Émile-Alexandre Taskin Vídeos
cantante de ópera francés
- barítono
- Francia
- cantante de ópera, profesor universitario
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2024-05-11
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François Couperin Taskin 1744 1769
Sounds best at 1080p. Complete pieces of Septiême Ordre from Second Livre de Piéces de Clavecin by François Couperin. [01] 00:15 La Ménetou. [02] 04:05 Les Petits Âges: La Muse naissante. [03] 06:13 Les Petits Âges: L'Enfantine. [04] 07:28 Les Petits Âges: L'Adolescente. [05] 10:24 Les Petits Âges: Les Délices. [06] 14:32 La Basque. [07] 17:44 La Chazé. [08] 22:51 Les Amusemens. Temperament : A=415 Hz, some sort of circulating temperament. Device: Recorded using ZOOM H1n recorder during a practice session. Venue : "Rayul Art Hall", Seoul. Instrument : French double manual harpsichord after Pascal Taskin 1769 by Urbano Petroselli. Performer : Leonard Byun(Dr.Claveciniste)
J s Bach Robert Hill Taskin 1255 1510 2016
J S Bach French Suite in G Major BWV 816 live complete. Robert Hill, harpsichord Please note: for best sound quality, play back at the highest setting (720p or higher)! 0:06 Allemande 3:35 Courante 5:30 Sarabande (Double by Robert Hill) 10:30 Gavotte 11:40 Bourrée 12:55 Loure 15:10 Gigue live, 19 April 2016 harpsichord by Keith Hill after Pascal Taskin c2016
Johann Sebastian Bach Hubbard Blanchet Taskin Hass Vivaldi Peters Kellner Cpe Bach Kittel Rust 1685 1720 1727 1734 1750 1990
Johann Sebastian Bach (31 March [O.S. 21 March] 1685 – 28 July 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the Brandenburg Concertos and the Goldberg Variations as well as for vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach Revival he has been generally regarded as one of the greatest composers of all time. Please support my channel: (http•••) Uploaded with special permission by performer Peter Watchorn (http•••) Pastorale in F major, BWV 590 (1720 or later?) 1. Alla Siciliana (0:00) 2. Allemande (2:20) 3. Aria (5:52) 4. Alla Gigue (9:11) PETER WATCHORN, pedal harpsichord (Hubbard & Broekman after Ruckers/Blanchet/Taskin, 1990/after J.A. Hass, 1734) Details by Peter Watchorn: This beautiful work consists of four movements, only the first of which requires obbligato pedals. Given the nature of the plucked string, and the resultant decay of the sound, I have opted to arrange the second movement, a kind of pastoral lullaby, to include the pedal also, as the long bass strings help to sustain the “drone” effect that the “pastoral” title implies. The origins of this work are mysterious, as are the circumstances surrounding the form in which it has been transmitted to us. It appears to be half-way between a sonata and a suite and contains characteristics of both. After the opening movement, which concludes in A minor, the “lullaby” proceeds with the general rhythmic atmosphere of an allemande, minus the initial upbeat that defines the dance. The expressive third movement resembles the slow movement of an Italian concerto (akin to Bach’s arrangements of works by Marcello or Vivaldi, perhaps providing a clue as to the date of BWV 590), while the finale is a genuine dance movement, a gigue of the type that Bach composed for the English Suites (as well as the third Brandenburg Concerto), in which the theme is inverted in the second half. Though it is often played on the organ due to the pedal part in the opening movement, the work is perhaps more idiomatic to the harpsichord, the pedal harpsichord providing the best of both worlds. Notes on IMSLP: First movement incomplete Possibly first published in the Peters Organ works series? Peter Williams (The Organ Music of J. S. Bach, from p.196) gives for sources, as the autograph does not survive. "complete in P 287 (J P Kellner, after 1727?); also, via CPE Bach (P290, P277?, Am.B59?), and [a] lost MS used in Peters I; first movement only [survives] in copies via Kittel(?)" (note: the Darmstadt digitized collection, of works by JS and CPE Bach, is possibly one of the above- P290, P277 or Am.B59?). (Not the only work in regards to which Williams mentions the possibility that Griepenkerl may have used a source in preparing his edition that is now lost. This is also possible in regards several of Rust's editions for the BGA but with Rust as editor other issues arise.)
Anh Johann Sebastian Bach Marie Nishiyama Carl Philipp Emanuel Bach Taskin Lehman Wilhelm Friedemann Bach Christian Petzold Monteverdi Gesualdo Arcadelt Mayone Trabaci Santa Maria Merula Frescobaldi Ji Merulo Gabrieli Antico 1685 1714 1750 1769 1788 2021
Carl Philipp Emanuel Bach +••.••(...)) Polonaise, g-Moll, BWV Anh. 123 Notenbüchlein für Anna Magdalena Bach Marie Nishiyama : Cembalo - made by Bruce Kennedy (Taskin, 1769) Temperament:A=415Hz Bach/Lehman カール・フィリップ・エマヌエル・バッハ作曲 「アンナ・マグダレーナ・バッハのための音楽帳」より ポロネーズ ト短調 BWV BWV Anh. 123 西山まりえ チェンバロ/タスカン・モデル ブルース・ケネディ製作 調律法 バッハ/リーマン 【武蔵野音楽大学 チェンバロ 西山まりえ チュートリアル】 *J.S.バッハ 「ヴィルヘルム・フリーデマン・バッハのための音楽帳」より アプリカツィオ ハ長調 BWV 994 Johann Sebastian Bach +••.••(...)) Applicatio C-Dur BWV 994 Klavierbüchlein für Wilhelm Friedemann Bach (http•••) *「ヴィルヘルム・フリーデマン・バッハのための音楽帳」より プレリュード ハ長調 BWV924 Praeambulum C-Dur BWV 924 Klavierbüchlein für Wilhelm Friedemann Bach (http•••) *「ヴィルヘルム・フリーデマン・バッハのための音楽帳」より《尊き御神の統べしらすままにまつろい》イ短調 BWV 691 Wer nur den lieben Gott lässt walten a-Moll BWV 691 Klavierbüchlein für Wilhelm Friedemann Bach (http•••) *「ヴィルヘルム・フリーデマン・バッハのための音楽帳」より プレリュード ニ短調 BWV926 Praeludium d-Moll BWV 926 Klavierbüchlein für Wilhelm Friedemann Bach (http•••) *「アンナ・マグダレーナ・バッハのための音楽帳」より クリスティアン・ペツォールト作曲 メヌエット ト長調 BWV Anh. 114 / ト短調 BWV Anh. 115 Christian Petzold Menuet G-Dur BWV Anh. 114 (Minuet I) Menuet g-Moll BWV Anh. 115 (Minuet II) Notenbüchlein für Anna Magdalena Bach (http•••) *「アンナ・マグダレーナ・バッハのための音楽帳」より カール・フィリップ・エマヌエル・バッハ作曲 マーチ ニ長調 BWV BWV Anh. 122 Carl Philipp Emanuel Bach Marche D-Dur BWV Anh. 122 Notenbüchlein für Anna Magdalena Bach (http•••) *「アンナ・マグダレーナ・バッハのための音楽帳」より カール・フィリップ・エマヌエル・バッハ作曲 ポロネーズ ト短調 BWV BWV Anh. 123 Carl Philipp Emanuel Bach Polonaise g-Moll BWV Anh. 123 Notenbüchlein für Anna Magdalena Bach (http•••) (http•••) [Historical Harps] Monteverdi - Si dolce è’l tormento: (http•••) Gesualdo - Canzon Francese del Principe: (http•••) Arcadelt / Mayone - Ancidetemi pur: (http•••) Arcadelt / Trabaci - Ancidetemi pur, per l'Arpa: (http•••) Trabaci - Toccata Seconda, & Ligature per l’Arpa: (http•••) Cantigas de Santa Maria - Santa Maria, strela do dia: (http•••) Codex Faenza - Biance Flour: (http•••) Llibre Vermell de Montserrat - Mariam, matrem: (http•••) Merula - Folle è ben que si creder: (http•••) [Italian Organ] Merula - Toccata del Secondo Tono: (http•••) Merula - Capriccio: (http•••) Frescobaldi - Partite sopra L’aria della Romanesca: (http•••) Frescobaldi - Capriccio cromatico con ligature al contrario: (http•••) Rossi - Passacaille: (http•••) Merulo - Toccata quinta del Secondo Tono: (http•••) A. Gabrieli - Canzon Ariosa: (http•••) A. Gabrieli - Pass'e mezzo antico: (http•••) A. Gabrieli - Ancor che col partire: (http•••) [Cembalo] J.S. Bach: Brandenburg Concerto No.5 in D major BWV1050: (http•••) (Open for a limited time until 4.May.2021) J.S Bach - Wer nur den lieben Gott lässt walten - BWV 691: (http•••) J.S Bach - Praeambulum - C-Dur BWV 924: (http•••) J.S Bach - Praeludium - d-Moll BWV 926: (http•••) J.S Bach - Applicatio - C-Dur BWV 994: (http•••) Petzold - Menuet BWV Anh. 114/ 115: (http•••) C.P.E Bach - Polonaise g-Moll BWV Anh. 123: (http•••) C.P.E Bach - Marche D-Dur BWV Anh. 122: (http•••) Marie Nishiyama Official Website 西山まりえオフィシャルサイト (http•••) Instagram: (http•••) Twitter: (http•••) 映像制作: OMF(オアシス・ミュージック・ファクトリー) (http•••) #西山まりえ #MarieNishiyama #チェンバロ
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