Simone van der Giessen Vídeos
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2024-05-18
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Hans Buff Giessen Winkler 1862 1907
Hans Buff-Giessen, tenore [1862 - 1907]: Ecco, ridente in cielo ('Il barbiere di Siviglia') Orchestra non indicata; dir. Karl Ludwig Bruno Seidler-Winkler [Luogo e data dell'incisione: Berlino, 1907].
Heiner Goebbels Hanns Eisler Stein Weiss Hessen Ensemble Modern Ensemble Intercontemporain 1952 1976 1982 1986 1987 1988 1991 1993 1995 1996 1997 1998 1999 2000 2001 2002 2004 2006 2007 2008 2011
(http•••) Heiner Goebbels, German composer, lecturing on the aesthetics of absence. During the lecture, Heiner Goebbels, discusses the role of the spectator, his involvement and inscription into the scene, and the deconstruction of the traditional co-ordinates of theatre, opera, and performance art, in order to reveal the effects of gaps, inundation, silence and conflict. The result, is what he calls experimental theatre music. Over the course of the lecture, Goebbels shows a number of clips from his works / in order to materialize his remarks / including the 1998 performance 'Black and White'. Goebbels also discusses the actor / his involvement, distinction from and collapse into the other elements of a performance, moreover, Goebbels discusses the separation of the actor from the set, narrative and even his own voice. Over the course of the lecture, Goebbels touches on the works of Heiner Miller, Bertolt Brecht, Holderlin, Hanns Eisler, Gertrude Stein and others. Biography Paragraph: Heiner Goebbels (b. 1952) is a German composer and director. Often characterized as not-so-subtly political, Goebells has often worked in collaboration with Heiner Muller. Artistically, his work is difficult to categorize, precisely because his concept has often been to deconstruct the conventions of opera, theatre and concert music. In the seventies, Goebbels started as a composer of 'incidental' music, as part of the Linksradikales Blasorchester . Later that decade, he became part of a duo with Alfred Harth +••.••(...)), in the eighties, he became a member of the longstanding art rock trio Cassiber +••.••(...)). In parallel to these collaborations, Goebbels has composed music for film, ballet, contemporary art, and especially theatre. Goebbels' compositions / many of which he has directed himself / include: Der Mann im Fahrstuhl / Man in the Elevator (1987), Die Befreiung des Prometheus / The Liberation of Prometheus (1991), Tränen des Vaterlands / Tears of the fatherland (1986). He has authored many theatre plays, including: Ou bien le débarquement désastreux / Or the hapless landing (1993), Die Wiederholung / The Repetition (1995), Schwarz auf Weiss / Black on White (1996), Schliemann's Scaffolding (1997), Hashirigaki (2000), Eraritjaritjaka - museé des phrases (2004), I went to the house but did not enter (2008). In 2008, Heiner Goebbels premiered his first opera, entitled Landschaft mit entfernten Verwandten / Landscape with distant relatives. His contemporary art-works, include: Landscape with man being killed by a snake (1997),Timeios and Fin de Soleil (2000), and Stifters Dinge (2007). Since 1988, Heiner Goebbels has composed chamber music for the Ensemble Modern and the Ensemble Intercontemporain, and was nominated twice for Grammy awards +••.••(...)). From 1999, he has worked as a professor at the Institute for Applied Theatre Studies (Giessen), and is a President of the Theater Academy Hessen (2006). In 2002, Goebbels published his first book under the title Komposition als Inszenierung (2002). Heiner Goebbels, is a professor at the European Graduate School.
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