Marc-Antoine de Dampierre Vídeos
compositor, trompista, violagambista
- violín
- Francia
Última actualización
2024-05-09
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André Danican Philidor Marc Antoine Dampierre Jean Baptiste Lully Hotteterre Jean François Paillard 1446 1545 1632 1647 1674 1676 1687 1730 1756 1763
00:00 Gavotte des Festins (André Danican Philidor, 1647-1730) 00:40 Les Echos de Jupiter (Philidor) 01:46 La Marche des Dragons du Roy 03:32 Fanfare 4 (Marc-Antoine de Dampierre, 1676-1756) 04:19 Fanfare 11 - Gigue, Allegro (Dampierre) 05:39 Marche de Savoye (Jean-Baptiste Lully, 1632-1687) 07:32 Canon de Versailles à 5 parties (Philidor) 08:16 Marche pour les Trompettes (Philidor) 09:36 Marche du Régiment du Roy (Lully): First Air for Oboes - Second Air for Oboes: Les Folies d'Espagne 13:03 Fanfare 19 - Gavotte, Spiritoso (Dampierre) 14:46 Fanfare 1 - Allegro (Dampierre) 15:45 La Marche Française (Lully) First Air de la Marche Française for Oboes - Second Air - Third Air (Moliere) - Fourth Air / Marche Royalle for 3 Treble Oboes for the Marche Française (Philidor) 20:24 Fanfare 12 (Dampierre) 21:21 Fanfare 2 (Dampierre) 22:21 Marche des Fusilliez (Philidor) / Air for Oboes (Martin Hotteterre, 1674-1763) 24:05 La Bontemps (Philidor) 24:48 Mars (Philidor) 25:54 Marche à 4 Timbales (Philidor) 29:50 Fanfare 9 - Affettuoso (Dampierre) 30:49 Fanfare 3 (Dampierre) 31:52 Marche des Mousquetaires (Lully) 36:14 Menuet Royal (Philidor) 38:24 Marche Hollandaise - Air for Oboes (Philidor) 40:07 Menuet de l'Orangerie (Philidor) 41:03 Gigue des Arts (Philidor) Ensemble de Trompettes de Cavalerie de Paris - Pierre Bréard, director Hunting Horns of the Rallye Louvarts de Paris Ensemble of Wind Instruments and Drums Jean-François Paillard, conductor
Claude Debussy Pierre Jamet Dampierre Pleyel Alphonse Hasselmans Severe Inghelbrecht Lamoureux Jean Françaix Germaine Tailleferre Cambreling Swanson Graff Concerts Lamoureux 1893 1906 1912 1913 1917 1920 1922 1940 1945 1948 1962 1963 1964 1968 1977 1984 1991
Pierre Jamet (April 21, 1893 in Orléans - June 17, 1991 in Gargilesse-Dampierre) is considered to be one of the greatest French Harp Virtuosos and teachers. He studied music with his mother beginning at the age of ten, learning the piano and then the chromatic harp. In 1906, he entered the Paris Conservatory in the class of Madame Tassu-Sponecer. He then switched from the chromatique harp (Pleyel) to the Pedal Harp (Erard) with Alphonse Hasselmans. This teacher imposed a very severe discipline and Pierre Jamet had a great admiration for Hasselmans. He won his First Prize in 1912. In 1913, he was named to the Theatre des Champs-Ellysées, in the Orchestra under the direction of Inghelbrecht. From 1917, he began working as a soloist. Claude Debussy wanted to hear his newly composed Sonate for Flute, Viola and Harp, written for the Erard Harp. He encouraged Pierre Jamet to put the work together and the World première took place on March 9, 1917. In 1920, Pierre Jamet was named harpist to the Concerts Lamoureux and two years later, he made his recital debut in Paris. This year also marked the creation of the Instrumental Quintet of Paris which would become the Pierre Jamet Quintet in 1945 (Flute, string trio and harp) for which many composers (Jean Françaix, Germaine Tailleferre, to name only two) wrote works. Between 1922 and 1940, he lead a worldwide career as a soloist and chambrist throughout the World (soliste et musique de chambre) . He was the professor of Harp at the Paris National Conservatory from 1948 to 1963 and founded, in 1962 International Association of Harpists and Friends of the Harp and served as the President of this association. He enjoyed teaching and because of his work, the French school of harp playing continues to be practiced through the School of Harp he founded in 1964Il aime enseigner et grâce à lui, la musique française pour harpe garde son rayonnement à travers l'école de harpe qu'il a fondé en 1964 (the Summer Harp Academy of Gargilesse), the Festival de Gargilesse which takes place each Summer since 1968 and the International Harp Competition founded by Pierre Jamet in 1977 (Concours Marie-Antoinette Cazala) which took place trienially until 1991. Pierre Jamet commissioned and gave the first performances of many works, especially for his instrumental quintet. His Daughter, Marie-Claire Jamet, who was also professor at the Paris National Conservatory in 1984 and Soloist for the Ensemble Inter contemporain, as well as his numerous students continue the artistic work of Pierre Jamet. Among the Internationally known soloists and pedagogues who were his students are: Fabrice Pierre, Frédérique Cambreling, Catherine Michel, Bernard Galais (son 1er élève), Martine Géliot, Gisèle Herbert, Corinne Le Du, Marie-Madeleine Bouchaud, Ghislaine Petit, Brigitte Sylvestre, Annie Fontaine, Françoise Netter...in France, Suzanna Mildonian, Anna-Maria Loro...in Italy, Catherine Eisenhoffer in Switzerland, Yvette Colignon, Annie Lavoisier, Arielle Valibouse... in Belgium, Carl Swanson in the United States., Ernestine Stoop in Holland, Maria Graff in Germany, Setsuko Shimazaki in Japon, Annette Gôl in Denmark, etc..
André Danican Philidor Giovanni Battista Lulli Dampierre Paillard Henry Purcell Georg Friedrich Haendel Johann Sebastian Bach Jean Philippe Rameau André Danican Philidor Aîné David Hertzberg 1647 1659 1667 1677 1687 1730 1970
Ensemble de Trompettes de Cavalerie de Paris, Pierre Breard, Director. Hunting Horns of the Rallye Louvarts de Paris; Ensemble of Wind Instruments and Drums, Jean-Francois Paillard, conductor. From the LP shown above, MHS 1080. Jean-Baptiste Lully, né Giovanni Battista Lulli à Florence le 28 novembre 16321 et mort à Paris le 22 mars 1687, est un compositeur français d'origine italienne de la période baroque, surintendant de la musique de Louis XIV. Par ses dons de musicien et d'organisateur aussi bien que de courtisan et d'intrigant, Lully domina l'ensemble de la vie musicale en France à l'époque du Roi-Soleil. Il fut l'un des principaux promoteurs du développement de plusieurs formes de musique qu'il organisa ou conçut : la tragédie en musique, le grand motet, l'ouverture à la française. Son influence sur toute la musique européenne de son époque fut grande, et de nombreux compositeurs parmi les plus doués (Henry Purcell, Georg Friedrich Haendel, Johann Sebastian Bach, Jean-Philippe Rameau) lui sont redevables à un titre ou un autre. André Danican Philidor dit « l'aîné » est un compositeur et musicien de Louis XIV né à Versailles vers 1647 et mort à Dreux en 1730. Il était qualifié d'Ordinaire de la Musique du Roi, mais surtout copiste et bibliothécaire du monarque. André Danican trat am 12. Oktober 1659 in „Grande Ecurie" des Königs als Cromorne- und Trumscheitspieler ein. Er folgte in dieser Position seinem Onkel Michel II. Er war von 1667 bis 1677 Oboist der Musketiere. Als solcher folgte er dem König auf dessen Eroberungszügen nach Flandern und den spanischen Niederlanden, wo er an der Belagerung von Maastricht teilnahm, sowie in das Elsass und nach Lothringen. Während dieser Zeit komponierte er hauptsächlich Militärmärsche. "David Hertzberg"
Fazil Say Pierre Jamet Dampierre Mitchell 2017
Abbreviated for the curtain call, at the end of the final intern concert, of the 50th Pierre Jamet Harp Festival, in Gargilesse-Dampierre, France, 21 August, 2017. Harp transcription by Arilyn Mitchell.
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