Thomas Curtis Vídeos
compositor
- Inglaterra
Última actualización
2024-06-15
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The Business of Leadership Podcast | Season 1, Episode 7 In this episode, we explore transformation and how leaders can leverage complex change with a growth mindset Speakers: Emma Lo Russo, (AGSM MBA Executive 2013), CEO and Co-founder of Digivizer Curtis Davies, Partner and Management Consulting at KPMG Australia Adele Schonhardt, (AGSM MBA Executive, 2019) Co-Director and Founder of Melbourne Digital Concert Hall Greg Joffe, Adjunct Faculty member at AGSM @ UNSW Business School and Principal in Business strategy, Public policy and Digital Strategy at Nous Group Get the episode shownotes here: (http•••) About The Business of Leadership The AGSM Business of Leadership podcast features leaders from the private, public and for-purpose sectors sharing their lived experiences building organisations that can “do well" and "do good" in today's accelerating world. We unpack the problems business is trying to solve including digital disruption; crisis management and recovery; sustainable business practices; ethical leadership and transformation.
Ching Dvořák Yehudi Menuhin Ida Kavafian Wai Blavet 1778 1983 2019
Hannah Wan Ching Tam, 14, HKSAR, performs Dvořák's Violin Concerto in A minor, Op. 53, Allegro ma non troppo at the Menuhin Competition #Richmond2021 Junior Finals. Pianist: Maria Jee Admitted to the Curtis Institute of Music aged 12, Hannah Wan Ching Tam currently studies with Ida Kavafian. She previously studied with Michael Ma, Maria Jee and Chan Kwok Wai at the Hong Kong Academy of Performing Arts. She has won top prizes at international competitions including Kloster Schöntal in Germany and Andrea Postacchini in Italy. Hannah has performed as a soloist with the Hong Kong Philharmonic, Virtuosi Italiani and Mantua Chamber orchestras amongst others. Recently, she received the Audience Prize at the “Mini Violini” showcase of the Concours Musical International de Montréal 2019. Hannah plays on the G.B. Guadagnini Torino 1778 ex Blavet, kindly supported by Alfredo Primavera. Founded by Yehudi Menuhin in 1983, the Menuhin Competition is the world's leading international competition for young violinists. The Competition attracts hundreds of entries from countries across the globe, choosing only 44 of the world’s very best young violinists to participate. Held every two years in a different world city the Competition discovers, encourages and nurtures exceptionally talented young musicians from all corners of the world under the age of 22 years to develop into the next generation of great artists. Find out more about the Menuhin Competition on our website: (http•••) Follow us on social media: (http•••) Sign up to our newsletter to stay up to date: (http•••)
Frédéric Chopin Gagliano Franz Liszt Staple 2020
FRÉDÉRIC CHOPIN Sonata No. 2 in B-flat minor, Op. 35 Avery Gagliano, piano Performed on Wednesday, February 5, 2020 Field Concert Hall, Curtis Institute of Music, Philadelphia Frédéric Chopin wrote his second piano sonata in his late twenties. Born in Poland, Chopin was a child prodigy, wrote primarily for solo piano, and built a solid reputation during his short life as a leading composer of the Romantic era. This sonata became a quick favorite among the public. Particularly, the “Marche funèbre” (“Funeral March”) instantly captivated audiences. Franz Liszt, a friend of Chopin, called it a movement “of such penetrating sweetness that we can scarcely deem it of this earth.” It was performed at Chopin’s funeral, and has also been a part of the funerals of Winston Churchill, John F. Kennedy, and Margaret Thatcher. The sonata immediately grabs attention in the its first movement (Grave) with slow, dramatic octaves, foreshadowing the weight of emotion to come. The movement quickly shifts into double time, introducing the first theme with a constant stream of notes. A serene second theme provides relief, and Chopin continues to develop this movement until it concludes with three very loud, fortississimo B-flat major chords. The Scherzo’s whirlwind of octaves, chromatics, and leaping chords gives way to sublime beauty in its middle section. The Funeral March, composed two years before the rest of the sonata, displays a dramatic character ranging from deep tragedy to heartbreaking beauty. The finale (Presto) ushers in a flurry of octaves, sweeping over the keyboard in a technical feat until the B-flat minor chord of its final destination. This sonata has long been a staple of the piano repertoire and is frequently performed in concert halls and piano competitions. Just this past month, Curtis student Avery Gagliano won first prize at the National Chopin Competition and, in preparation, performed this sonata as a part of the Curtis Student Recital Series. —Hannah Horine Learn more about this work: (http•••) #CurtisIsHere Have you been following Curtis Is Here? Take our short survey, make your voice heard, and help us make our music posts even better! (http•••)
Cara Catherine Robbin George Frideric Handel Hans Braun Linda Maguire Maguire Nancy Argenta Argenta Paolo Antonio Rolli Tafelmusik Baroque Orchestra Baroque Orchestra 2008
Provided to YouTube by NAXOS of America Act I: Duet - Ah mia cara, se tu resti · Catherine Robbin Handel: Floridante ℗ 2008 CBC Released on: 2008-01-01 Conductor: Alan Curtis Artist: Catherine Robbin Composer: George Frideric Handel Artist: Hans Braun Artist: Ingrid Attrot Artist: Linda Maguire Artist: Nancy Argenta Composer: Paolo Antonio Rolli Orchestra: Tafelmusik Baroque Orchestra Auto-generated by YouTube.
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- cronología: Compositores (Europa).
- Índices (por orden alfabético): C...