May 5, 1911-- French contralto Jeanne Gerville-Réach (born March 26, 1882, Orthez, France - died January 15, 1915, New York). Her father was governor of Martinique and Guadaloupe and she came to Paris when she was 15 to study singing with Rosine Laborde. Through the intercession of Emma Calve, he was able to finish her studies with Pauline Viardot-Garcia. In 1899 she had a successful debut at the Opera-Comique in the title role of Orphee et Eurydice, and on April 30, 1902 she created the role of Genevieve in Pelleas et Melisande there. In 1901 she made guest appearances at the Brussels Opera and in 1905 at Covent Garden. In 1907 she came to the Manhattan Opera. Thereafter she was uncommonly successful in the United States. She also sang in Boston and Philadelphia, Chicago and Montreal. In 1910 she married the director of the Pasteur Institute in New York, Georges Ribier Rambaud. She had a sumptuous, warm-timbered contralto voice of great dynamic quality. She died at the early age of 32 from food poisoning in New York City, leaving behind her husband and two sons. She has a great-great grandson and granddaughter living in America. (Sources: Kutsch & Riemens Concise Biographical Dictionary of Singers / Chilton Book Company / 1969; wikipedia)/
Uno sguardo al passato Storia e Curiosità musicali Emma Calvé - Vita segreta esoterica Emma Calvé, famosissimo soprano che a cavallo tra Ottocento e Novecento interpretò per ben 1500 volte il ruolo di Carmen, oltre ad altri ruoli, che la consacrarono come una diva del suo tempo. Ma al di fuori del teatro, la sua vita era molto diversa. Il suo interesse per esoterismo, spiritismo e misticismo la portò a relazionarsi con i più famosi personaggi della Parigi esoterica, da Allan Kardek, a Swami Vivekananda, Camille Flammarion, Papus, il mistero di Rennes le Château e l'abate Bérengere Saunière, ed anche l'alchimista forse più famoso della storia: Nicolas Flamel. Pronti ad addentrarci in una storia piena di segreti e misteri? Questa era Emma Calvé fuori dalle scene, questa la sua vita segreta esoterica! Playlist Correlata: Cantanti Lirici: (http•••) #Unosguardoalpassato #StoriaCuriositàAneddotiMusicali #EmmaCalvé / YOUTUBE: (http•••) YOUTUBE (English): (http•••) FACEBOOK: (http•••) INSTAGRAM: (http•••) TWITTER: (http•••) PINTEREST: (http•••)
Dinh Gilly Ema Destinnová Leoncavallo Dennis Noble Loewe Richard Strauss Bayreuth Caruso Puccini Arturo Toscanini Wagner Calvé Metropolitan Opera Covent Garden Bayreuth Festspielhaus 1877 1878 1897 1898 1901 1902 1904 1906 1908 1909 1914 1919 1920 1923 1926 1930 1940 1996
Baritone Dinh Gilly +••.••(...)) / Soprano Emmy Destinn +••.••(...)) / Dounrou noc (Goodnight) / Czech folk song / Recorded: April 23, 1914 / Dinh Gilly (July 19, 1877 / May 19, 1940) was a French-Algerian operatic baritone and teacher. He studied in Toulouse, Rome and at the Paris Conservatoire, where he won a premier prix in 1902. That same year he made his debut at the Paris Opera as Silvio in Leoncavallo's Pagliacci. In 1908 he left the Paris Opera and from 1909 to 1914 he performed at the Metropolitan Opera in New York City. He also sang at The Royal Opera House, Covent Garden, and later taught in London. His students there included Dennis Noble. Gilly, a stylish and intelligent singer, made about 40 recordings. Emmy Destinn (Ema Destinnová) February 26, 1878 / January 28, 1930) Czech operatic soprano with a strong and soaring lyric-dramatic voice. She had a career both in Europe and at the New York Metropolitan Opera. Destinn was born Emílie Pavlína Věnceslava Kittlová in Prague, in what was then the Austro-Hungarian Empire. At first Destinn devoted herself to studying the violin, and intended to shine as a virtuoso on that instrument. When she was well on in her teens, however, her voice was so rich and full that she changed her mind and determined upon an operatic career. Her voice teacher since age 13 had been Marie Maria von Dreger Loewe-Destinn, and the young singer began using her teacher's surname as a tribute. She was let go after the short engagement at the Dresden Opera and declined by Prague National Theatre in 1897. Destinn debuted on July 19, 1898 at the Berlin Court Opera as Santuzza in Cavalleria rusticana. She made such progress that the intendant of the Berlin Court Opera engaged her at once when she was brought to her notice. She was merely nineteen at the time, but her voice and her genius for acting soon won the Berlin public. Her engagement in Berlin lasted till October 27, 1909. She sang in 54 operas, including 12 premieres, the most famous of which was Salome by Richard Strauss (December 5, 1906). Her fame became international in 1901 when she was invited to sing the part of Senta in Der Fliegende Holländer at Germany's Bayreuth Festspielhaus. She returned to sing the same role the next year. Destinn made her London debut at Covent Garden's Royal Opera House on 2 May 1904, as Donna Anna in Don Giovanni. She appeared there in several operas for the next two seasons, including the London premiere of Madama Butterfly with Caruso. Her Metropolitan Opera debut came in 1908 with an acclaimed performance of Aida, after she was released from her contract with the Berlin Court Opera. Two years later at the Met, she created the role of Minnie in the premiere of Puccini's La fanciulla del West, again opposite Caruso, and under the direction of Arturo Toscanini. While she was highly successful in the lighter roles of Wagner's operas, her spinto voice—although large in size, with a ringing top register—was better suited to German music of a less declamatory type. She also excelled in the French part of Carmen, in which she was said to rival Calvé, and in the Italian roles of Aida, Madama Butterfly and Leonora (in Il trovatore). Destin's career suffered a fatal blow in World War I. She returned to her homeland after the start of the war in 1914, but her links with the patriotic Czech resistance caused her passport to be revoked. She was interned at her chateau for the remainder of the conflict. By the time that she returned to the Met in 1919, her voice had become rusty and she had been replaced in the hearts of New York audiences by a new generation of singers, though she did still continue to sing with the company until 1920. Destinn returned to Czechoslovakia, where she married Joseph Halsbach, a Czech air-force officer, in 1923. She retired from the stage in 1926 and died from a stroke in České Budějovice, Czechoslovakia. She is interred in the Vyšehrad cemetery in Prague. Destinn was a versatile artist and besides being a singer was a poet, novelist and playwright—though nothing she achieved in other professions has rivalled her reputation as a singer. Her voice can still be heard on CD reissues of the many 78-rpm gramophone records which she made during her prime, most famously in America for the Victor label. Destinn's likeness appeared in 1996 on the 2,000 Czech koruna banknote. The main-belt asteroid 6583 Destinn is named after her. This article is based on a text from the Etude magazine, prior to 1923, that is in the public domain. (wikipedia)/
Blanche Arral Marie Delna Saint Saens Jeanne Gerville Réache Massé Bemberg Dupré Touraine Emma Calvé Yvonne Gall Gall Offenbach Hoffmann Reynaldo Hahn Hahn 1900 1902 1909 1910 1911 1912 1914 1916 1917 1920 2017
Seconde partie des meilleures chanteuses françaises de l'opéra des années 1900, cette fois-ci sur la seconde décennie du XXe siècle, de 1910 à 1920 inclusivement ; les pièces sont toutes en ordre chronologique comme sur le volume 1 (1902 à 1909) ; liste de lecture : A second compilation of the best french female opera in the 1900's ; the vol.1 is on the first decade of the XXth century in France, this one is on the second decade, from year 1910 to 1920 ; complete playlist : BLANCHE ARRAL - La Manola (1910) MARIE DELNA - Mon Coeur (Samson & Dalila - Saint- Saens) (1910) MARIE DELNA - Che Faro Senza Euridice (Orfeo Ed Euridice) (1910) JEANNE GERVILLE-RÉACHE - Carmen ("L'Amour est un oiseau rebelle") (1910) JEANNE GERVILLE-RÉACHE - Air Du Tigre (A. Massé) (1911) JEANNE GERVILLE-RÉACHE - L'Année En Vain Chasse L'Année (1911) MARGUERITE HERLEROY - - Nymphes Et Sylvains (Bemberg) (1911) BLANCHE ARRAL - Mignon - Polonaise - Je Suis Titania (1912) LILY DUPRÉ - Au Beau Pays De La Touraine - Les Huguenots (1912) LILY DUPRÉ - Le Soleil Se Couchait (1912) CLEMENTINE De VERE SAPIO - L'Été (1914) CLEMENTINE De VERE SAPIO - Valse Des Serpents (1914) EMMA CALVÉ - La Marseillaise (1916) EMMA CALVÉ - Trois Chansons Pour Les Tout-Petits (1916) YVONNE GALL - Dis-Moi Que Je Suis Belle (Air Du Miroir) - Thaïs (1917) YVONNE GALL - Plus De Tourments - Le Cid (1917) EMMA CALVÉ - Barcarolle , Offenbach - Les Contes D'Hoffmann (Pathé, 1920) EMMA CALVÉ - Reynaldo Hahn - L'Heure Exquise (Pathé, 1920) 2017 Ill rec compilations
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- cronología: Cantantes líricos.
- Índices (por orden alfabético): C...