Giacomo Puccini Tosca Vídeos
- Estreno en 1900-01-14 (Tosca, Puccini)
- Publicado en 1900 (Tosca, Puccini)
- textos de Luigi Illica
Última actualización
2024-03-22
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Adriana Guerrini Guerrini Puccini 1951
Adriana Guerrini, Sopran singt "Come e lunga l´attesa" aus "Tosca" von Puccini (Aufn. 1951)
Gianna Galli Galli Bellini Anna Moffo Kurt Weill Puccini Maria Callas Joan Sutherland Beverly Sills Gruberova New York City Opera Scala 1835 1935 1952 1956 1958 1960 1962 2010
THE SONGBIRD: Gianna Galli +••.••(...)) was lyric soprano, but sang a few florid roles early in her career. She was born in Modena where she made her stage debut in 1952, the same year she won the Spoleto voice competition at age 17. She appeared as Lisa in a 1956 television production of "La sonnambula" starring Anna Moffo (available elsewhere on YouTube). Galli's career grew rapidly with appearances in Italy and a debut in the U.S. in 1958 at the New York City Opera as Mimi, a role she performed frequently. Her La scala debut was in 1962 in Kurt Weill's one-act farce "Der Zar lässt sich photographieren." She sang Oscar in Venice, Violetta in Rome, Puccini's Manon in Monte Carlo, Minnie in Florence, Tosca in Parma, and Sonia in Torino. She also sang several world premieres of contemporary Italian operas. When she retired from singing, she became an artist's manager. THE MUSIC: "I puritani" was Bellini's last opera. It premiered in Paris in January 1835, and Bellini died in September 1835 at the age of 33. It was tremendously successful and the opera was performed regularly throughout Europe and in New York until the early 1900s. It went mostly dormant until it caught the public's attention during the bel canto revival ignited by Maria Callas and carried forward by Joan Sutherland, Beverly Sills, Edita Gruberova, and others. Elvira is one of Bellini's most mentally delicate creatures and her mad scene is an elegant depiction of her fragile emotional state. The entire mad scene is very long (almost 20 minutes with no cuts); it has several sections and interludes and frequent interjections by other characters, so it is always abridged when performed by a solo soprano in concert or recital.
Giacomo Puccini Ninon Vallin Arthur Endrèze Falco 1931
Giacomo Puccini Tosca Tosca è un buon falco! ... Ov'è Angelotti? .... Mario, consenti ch'io parli? ... Se la giurata fede .... Vissi d’arte, vissi d’amore ... Vedi, ecco, vedi, le man giunte io stendo a te! (in French; Gloire à toi, Tosca! .... Où est l’Angelotti? ... Mario, permets que je parle? ... Si pour vos beaux yeux ... D’art et d’amour, je vivais toute .... Grâce! Les mains jointes j’implore encore!) Scarpia - Arthur Endrèze Spoletta - Paul Payen Mario Cavaradossi - Enrico Di Mazzei Floria Tosca - Ninon Vallin Unknown orchestra Gustave Cloëz, conductor Odéon, 1931
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