Samuel Lover Vídeos
pintor, compositor, compositor de canciones, escritor
- Reino Unido de Gran Bretaña e Irlanda
Última actualización
2024-05-07
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Verdi Gillian Zammit Aguilar Mulholland Muscat Borg Wirth Malta Philharmonic Orchestra Istituto Italiano Cultura
Soprano Gillian Zammit brings to life the tribulations of Violetta in two contrasting scenes from 'La Traviata', one of the best-loved operatic scores. The Scena and Aria from Act 1 (“È strano…Sempre libera”) is set in the early hours of the morning, in the aftermath of a party Violetta has thrown. Alfredo Germont has declared his love, awakening new, strange feelings within her. Faced with the prospect of giving up her decadent life and sacrificing everything in the name of love, she allows herself to dream briefly of a future with Alfredo. Ultimately however, already knowing she is ill, she chooses to reject this path singing almost feverishly of pursuing a hedonistic, superficial life – despite Alfredo’s serenading (tenor: Luis Aguilar) from the streets below. The very reflective and pathetic Prelude to Act 3 leads directly into a most moving scene. Violetta is now terminally ill and alone. She has by now lost not only most of her possessions but hope itself. She reads a letter from Alfredo’s father informing her that her former lover will be returning to ask her forgiveness, but Violetta exclaims that it is now too late. She desperately reminiscences on a foregone past (“È tardi…Addio, del passato”), sharing her fears about her imminent death. Soprano: Gillian Zammit Malta Philharmonic Orchestra Conductor: Colin Attard Director: Denise Mulholland Director of photography: Matthew Muscat Drago Set Artist: Andrew Borg Wirth Costume Designer: Luke Azzopardi Filming Locations: VIP Hall, Aurora Theatre, Victoria, Gozo Palazzo Palina, Ta’ Cenc Hotel, Sannat, Gozo Supported by: Arts Council Malta, Malta Philharmonic Orchestra, Visit Malta, Bank of Valletta, Istituto Italiano di Cultura - Valletta, Visit Gozo, Mediterranean Conference Centre, Quaint Boutique Hotels, Hotel ta' Cenc & Spa.
Louis Varney Michel Trempont Garrison Abbot 1844 1880 1908 1978
Louis Varney +••.••(...)) Air "Pour faire un brave mousquetaire", extrait de l'Opérette "Les Mousquetaires au couvent", Les Mousquetaires ... d'Artagnan... Aramis ... Athos... Porthos : des noms dont l'Histoire et les récits nous ont transmis la légende nimbée de gloire !!! The Musketeers ... d’Artagnan... Aramis ... Athos... Porthos: names whose history and stories have given us the legend of glory!!! "Pour faire un brave mousquetaire Il faut avoir l'esprit joyeux Bon cœur et mauvais caractère Se bien battre et boire encore mieux Et pour fuir toute folle ivresse Où se perdrait notre raison Comme on change de garnison Il sied de changer de maîtresse Oui, l'abbé, c'est bien là Se conduire en vrai mousquetaire {Refrain:} À nous les folles nuits d'ivresse Vin généreux, cœurs sans façons À nous plaisirs, gloire et maîtresses Vive l'amour Vive l'amour et les chansons ! Triste, songeur et solitaire Gontran, tout à son noir souci Garde avec des airs de mystère Des façons d'amoureux transi Contre ce mal qui l'importune Je lutte en vain et je le vois Qui, rêveur, tandis que je bois Rime des sonnets à la lune Ah, l'abbé, est-ce là Se conduire en vrai mousquetaire ?" To make a brave musketeer You have to have a happy spirit Good heart and bad character Fight well and drink even better And to run away from all drunkenness Where our reason would be lost As we change garrison It’s time to change your mistress Yes, the abbot, it is there Act like a true musketeer {Refrain:} To us the crazy nights of drunkenness Generous wine, heartless hearts To our pleasures, glory and mistresses Long live love Long live love and songs! Sad, dreamy and lonely Gontran, all to her dark concern Guard with an air of mystery The ways of a transient lover Against this evil that bothers him I struggle in vain and I see him Who, dreamer, while I drink Rhyme of sonnets to the moon Ah, the abbot, is that there Acting like a true musketeer?" Michel Trempont , baryton Orchestre Symphonique de la RTB Conductor Edgar Doneux Editor CLUB 1978 Choix comparatif aléatoire C (3 interprétations prévues) Remerciements à l'Association d'Artagnan, Village de Madame d'Artagnan - (71) Sainte-Croix-en-Bresse. Concept MusicHorama (Musique classique + Visuels artistiques + Montage) Son direct vinyl original (http•••) (2600 vidéos musicales publiées) Association d'intérêt général habilitée à délivrer reçu fiscal pour dons et mécénat.
Balajori - Fake Shamans x Rakae Jamil x Aizaz Sohail x Farhan Produced by: Fake Shamans Vocals: Aizaz Sohail Sitar: Rakae Jamil Bass: Farhan Ali Lyrics: Barajori Nahi Re Kanhayi Paniya Bharan Gagari Mori Girayee Karke Larai Jamuna Ke Tat Pe Gawway Charaawat Karat Thithoree More Gagaree Phoree Hay Kanhayi, Barajori Nahi Re A bandish that depicts the story of two lovers along the banks of beautiful Jamuna river in which the lover keeps playing innocent pranks on the beloved which causes her to lose balance and the matka (Gagari) of water she is carrying on her head falls down. She then complains to the lover, asking him how she will carry more water now that her gharaa of water is broken? The second portion of the song then is broken down into an excerpt from the famous Thumri by Ustad Baday Ghulam Ali Khan Bajo Band Khul Khul Jaye / Record Label: Fake Rituals Video & Post Production: TVGM Album Artwork: Sajida Changezi Mixing & Mastering: Redbrick Music Studios Choreography: The Colony Dance Artists: Momina Khan Faizan Batalvi Manal Amer Khan Zainab Sikandar Qasim Ali Release Date: 10th June 2022 Special Thanks: Zain Arif - Saad Sheikh - Omer Rehman - Fatima Amjed / Connect: Fake Shamans: (http•••) Aizaz Sohail: (http•••) Rakae Jamil: (http•••) Farhan Ali: (http•••) / #Fakeshamans #fusionmusic #classicalmusic #aizaz #RakaeJamil #sitar #FarhanAli #bass #fakerituals #thecolony #NewRelease #tvgm #2022 #FakeRituals #electronicmusic #shamanism Copyright of Fake Shamans - Aizaz - Rakae & Farhan. ℗ 2022 Fake Rituals
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- cronología: Compositores (Europa).
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