Peter De Smet Vídeos
Última actualización
2024-05-01
Actualizar
Berthe Vito Delvaux Suys Félix Renier 2002
Fête de la Musique - Concert du samedi 22 juin 2002 à 15h00 Maison Communale de Molenbeek-Saint-Jean : rencontre de compositeurs Ensemble Yolande Uyttenhove 1.Emmanuel Suys 2. Jean-Pierre Delens 3. René De Macq 4. Magali Cadet 5. Renaud De Macq 6. Danielle Baas Direction artistique Félix Snyers Renier Doutrelepont 1. Pièce n° 2 pour clarinette et piano op.31 (extrait) (1, 2) Yolande Uyttenhove 2. Comptine (1,3,5) Danielle Baas 3. In the beginning +••.••(...)) Thierry Chleide 4. Arianesques (Thésis, Le fil d’Ariane) (2) Marcel De Jonghe 5. Elegie (3,5) Raoul De Smet 6. Four temperaments (1) Berthe di Vito-Delvaux 7. Suite pour violon et piano (1/2) (4,5) Weili Luc 8. Sonatine pour flûte et piano +••.••(...)) Joëlle Piret 9. Dualités (2,5) Jean-Marie Simonis 10. Fabliau (1,2) Félix Snyers 11. Cantabile (4,6) 12. Intimités (4,2) 13. Neuf fois neuf à neuf +••.••(...))
Arturo Márquez Hanson Lauwers Verdonck Kramer Figueiredo Berger Aula Magna Osel 1994 2018
Orchestre Symphonique des Étudiants de Louvain-la-Neuve enregistré en concert à l’Aula Magna, Louvain-la-Neuve, Belgique, le 9 mai 2018 CHEF D’ORCHESTRE Philippe GÉRARD KONZERTMEISTER Jean-Marc DECKEUNINCK VIOLONS I Céline BERTRAND Constant CLIQUOT Lyssia CRUCITTI Jean-Marc DECEUNINCK Pauline DUPRET Philippine FALLER-GALERNAU Fanni FORIZ Lise-Laure FOUARGE Audrey HANSON Nicolas MARTIN Catherine NÈVE Mégane OLINGER Salomé THONON VIOLONS II Lorraine BACQ Augustin BAUSSAY Valère BURNON Jacinthe FOLON David GOUBAU Mélodie KOUDSIEH Marine KRISCHER Alice LAPERCHE Laetitia LAUWERS Amélie NOKERMAN Lorraine PESCHI Adèle PIERRE Gwenaëlle VERDONCK Kachia WALLEMACQ ALTOS Nicolas BRAGARD Claire CUISINIER Fabienne FITCH-BORIBON Noémie FOUARGE Paulina SERWINSKA VIOLONCELLES Marie BUTAYE Romain DEBROEYER Sarah DE SMET Justine JOSSEN Fabien LATIERS Adrien LUYCKX Lionel ROUX CONTREBASSES Frédéric BURNIAUX Matthieu DONNET Claude DORIAUX HARPE Luna VISSERS PIANO Valère BURNON FLUTES Charlotte BUXANT Ruben GORIELY Ellyn LHEUREUX Patrick MARTIN CLARINETTES Adrienne BOUHON Antoine DANHIER Jean-François RONDEAUX HAUTBOIS Basile KRAMER Claude MERGNY SAXOPHONE Michel VANSTALS BASSONS Joao Maria FIGUEIREDO Imogen TYREMAN TROMPETTES Mattéo COUPLET Michael DELTENRE Antoine THERY François XAVIER CORS Baudouin BOKIAU Pierre-Aurélien FALLER-GALERNEAU Philippe GIVRON Gilles PIRLOT TUBA Philippe HUBERT TROMBONES Pierre DEUDON Thierry BERGER Jean-Louis BERKMANS PERCUSSIONS Isabel DELARSILLE Prosper DERBAUDRENGHIEN Remacle THONARD Nicolas VAN REYBROUCK (http•••)
Arvo Pärt Smet Prins Moody Tõnu Kaljuste Festival Musica Estonian Philharmonic Chamber Choir 1997 2000 2008 2013 2014 2015
Chamber Choir Aquarius (32 Flemish singers), directed by Marc Michael De Smet Opening piece 1:58 (the very beginning is an introduction in the Dutch language) Performed 19 September 2013 in the Lambertuskerk, Maastricht, The Netherlands as part of the Festival Musica Sacra Broadcasted January 5, 2014 by Radio 4, The Netherlands The website of the choir (http•••) Their performance of the Kanon Pokajanen recorded in 2008 is available on cd (http•••) They performed the Kanon Pokajanen March 8, 2014 8.00 p.m. in the Carolus Borromeuskerk, Hendrik Conscienceplein 12, 2000 Antwerpen, Belgium. April 20, 2014 8.00 p.m. in the Toonzaal, Prins Bernhardstraat 4-6 , 's Hertogenbosch, The Netherlands. May 21, 2014 8.00 p.m. in the Sint-Maartenskerk, Sint-Maartenskerkstraat, 8500 Kortrijk, Belgium. August 15, 2015 in the Sint Martinus kerk, Bever (Vlaams-Brabant), Belgium October 24, 2015 in GC het Marca (the late Sint-Eligiuskerk), Maarkeweg 65A, 9680 Maarkedal, Belgium Fr. Ivan Moody wrote about the Kanon Pokajanen in The Sounding (Posted by the Orthodox Christian Network. 5 January 2015): The Kanon Pokajanen, or Canon of Repentance, arose from a commission for a work to celebrate the 750th anniversary of the foundation of Cologne Cathedral. Completed in 1997, it was first performed in the following year by the Estonian Philharmonic Chamber Choir under the direction of Tõnu Kaljuste. The Slavonic text of the Kanon is taken from the prayerbook of the Russian Orthodox Church. What is characteristic of the work as a whole, however, is the composer’s total absorption in the penitential words he is setting. Indeed, one might consider the Kanon the ne plus ultra of a precise attention to text that characterizes his entire output; and it is worth recalling that Pärt has set a number of languages, including English, Estonian, German, Italian, Russian, Slavonic and Spanish. In parallel with, and apparent contradiction to, this attention to detail is the astounding harmonic richness that arises from what is essentially a single, static modality, based on D. Indeed, the Kanon may be considered on one level an anthology of the composer’s choral techniques as he has developed them over the years since his discovery of the “tintinnabuli” style in the late 1970s, and a demonstration of the extraordinary richness which has arisen from that apparently simple technique. The work’s extraordinary variety of colour derives essentially from the subtle shadings, and also abrupt changes, of choral texture mentioned above, from dense chordal work covering the entire range of the choir to unadorned passages for one or two voices reminiscent of Russian Znamenny chant.
o
- cronología: Cantantes líricos (Europa).
- Índices (por orden alfabético): D...