François Couperin La laborieuse Vídeos
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François Couperin Oliveira 2012
François Couperin Second Ordre Allemande La Laborieuse Harpsichord Daniel Ivo de Oliveira, February 2012
François Couperin Gustav Leonhardt Meijer 1997
Provided to YouTube by Universal Music Group Couperin: Pièces de clavecin - Premier livre - 2e ordre - Allemande La laborieuse · Gustav Leonhardt Couperin: Works for Harpsichord ℗ 1997 Universal International Music B.V. Released on: 1997-10-01 Producer, Studio Personnel, Balance Engineer: Hein Dekker Studio Personnel, Balance Engineer: Ko Witteveen Studio Personnel, Editor: Hans Meijer Composer: François Couperin Le Grand Auto-generated by YouTube.
François Couperin Gustav Leonhardt Meijer 1997 2020
Provided to YouTube by Universal Music Group Couperin: Pièces de clavecin - Premier livre - 2e ordre - Allemande La laborieuse · Gustav Leonhardt Gustav Leonhardt - A Portrait ℗ 1997 Universal International Music B.V. Released on: 2020-09-02 Producer, Studio Personnel, Balance Engineer: Hein Dekker Studio Personnel, Balance Engineer: Ko Witteveen Studio Personnel, Editor: Hans Meijer Composer: François Couperin Auto-generated by YouTube.
François Couperin Bach Handel Scott Ross
Patreon: (http•••) Score of François Couperin's second order in D minor from his first book (published in 1713) of "Pieces for the Harpsichord", an extensive collection of 220 short compositions arranged in 27 orders. This one is the most lengthy of all, with a total of 23 pieces, but seems more animated and even somewhat lighter than the previous in G minor. That may be due to its greater heterogeneity (for example, the pieces in the parallel major appear more haphazardly); after all, trying to maintain a coherent structural linearity in such a big instrumental set is quite difficult, even more at that time. An order is similar in nature to the suite - that is, in its historical definition, a succession of dance movements. Nevertheless, Couperin decides to interpret them in a vaguer way (as its name, "order", implies) and frees them from their strict structure, turning them into a more poetic, expressive and audacious design. For example, some of them (like this one) can have around 20 pieces or even more, making them twice as long as any Bach or Handel suite. The name of their movements are also a clear example of his particular quasi-narrative view: titles like "The Butterflies", "March of the Grey-Dressed", "The Mysterious Barricades", "The Brave Girl" or "The Victorious Nightingale" demonstrate his depictive intentions. But these musical depictions are not always explicit or detailed; they remain capricious and, as stated before, poetic. Couperin was also an amazing keyboard virtuoso, both at the harpsichord and the orgue, and one can identify these qualities in the astoundingly ornamented style these orders have. 00:00 - (Introduction) 00:18 - Allemande "La Laborieuse" 04:15 - Premiere Courante 06:19 - Seconde Courante 08:53 - Sarabande "La Prude" 10:40 - "L'Antonine" 12:05 - Gavotte 13:26 - Menuet 14:58 - "Canaries" 15:54 - [Double des "Canaries"] 17:02 - Passepied 19:03 - Rigaudon 20:47 - "La Charoloise" 21:40 - "La Diane" 23:06 - Fanfare pour la suitte de "La Diane" 23:54 - "La Terpsicore" 27:09 - "La Florentine" 29:24 - "La Garnier" 32:34 - "La Babet" 34:51 - "Les idées heureuses" 38:47 - "La Mimi" 40:50 - "La Diligente" 43:58 - "La Flateuse" 45:52 - "La Voluptueuse" 49:03 - "Les Papillons" Performer: Scott Ross
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