White, Smith & Company Vídeos
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2024-05-07
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O primeiro episódio em vídeo do Podcast ANTES TECH DO QUE NUNCA aborda as principais tendências de tecnologia para 2023 que devem movimentar o dia a dia das empresas. Inteligência artificial, metaverso, automação, inteligência de dados e o papel das pessoas na condução dos negócios em meio a tantas possibilidades são alguns dos temas abordados por Juliano Tubino, VP de Estratégia e Novos Negócios da TOTVS, e Fabiano Guastella, diretor de inovação na Accenture. O ANTES TECH DO QUE NUNCA é uma conversa aberta e descontraída sobre as últimas soluções digitais disponíveis para quem deseja aumentar a produtividade, rentabilidade e a organização de seus negócios. Apresentado por Fabiana Rolfini e Gabriela Agustini – sempre ao lado de convidados que trazem ideias, novidades, experiências e sabem tudo de assuntos interessantes – este podcast de tecnologia é um farol para quem está começando na fascinante jornada da transformação digital. E também para quem já é fã de carteirinha desse universo. Ouça todos os episódios do Podcast ANTES TECH DO QUE NUNCA aqui: (http•••) A TOTVS acredita no Brasil que FAZ! Aproveite também para conferir as novidades no site da TOTVS. Acesse: (http•••) Ficou interessado? Agende uma visita com um de nossos consultores: (http•••) Siga a TOTVS nas redes sociais: LinkedIn: (http•••) Instagram: (http•••) Twitch: (http•••)
Denny Kang Charles Neidich Eli Eban Shifrin Howard Klug Skaggs Yeh Silverstein London Symphony Orchestra Chicago Symphony Orchestra 2000 2019
Pick up your copy of the book at (http•••) Coaching video 14 of 40: "Embrace" from Finger Fitness Études, Book 2, by Dr. Kristen Denny-Chambers is simple and beautiful and allows the player to explore rubato while refining some common finger hurdles on the clarinet. Join me in this brief coaching video for some helpful tips as you learn this music. "Embrace" is dedicated to Seunghee Lee (aka Sunny Kang) - a multi-faceted recording artist, a TEDx speaker, and a music entrepreneur based in New York City. Ms. Lee has recorded with the London Symphony Orchestra and she has been recognized by the Clarinet Magazine as "an uncompromising soloist, destined to be an upcoming contender of top stature". Ms. Lee’s multiple solo albums were featured as “CD of the Week” worldwide at Classic FM Nederland, Symphony 92.4 (Singapore), at Fine Music Radio in Cape Town (South Africa) to name a few. Upon the release of her debut album BRAVA (2000), produced by multi-Grammy Award-winning producer Joanna Nickrenz together with legendary recording engineer Marc Aubort, she was included in ‘Top 30 Classical Stars Under 30’ at KDFC Classical Radio in San Francisco. Her recordings have gained numerous air-plays around the world including at New York’s WQXR, KDFC, KUSC, "Girl Power" at WRR 101 (Dallas/Fort Worth), WFMT (Chicago), NPR among many others. Ms. Lee is the founder of Musica Solis Productions, an independent classical record label, sheet music publisher, and creative concert presenter based in New York City. Through the artist consulting initiative, Ms. Lee aims to guide and mentor emerging classical musicians to become independent entrepreneurial leaders of their generation. She is a frequent guest lecturer on the topic of Music Entrepreneurship and has appeared as a guest speaker at Harvard Business School at the 2019 Asia Business Conference titled, "The Game Changers", the 2019 Yale Alumni Association Career Panel live stream fireside chat topic "Careers in Music", Seoul National University, Juilliard Pre-College, and among many others. As a visiting professor, she enjoys performing solo recitals, giving masterclasses on the topic of shifting your mindset, and presenting her signature lecture series titled, "You are the Company". Encouraged by many requests for the sheet music to her arrangements, Ms. Lee published HIDDEN TREASURES Sheet Music Book (CD Included) and EMBRACE Sheet Music Book which are available on AMAZON and at Walmart. At her core, Ms. Lee is passionate about using her music to bring comfort and healing to those silently suffering from personal tragedies. She is also the founder of CONCERT FOR CAUSE an intimate home concert series dedicated to shining a light on current humanitarian issues and on worthy organizations working to resolve them. Ms. Lee believes that each individual can contribute to the betterment of our society, and she is devoted to using the power of music as a catalyst to awaken the goodness and philanthropic hearts inside everyone. In short, she believes in making a difference, one concert at a time. Ms. Seunghee Lee received her Bachelor of Music degree from the Eastman School of Music, studying with Charles Neidich and Eli Eban, and her Master of Music degree and Artist Diploma from the Yale School of Music, studying with David Shifrin. Ms. Lee feels privileged to have also studied with Peter Hadcock, Fred Ormand, George Silfies, Howard Klug, LaurieDeLuca, Mary Beth Skaggs, and John Bruce Yeh of the Chicago Symphony Orchestra. Ms. Seunghee Lee serves on the National Advisory Board of the Eastman School of Music, the Board of Advisors at the Yale School of Music, and serves on the Executive Committee of the YaleNYC. In addition, Ms. Lee serves on the Board of Directors at the Concert Artists Guild in New York City. Seunghee Lee plays on Buffet Prestige R13, Vandoren V12 reeds, Vandoren B40Lyre mouthpiece with Silverstein Hexa Ligature. She is s a proud member of the Silverstein Inspiring Pro. Be sure to visit Seunghee's website here: (http•••) And check out her Amazon listings here: (http•••) All 40 etudes from this book have been recorded by Trevor Stewart and are exclusively available for purchase here: (http•••) or if you would like to purchase the bundle of the book and MP3, take a look here: PRINT (http•••) DIGITAL (http•••) To learn more about Clarinet Playground, visit the home page of my website at: (http•••) #clarinetplayground
Kipras Petrauskas Herzog Shaliapin Rimsky Korsakov Gounod Mariinsky Theatre Scala Odeon 1885 1905 1911 1920 1928 1933 1936 1948 1949 1958 1968 2008
The great Lithuanian tenor Kipras Petrauskas +••.••(...)) received his musical education from his father (who was a woodworker by trade and also worked as organist for various churches) and his elder brother Mikas (who was a well-known music teacher and composer). His artistic career began in 1905 (and after many striking twists, ended!) in Vilnius where he began to sing in his brother‘s musical productions. Realizing that he needed further training, Petrauskas subsequently moved to St. Petersburg where he continued his vocal studies at the conservatory. During his four years there, he sang the leading tenor roles in many student productions, including Yevgeny Onegin, Faust and others. Upon leaving the Conservatory, then already a popular tenor Кипрiанъ Пiатровскiй was bombarded by contracts. He chose the Mariinsky theatre in St. Petergsburg where he debuted in the Herzog‘s role in Rigoletto in 1911. Petrauskas remained there for the next decade and developed more than 50 memorable roles, including those in La Traviata, Tosca, La Bohème, Manon, Faust and others. As Petrauskas matured, he began to take on more dramatic roles such as Don José in Carmen, Radames in Aida, Canio in Pagliacci, the title roles in Andrea Chénier, Lohengrin and even Otello. The handsome tenor swept along many beauties of St. Petersburg (the M. and K. Petrauskas‘ museum in Kaunas keeps some 400 their billets-doux). After returning to his native Lithuania in the early 1920s, the singer was instrumental in establishing the Lithuanian Opera Theatre in the town of Kaunas (the Opera was opened on December 31, 1920; after the WWII, it moved to Vilnius). In 1928 Petrauskas accompanied Fedor Shaliapin, his close friend since St. Peterburg days, on the Berlin stage. The next year and with the same company he took a long tour through Europe to the South America (a similar trip took place also in 1936). In 1933, the singer made his impressive La Scala debut as Grishka Kuterma in Rimsky-Korsakov’s opera The Legend of the Invisible City of Kitezh. Kipras Petrauskas is remembered for his charming lyricism, natural artistic restraint, good taste and his considerable musicianship which permeated every phrase he sang. He enjoyed an unusually long career (more than fifty years) and developed an impressive repertoire of over eighty roles. His final stage appearance was as Don José in Carmen in 1958 in Vilnius, at the age of 73. By that time, the elderly tenor was a Professor of Voice at the Vilnius Conservatory, a post he assumed in 1949. Most of his his ‘golden’ records were produced between 1920 and 1948 on the shellac disks. ‘The great Lithuanian tenor’ is a splendid set of two CDs (Lithuania, Prior Musica, 2008) containing Petrauskas’ remastered records from Algirdas Motieka collection and a 32-page booklet. The first CD is devoted to the operatic repertoire, the second one covers song repertoire. In this recording, Petrauskas offers a Russian language version of Faust‘s cavatine ‘Salut, demeure chaste et pure’ from the famous Gounod’s opera. The shellac record was published by Odeon.
Antonio Vivaldi Gabetta Giovanni Antonio Guido Berger Château Versailles Opéra Royal Château Versailles 1675 1676 1702 1716 1717 1728 1729 1741 2021
Dirigé par le virtuose Andrés Gabetta, l’Orchestre de l’Opéra Royal vous offre ici une merveilleuse confrontation entre la virtuosité de l’œuvre de Vivaldi et le délicieux mélange de bon goût à la française et de traits italiens des Saisons de Guido ! Retrouvez ce double CD + DVD sur notre boutique en ligne : (http•••) Find these CD+DVD on our e-shop: (http•••) Retrouvez ces œuvres interprétées en concert à l'Opéra Royal du Château de Versailles, samedi 10 juillet 2021 : (http•••) Optez pour le billet couplé "Concert Vivaldi, Les Quatre Saisons + Grandes Eaux Nocturnes du Château de Versailles" ! - N° CD/DVD : CVS042 - ANTONIO VIVALDI (1676 – 1741) GIOVANNI ANTONIO GUIDO (1675 – 1729) Et si les fameuses "Quattro Stagioni" de Vivaldi, jouées à Paris en 1728, avaient été précédées par celles de Guido, violoniste star des orchestres parisiens de la maturité de Louis XIV ? Voici enfin réunies ces deux œuvres : à la virtuosité bien connue de l’œuvre de Vivaldi, d’un impact extraordinaire, les "Saisons" de Guido opposent un mélange de traits italiens et mille facettes dignes de la Cour de France, avec une fougue contagieuse ! Mystérieux napolitain arrivé vers 1702 à Paris comme Maitre de Musique de Philippe d’Orléans, Guido est proche du financier Crozat, qui fait réaliser en 1716 à Watteau 4 tableaux sur le thème des Saisons : il les met en musique vers 1717 par ses "Scherzi armonici sopra le Quattro Stagioni dell’anno". Alors, de Vivaldi ou Guido, qui aurait inspiré l’autre ? Pour cette confrontation passionnante, l’Orchestre de l’Opéra Royal s’enrichit d’instruments à vent, et soudain apparaissent mille couleurs : le chant des oiseaux, la vièle à roue des danses paysannes, la flûte du berger, les cors de chasse ! Dirigées par le virtuose Andrés Gabetta, voici toute la musique de Vivaldi et plus encore: Huit Saisons ! ━━━ ━━━ Orchestre de l’Opéra Royal Andrés Gabetta, direction ━━━ ━━━ Rejoignez-nous sur / Join us on : ↠ Facebook : (http•••) ↠ Twitter : (http•••) / (http•••) ↠ Instagram : (http•••) ↠ LinkedIn : (http•••) Site internet de Château de Versailles Spectacles : (http•••) Château de Versailles Spectacles website: (http•••) Abonnez-vous à la chaîne YouTube de Château de Versailles Spectacles ! Subscribe to the Château de Versailles Spectacles YouTube channel! Château de Versailles Spectacles, 2021 - Diffusion avec l’aimable autorisation de TF1
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- cronología: Compositores (Norteamérica).
- Índices (por orden alfabético): C...