Georg Friedrich Händel Orlando Vídeos
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2024-04-15
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Pittsburgh Opera Chatham Baroque George Frideric Handel Riccardo Broschi Zimmerman Morgana Romero Antony Walker Delaney Boyle Bray 1728 2020
Alcina (Caitlin Gotimer) revels in her love for Ruggiero (Antonia Botti-Lodovico). Recorded at the final dress rehearsal on January 23, 2020 at the Pittsburgh Creative and Performing Arts (CAPA) Theater. Pittsburgh Opera presents Alcina January 25 – February 2, 2020 Composed by George Frideric Handel Libretto unknown, after Riccardo Broschi's L'Isola d'Alcina, 1728, from Ludovico Ariosto's Orlando Furioso IN ORDER OF VOCAL APPEARANCE: Bradamante: Laurel Semerdjian** Melisso: Tyler Zimmerman* Morgana: Natasha Wilson* Alcina: Caitlin Gotimer* Ruggiero: Antonia Botti-Lodovico* Oronte: Angel Romero* Attendant: Yazid Gray* THE ARTISTIC TEAM: Conductor: Antony Walker Stage Director: Matthew Haney* Set Designer: Sarah Delaney Boyle Costume Designer: Jason Bray Lighting Design: Nate Wheatley Wig & Make-up Designer: Nicole Pagano Head of Music: Glenn Lewis Director of Musical Studies: Mark Trawka Associate Coach/Pianist: James Lesniak Stage Manager: Cindy Knight The Pittsburgh Opera Orchestra Chatham Baroque Scenery, props, and costumes constructed by Pittsburgh Opera * Pittsburgh Opera Resident Artist/ Pittsburgh Opera Resident Artist alumna Season Sponsor: PNC Tuesday Night Sponsor: Ambridge Regional Distribution & Manufacturing Center Video by RLG Creations
Ensemble Matheus Dalhalla Haendel Malena Ernman
Before our 1st performance of the new season 13-14 (oct 3rd 13: Orlando/ Haendel in Grand Theatre de Lorient), please see our wonderful souvenir taken by Etienne Chabonnier at Dalhalla/Sweden last july, invited by Malena Ernman.
Coca Loza Georg Friedrich Händel 2017
José Coca Loza | «Sorge infausta una procella», Zoroastro | Orlando, Georg Friedrich Händel | Internationaler Gesangswettbewerb Oper Schloss Hallwyl | 13./14. Mai 2017
Verdi George Frideric Handel Kristina Hammarström René Jacobs Matteis Ricci Giovanni Lanfranco 1546 1564 1580 1582 1600 1611 1625 1629 1638 1647 1659 1662 1666 1671 1685 1700 1703 1714 1720 1728 1733 1734 1751 1754 1759 1770 1789 1837
Verdi allori from the opera Orlando, HWV 31 (1733) by George Frideric Handel +••.••(...)) Kristina Hammarström in the role of Medoro with B'Rock Orchestra Ghent and René Jacobs, conductor Angelica and Medoro are saddened at having to leave the woods where they fell in love, so Medoro carves their names into a tree as a memento. Verdi allori, sempre unito conservate il nostro nome come unito sarà il cor. E poi dite a chi lo miri da qual mano,quando e come fosse in voi sì ben scolpito, se volete che sospiri invidiando il nostro amor. TRANSLATION: Oh, green laurels, preserve our names united forever as our hearts will be. Then tell whom that is looking at them whose hand it was that wrote such nice ciphers and when and how, if you want him to sigh envying our love. CD available from Archiv: (http•••) Various artists’ depictions of Angelica and Medoro: [0:20] Jean-Baptiste Marie Pierre +••.••(...)) [0:44] Nicolas-André Monsiau +••.••(...)) [0:54] Jacques Blanchard (1600–1638) [1:16] Paolo de Matteis +••.••(...)) [1:48] Bartholomeus Spranger +••.••(...)) [1:55] Lorenzo Pasinelli +••.••(...)) [2:20] Michele Rocca (1671-died after 1751) [2:36] Sebastiano Ricci +••.••(...)) [3:00] Tuscan school of the seventeenth century [3:12] Jean Baptiste Bénard +••.••(...)) [3:28] Follower of Hans Rottenhammer (1564–1625) [3:48] Emilio Savonanzi, nicknamed il Reniano +••.••(...)) [4:22] François Boucher +••.••(...)) [4:36] Giovanni Lanfranco +••.••(...))
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