Frédéric Chopin Sonata para piano n.° 2 en si bemol menor, Op. 35, « Marche funèbre » Vídeos
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2024-04-18
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Frédéric Chopin Gagliano Franz Liszt Staple 2020
FRÉDÉRIC CHOPIN Sonata No. 2 in B-flat minor, Op. 35 Avery Gagliano, piano Performed on Wednesday, February 5, 2020 Field Concert Hall, Curtis Institute of Music, Philadelphia Frédéric Chopin wrote his second piano sonata in his late twenties. Born in Poland, Chopin was a child prodigy, wrote primarily for solo piano, and built a solid reputation during his short life as a leading composer of the Romantic era. This sonata became a quick favorite among the public. Particularly, the “Marche funèbre” (“Funeral March”) instantly captivated audiences. Franz Liszt, a friend of Chopin, called it a movement “of such penetrating sweetness that we can scarcely deem it of this earth.” It was performed at Chopin’s funeral, and has also been a part of the funerals of Winston Churchill, John F. Kennedy, and Margaret Thatcher. The sonata immediately grabs attention in the its first movement (Grave) with slow, dramatic octaves, foreshadowing the weight of emotion to come. The movement quickly shifts into double time, introducing the first theme with a constant stream of notes. A serene second theme provides relief, and Chopin continues to develop this movement until it concludes with three very loud, fortississimo B-flat major chords. The Scherzo’s whirlwind of octaves, chromatics, and leaping chords gives way to sublime beauty in its middle section. The Funeral March, composed two years before the rest of the sonata, displays a dramatic character ranging from deep tragedy to heartbreaking beauty. The finale (Presto) ushers in a flurry of octaves, sweeping over the keyboard in a technical feat until the B-flat minor chord of its final destination. This sonata has long been a staple of the piano repertoire and is frequently performed in concert halls and piano competitions. Just this past month, Curtis student Avery Gagliano won first prize at the National Chopin Competition and, in preparation, performed this sonata as a part of the Curtis Student Recital Series. —Hannah Horine Learn more about this work: (http•••) #CurtisIsHere Have you been following Curtis Is Here? Take our short survey, make your voice heard, and help us make our music posts even better! (http•••)
Philippe Giusiano Fryderyk Chopin Rachmaninow Warsaw Philharmonic Concert Hall 1930 2020
Before the Grand Competition - Master Recitals 1 - 19 October 2020 8 October 19:30 Warsaw Philharmonic Concert Hall Piano recital Performers: Philippe Giusiano piano Program: Fryderyk Chopin Impromptu in F sharp major Op. 36 Impromptu in G flat major Op. 51 Sonata in B flat minor Op. 35 Polonaise in A flat major Op. 53 Siergiej Rachmaninow 6 Moments musicaux, Op. 16 No 1 in B flat minor (Andantino) 6 Moments musicaux, Op. 16 No 1 in B flat minor (Allegro) 6 Moments musicaux, Op. 16 No 5 in D flat major (Adagio sostenuto) Piano Sonata No. 2 in B flat minor Op. 36 Watch online: www.youtube.com/chopininstitute PRZED WIELKIM KONKURSEM RECITALE FORTEPIANOWE 1 – 19 października 2020 roku 8 października 19:30 Sala Koncertowa Filharmonii Narodowej Recital fortepianowy Wykonawcy: Philippe Giusiano fortepian Program: Fryderyk Chopin Impromptu Fis-dur op. 36 Impromptu Ges-dur op. 51 Sonata b-moll op. 35 Polonez As-dur op. 53 Siergiej Rachmaninow 6 Moments musicaux op. 16 nr 1 b-moll (Andantino) 6 Moments musicaux op. 16 nr 2 es-moll (Allegro) 6 Moments musicaux op. 16 nr 5 Des-dur (Adagio sostenuto) II Sonata fortepianowa b-moll op. 36 Oglądaj online: www.youtube.com/chopininstitute
Frédéric Chopin Pavel Serebryakov 1901 1938 1939 1944 1945 1949 1961 1977
Paweł Serebrjakow, Fortepian - Sonata b-moll Nr 2, Marsz żałobny (The Funeral March from Piano Sonata No. 2 in B minor, Op. 35 by Frédéric Chopin), part 1,2, Muza (Polish) 1949 NOTE: This upload is dedicated to the 73rd anniversary of the outbreak of the heroic August 1944 Uprising in Warsaw +••.••(...)4). The Warsaw Uprising was militarily targeted against the Germans, politically against the approaching USSR Red Army as well as the pro-Soviet Vth column operating on the area of the Germany-occupied Poland during the 2nd WW. The Polish Underground Army (Armia Krajowa) was planning to liberate the capital before the Red Army entered, hoping that it would strengthen the international position of the Polish government in exile and stop Stalin's process of vassalisation and sovietization of Poland. Therefore, as soon as the Uprisaing outbroke, the Red Army halted the Warsaw offensive, and the Soviet dictator consistently refused to give more serious help to the struggling Polish capital city. Support provided by U.S. and Great Britain to insurgents was limited in character and did not significantly affect the situation in Warsaw. As a result, the weakly armed insurgent troops for 63 days fought a lone struggle against the overwhelming German forces, and capitulated on October 3, 1944. During two months of fighting the losses of Polish troops amounted to about 16,000, missing and taken captive 20,000, injured 15,000. As a result of raids, artillery fire, heavy living conditions and massacres organized by German troops allied with the Ukrainian, Latvijan and Dutch SS-troops up to 200 000 civilian residents of the capital city were mass-murdered, sometimes in ubelievably cruel way: burnt alive in the apartment houses, buried alive in the tumbling buildings, torn apart by the explosives thrown into the city canals, which were used to evacuate the women, children and disabled from the burning districts of the city. Over 600 000 civilians were expelled from the city to the concentration camps outside of town, after the collapse of the uprising. As a result of the insurrectionary struggles and the systematic demolition of the city, the Germans destroyed 95 % of Warsaw's material structuree, including hundreds of priceless monuments and objects of great cultural and spiritual value. The enormous pile of rumble - into which was turned the once lively metropolitan city, called before 1939 the Paris of the East - was continously and furiously demolished on and on by the Germans, no matter the whole city was already left behind by its inhabitants and less than 5 % of houses were still available for dwelling... It was "furror teutonicus"in its purest form... The Warsaw Uprising is considered one of the most important events in the history of Poland. Due to the scale of its tragic consequences, it finds no comparison in the modern European history either. The barbarism of the Germans, Soviets as well as collaborating Ukrainian and other nations’ forces, who during the Warsaw Uprising unloaded their unimaginable cruelty and hatred on the Polish capital and its inhabitants, has forever stained their history with disgrace. Interestingly: the German and Soviet war reparations - paid only partly, and only by Germany after 1945 to several nations - have never been paid to Poland. Paweł SIERIEBRIAKOW (Pavel Serebryakov, b.1901 in Trasitsin, Russia – d.1977 in St. Petersburg, then: Leningrad in USSR) – Russian piano virtuoso, professor and rector in the Leningrad Conservatory between 1938-51, and 1961-77). In 1949 he was invited to the jury of the world-famous Polish Chopin Piano Contest in Warsaw (- it was first such competition held again in Poland after the end of the 2nd WW). During his stay in Poland, Serebryakov cut several sides for the Polish phonograph company Muza.
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