Felix Mendelssohn 4 Piezas, Opp. 81 Vídeos
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2024-03-28
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Max Bruch Schumann Brahms Liszt Mahler Abbado Gergiev Muti Gatti Nagano Bach Satie Tchaikovsky Beethoven Chopin Haydn Ravel Debussy Verdi Vivaldi Handel Schubert Mendelssohn Rachmaninoff Verbier Festival Copenhagen Philharmonic 1738 1838 1909 1920
Max Bruch +••.••(...)) enjoyed a long, successful and fruitful career as a composer and conductor, holding several important posts in Germany. His musical language is firmly rooted in the German Romantic Tradition of Schumann and Brahms, as opposed to the “New Music” of Liszt, Wagner and Mahler. Bruch wrote his works for clarinet at the end of his musical life, when he actually had declared that his “source of inspiration had dried up”. But the clarinet playing of his son Max Felix inspired him to write two substantial works featuring the clarinet: the beautiful and still neglected Double Concerto for Clarinet, Viola and Orchestra Op. 88 and the substantial “8 Pieces for Clarinet, Viola and Piano” Op. 83, delightful Character Pieces in the style of Schumann’s Märchenerzählungen. Giovanni Punzi is one of the foremost clarinet players of the young Italian generation. He played in the Mahler Youth Orchestra, the Verbier Festival Orchestra under conductors like Abbado, Gergiev, Muti, Gatti and Nagano. On this recording he plays with the Copenhagen Philharmonic Orchestra, of which he is principal Clarinetist. Composer: Max Bruch Artists: Giovanni Punzi (clarinet), Eva Katrine Dalsgaard (viola), Tanja Zapolski (piano), Copenhagen Philharmonica, Vincenzo Millitarì (conductor) Ripe and romantic chamber and orchestral music from the Indian summer of Bruch’s career. The spring of Bruch’s invention was running dry in the first decade of the last century when it was refreshed once more by the sound of the clarinet. Just as the playing of Richard Muhlfeld had inspired Brahms to write his Clarinet Quintet and two sonatas, so Bruch discovered the melodies flowing from his pen once more thanks to his clarinettist son, Max Felix, to write the two works on this new album. Having composed no chamber music for several decades, he wrote the Eight Pieces for clarinet, viola and piano in 1909. They belong to the genre of character pieces by Schumann such as the eight Fantasiestücke Op.12, though they lean towards reflective introversion. The cycle’s high-point arrives with the fourth piece, a Romanian melody introduced to him by a young and beautiful aristocrat, the Princess zu Wied. Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): (http•••) More Information: (http•••) Tracklist: Max Bruch: Double Concerto in E Minor, Op. 88: 00:00 I. Andante con moto 06:56 II. Allegro moderato 12:24 III. Allegro molto 8 Pieces for Clarinet, Viola and Piano, Op. 83: 17:38 I. Andante 21:05 II. Allegro molto 23:37 III. Andante con moto 30:18 IV. Allegro agitato 34:12 V. Rumanische Melodie 38:42 VI. Nachtgesang 44:22 VII. Allegro vivace, ma non troppo 47:54 VIII. Moderato Social media links: Instagram: (http•••) Facebook: (http•••) TikTok: (http•••) Spotify Playlists: Brilliant Classics Spotify: (http•••) New Classical Releases: (http•••) The Best of Liszt: (http•••) The Best of Bach: (http•••) Most Popular Piano Music: (http•••) Beautiful Classical Music: (http•••) Classical Music For Dinnertime: (http•••) Thank you for watching this video by Brilliant Classics, we hope you enjoyed it! Don’t forget to share it and subscribe to our YouTube channel: (http•••) And visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more! #Bruch #Punzi #Dalsgaard #Zapolski #Copenhagen #Philharmonica #Millitari #Clarinet #Violin #Piano #Classical #Music #BrilliantClassics
Felix Mendelssohn Bartholdy Nicolas Fink Fink Diener Woo Kwon Streckfuß Johannes Hill Bittner Wdr Rundfunkchor 2020
Beim zweiten "Sing mit! digital" sangen Mitglieder des WDR Rundfunkchores unter Leitung ihres Chefdirigenten Nicolas Fink Stücke von Felix Mendelssohn Bartholdy und sprachen über Probetechniken des Chores. Die Aufzeichnung fand am 24.08.2020 im WDR Funkhaus Köln statt. Felix Mendelssohn Bartholdy – 00:08:45 Herr, nun lässest du deinen Diener op. 69,1 00:24:54 Jauchzet dem Herrn alle Welt, WoO 28, MWV B 45 00:35:28 Richte mich Gott op. 78,2 aus "Drei Psalmen" Sabine Kallhammer, Sopran Nadja Senatskaya, Sopran Margit Hungerbühler, ALt Marietta Schwittay-Niedzwiecki, Alt Kwon-Shik Lee, Tenor Joachim Streckfuß, Tenor Johannes Hill, Bass Manfred Bittner, Bass (Sänger:innen des WDR Rundfunkchores) Nicolas Fink, Leitung ► Mehr zum Rundfunkchor, zu Konzerten und aktuellen Livestreams gibt es bei (http•••) ► Der WDR Rundfunkchor bei Facebook (http•••)
Johannes Brahms Alban Berg Christian Tetzlaff Robin Ticciati Bartók Mendelssohn Schumann Bach Suk Borne Ferenc Fricsay Lorin Maazel Riccardo Chailly Kent Nagano Ingo Metzmacher Tugan Sokhiev Berlioz Haydn Dvořák Bruckner Duparc Ravel Sir Colin Davis Sir Simon Rattle Deutsches Symphonie Orchester Berlin Scottish Chamber Orchestra National Youth Orchestra Great Britain Glyndebourne Festival Opera 1946 1956 1993 2005 2009 2011 2014 2015 2016 2017 2019 2022
In this new concerto album one of the greatest violinist of his generation, Christian Tetzlaff, offers profound interpretations of two deeply dramatic and lyrical concertos – those of Brahms and Berg – together with the Deutsches Symphonie-Orchester Berlin conducted by Robin Ticciati. “Reasons of substance justify the recording of the Violin Concertos of Johannes Brahms and Alban Berg on a single album: both works concern existential human states of being. For me, the concerto by Johannes Brahms is a work that in a violin concerto dares to address very dangerous, abysmal, and profound states of the soul. Here an enormous contrast between ecstasy and total lonely isolation is in evidence. (...) Brahms also has a lot to say about pain. That’s rare in violin concertos – and links the Brahms concerto to the one by Alban Berg. I’ve been playing both concertos for 40 years – and I’ve played both of them, taken together, much more than 300 times. Here it seems to me as though the experience of these pieces changes one’s own life.” (Christian Tetzlaff’s liner notes) Christian Tetzlaff is considered one of the world’s leading international violinists and maintains a most extensive performing schedule. Musical America named him ‘Instrumentalist of the Year’ in 2005. His recording of the Bartók Violin Concertos (ODE 1317-2) received both Gramophone and ICMA Awards, and the recording was also a finalist for the BBC Music Award in 2019. His recording of the Violin Concertos by Mendelssohn and Schumann, released on Ondine in 2011 (ODE 1195-2), and Bach Sonatas and Partitas released in 2017 (ODE 1299-2D) received the ‘Preis der deutschen Schallplattenkritik’. In addition, in 2015 ICMA awarded Christian Tetzlaff as the ‘Artist of the Year’, and he also received ECHO ‘Instrumentalist of the Year’ award in 2017. His recordings on Ondine with Brahms’ Trios (ODE 1271-2D) and Violin Concertos by Dvorák and Suk +••.••(...)), released in 2015 and 2016, earned GRAMMY nominations. For more than 70 years the Deutsches Symphonie-Orchester Berlin (DSO Berlin) has distinguished itself as one of Germany’s leading orchestras. Founded as the RIAS Symphony Orchestra in 1946, it was renamed the Radio Symphony Orchestra Berlin in 1956 and has borne its current name since 1993. Robin Ticciati has led the DSO as its music director since the 2017–18 season. Since its inception, the orchestra has been able to retain outstanding artist personalities, including Ferenc Fricsay, Lorin Maazel, Riccardo Chailly, Vladimir Askenazy, Kent Nagano, Ingo Metzmacher, and Tugan Sokhiev. Robin Ticciati has been Music Director of the Deutsches Symphonie-Orchester Berlin since 2017 and Music Director of Glyndebourne Festival Opera since 2014. He was Principal Conductor of the Scottish Chamber Orchestra from 2009–18. His highly acclaimed discography includes recordings of works by Berlioz, Haydn, Schumann, Brahms, Dvořák, Bruckner, Duparc and Ravel. Born in London, Robin Ticciati is a violinist, pianist and percussionist by training. He was a member of the National Youth Orchestra of Great Britain when, aged fifteen, he turned to conducting under the guidance of Sir Colin Davis and Sir Simon Rattle. He holds the position of ‘Sir Colin Davis Fellow of Conducting’ at the Royal Academy of Music. Facebook: (http•••) Instagram: (http•••) Twitter: (http•••)
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