Johannes Brahms Am Strande, Op. 66 n.° 3 Vídeos
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2024-04-27
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Chicago Symphony Orchestra Shore Strande Frederick Stock Richard Strauss Bülow Brahms Brewer Baedeker Luigi Denza 1864 1885 1886 1887 1935 1949
Recorded in 1935. Frederick Stock, Chicago Symphony Orchestra RICHARD STRAUSS Born June 11, 1864 in Munich; died September 8, 1949 in Garmisch-Partenkirchen Aus Italien ("From Italy"), Opus 16 (1886) PREMIERE OF WORK: Munich, March 2, 1887 Bavarian Court Orchestra Richard Strauss, conductor APPROXIMATE DURATION: 47 minutes INSTRUMENTATION: piccolo, three flutes, two oboes, English horn, two clarinets, three bassoons, contrabassoon, four horns, two trumpets, three trombones, timpani, percussion, harp and strings In the autumn of 1885, Hans von Bülow, music director of the Meiningen Orchestra, appointed the 21-year-old Richard Strauss as his conducting assistant. Within months, Strauss was asked to become von Bülow's successor, but he declined the offer in favor of a post as third conductor at the Court Opera in Munich, his hometown. Strauss left his post at Meiningen in April 1886 and did not have to report for his new duties in Munich until August, so, encouraged by Brahms, who shared with the young musician his fond memories of his visits to Italy, he undertook a trip across the Alps during April and May. The journey, financed by his father and by his uncle Georg Pschorr, a wealthy Munich brewer (Pschorr Beer is still a Bavarian favorite and a mainstay of the famous Oktoberfest), took Richard to Verona, Bologna, Rome, Naples, Florence and many smaller cities. Despite losing his leather suitcase in Naples, his laundry in Rome and his Baedeker in a theater, being overcharged by the local merchants, and having to skip a stop in Venice because of an outbreak there of cholera, he thoroughly enjoyed the junket. When he returned to Munich in late May, Strauss was bubbling with ideas for a new work, and he immediately set about creating the set of four tone pictures that became the "Symphonic Fantasy" titled Aus Italien ("From Italy"). Strauss provided the following comments about Aus Italien: "1. Auf der Campagna ('In the Country'). This prelude reproduces the mood experienced by the composer at the sight of the broad extent of the Roman Campagna bathed in sunlight as seen from the Villa d'Este at Tivoli. "2. In Roms Ruinen ('Amid the Ruins of Rome'). Fantastic images of vanished glory, feelings of melancholy and grief amid the brilliant sunshine of the present. The formal structure of the movement is that of a great symphonic [sonata-form] first movement. "3. Am Strande von Sorrent ('On the Shore at Sorrento'). This movement represents in tone painting the tender music of nature, which the inner ear hears in the rustling of the wind in the leaves, in bird song and in all the delicate voices of nature, and in the distant murmur of the sea, whence a solitary song reaches the beach. Contrasting with that distant song are the sensations experienced by the human listener. The interplay in the separation and partial union of these contrasts constitutes the spiritual content of this mood-picture. "4. Neapolitanisches Volksleben ('Neapolitan Folk Life'). The principal theme is a well-known Neapolitan folk song. [Strauss was incorrect. This melody is actually the familiar Funiculi-Funicula by the Italian composer Luigi Denza, but it was so ubiquitous in Naples that he assumed it to be a traditional tune.] In addition, a tarantella the composer heard in Sorrento is used in the coda. After a few noisy introductory bars, the statement of the principal theme by the violas and cellos launches this crazy orchestral fantasy, which attempts to depict the colorful bustle of Naples in a hilarious jumble of themes; the tarantella, at first heard only in the distance, gradually asserts itself towards the end of the movement, and provides the conclusion for this humoresque. A few reminiscences of the first movement may express nostalgia for the peace of the Campagna." Dr. Richard E. Rodda
John Axelrod Johannes Brahms Robert Schumann Clara Schumann Giuseppe Verdi Nicole Cabell Indra Thomas Wolfgang Holzmair Dame Felicity Lott Strande Leonard Bernstein Berlioz Ravel Gorecki Schott Henschel Orchestra Sinfonica Milano Giuseppe Verdi Orchestre National Pays Loire Danish National Symphony Orchestra National Symphony Orchestra Gewandhaus Scala 1855 2012 2013 2014
Order on Amazon: (http•••) Order signed copy: (http•••) Facebook: (http•••) Few composers lived life at a higher pitch of passionate, creative energy than Johannes Brahms. His music brims with dynamism, pulled from the exciting life he lived, characterized by the relationships he had. A devoted mentee of Robert Schumann's, Brahms nevertheless harbored a lifelong love for Schumann's pianist-composer wife, Clara Schumann. Brahms wrote to Clara, "I regret every word I write to you which does not speak of love." In a fascinating new concept, John Axelrod (2012 ICMA Award winner and winner of the ResMusica "Best Classical CD of 2012") is to spearhead a multi-year exploration of the relationship between Brahms and the woman he loved, Clara Schumann, as depicted in their music. "If you listen to the Brahms symphonies," says Axelrod, "each of them seems to inhabit a completely different, though connected, character. Then, if you listen to the songs of Clara Schumann, they also fall clearly into a very similar four moods. I believe that Clara's own personality is in those songs, and so if that is true, it is also possible to think of the four Brahms symphonies as portraits of Clara / four different aspects of her." In the symphonies, John Axelrod will conduct the Grammy Award-winning Orchestra Sinfonica di Milano Giuseppe Verdi. For the first release, in September 2013, the second and fourth symphonies will be coupled with songs sung by, respectively, Nicole Cabell and Indra Thomas, with Axelrod accompanying from the piano. The second set of two symphonies and Lieder will be issued in 2014 with Wolfgang Holzmair and Dame Felicity Lott. The producer for the recording is multiple Grammy Award-winner Michael Fine, and fellow Grammy-winner Wolf Dieter Karwatky is engineer. Clara was Johannes Brahms's muse, in many ways. Though Brahms never pursued his affection beyond words, he idolized Clara until the day he died. In 1855 he wrote to Clara "I can do nothing but think of you...What have you done to me? Can't you remove the spell you have cast over me?" That year he started composing his First Symphony in earnest. It is hard, then, to separate the intensity of Brahms' work from the intensity of his love for Clara Schumann. Brahms Beloved explores the notion that perhaps Brahms depicts Clara through his symphonies - a programmatic aspect to a composer often thought of as a writer of absolute music. In this first volume of Brahms Beloved, the yearning, determined mood of his fourth symphony is coupled with songs of that same sensibility from Clara Schumann such as Am Strande and Ich stand in dunklen Träumen and Indra Thomas provides those vocal qualities for 'her' side of Clara. Then Brahms's Symphony No. 2 - all fresh, charming emotion - is coupled with works such as Liebeszauber and O Lust, O Lust with leading young bel canto soprano Nicole Cabell. "This is a major release for Telarc, and perhaps one of the most fascinating we've ever done," says Telarc's Vice President of Marketing Jason Linder, "John Axelrod has not only emerged as one of the finest conductors of today, he is also one of the music world's great innovators and both sides of him come together in this concept." John Axelrod is Principal Conductor of the Orchestra Sinfonica di Milano Giuseppe Verdi, as well as Music Director of the Orchestre National des Pays et des Loire (ONPL). A former pupil of Leonard Bernstein, he is one of today's most in-demand conductors. Recent recordings include a much-praised Berlioz and Ravel disc with Veronique Gens and the ONPL for Ondine Classics (which led respected US broadcaster Tom Manoff to write, "Just when I was beginning to worry about the future of classical music, I'm discovering new great conductors [like John Axelrod]"), "American Serenade" ("5 stars" / Diapason) with the ONPL and violinist Rachel Kolly d'Alba (Warner Classics), and Gorecki's Third Symphony with the Danish National Symphony Orchestra for Sony Classical. He regularly conducts other leading orchestras including the Leipzig Gewandhaus, Chicago Symphony and NHK Symphony and conducted the La Scala premiere of Bernstein's Candide. He recently conducted a world tour with superstar pianists Lang Lang and Herbie Hancock. He has been fascinated by challenging musical preconceptions since his early days in Houston when he founded the boundary-breaking "Orchestra X". His book, "How Great Music Is Made, Or Not" was recently published to critical acclaim in German by Schott-Henschel and will be published in English later this year.
Johannes Brahms John Axelrod Robert Schumann Clara Schumann Giuseppe Verdi Nicole Cabell Indra Thomas Wolfgang Holzmair Dame Felicity Lott Strande Leonard Bernstein Berlioz Ravel Manoff Gorecki Schott Henschel Orchestra Sinfonica Milano Giuseppe Verdi Orchestre National Pays Loire Danish National Symphony Orchestra National Symphony Orchestra Gewandhaus Scala 1855 2012 2013 2014
Order on Amazon: (http•••) Order signed copy: (http•••) Facebook: (http•••) Few composers lived life at a higher pitch of passionate, creative energy than Johannes Brahms. His music brims with dynamism, pulled from the exciting life he lived, characterized by the relationships he had. A devoted mentee of Robert Schumann's, Brahms nevertheless harbored a lifelong love for Schumann's pianist-composer wife, Clara Schumann. Brahms wrote to Clara, "I regret every word I write to you which does not speak of love." In a fascinating new concept, John Axelrod (2012 ICMA Award winner and winner of the ResMusica "Best Classical CD of 2012") is to spearhead a multi-year exploration of the relationship between Brahms and the woman he loved, Clara Schumann, as depicted in their music. "If you listen to the Brahms symphonies," says Axelrod, "each of them seems to inhabit a completely different, though connected, character. Then, if you listen to the songs of Clara Schumann, they also fall clearly into a very similar four moods. I believe that Clara's own personality is in those songs, and so if that is true, it is also possible to think of the four Brahms symphonies as portraits of Clara / four different aspects of her." In the symphonies, John Axelrod will conduct the Grammy Award-winning Orchestra Sinfonica di Milano Giuseppe Verdi. For the first release, in September 2013, the second and fourth symphonies will be coupled with songs sung by, respectively, Nicole Cabell and Indra Thomas, with Axelrod accompanying from the piano. The second set of two symphonies and Lieder will be issued in 2014 with Wolfgang Holzmair and Dame Felicity Lott. The producer for the recording is multiple Grammy Award-winner Michael Fine, and fellow Grammy-winner Wolf Dieter Karwatky is engineer. Clara was Johannes Brahms's muse, in many ways. Though Brahms never pursued his affection beyond words, he idolized Clara until the day he died. In 1855 he wrote to Clara "I can do nothing but think of you...What have you done to me? Can't you remove the spell you have cast over me?" That year he started composing his First Symphony in earnest. It is hard, then, to separate the intensity of Brahms' work from the intensity of his love for Clara Schumann. Brahms Beloved explores the notion that perhaps Brahms depicts Clara through his symphonies - a programmatic aspect to a composer often thought of as a writer of absolute music. In this first volume of Brahms Beloved, the yearning, determined mood of his fourth symphony is coupled with songs of that same sensibility from Clara Schumann such as Am Strande and Ich stand in dunklen Träumen and Indra Thomas provides those vocal qualities for 'her' side of Clara. Then Brahms's Symphony No. 2 - all fresh, charming emotion - is coupled with works such as Liebeszauber and O Lust, O Lust with leading young bel canto soprano Nicole Cabell. "This is a major release for Telarc, and perhaps one of the most fascinating we've ever done," says Telarc's Vice President of Marketing Jason Linder, "John Axelrod has not only emerged as one of the finest conductors of today, he is also one of the music world's great innovators and both sides of him come together in this concept." John Axelrod is Principal Conductor of the Orchestra Sinfonica di Milano Giuseppe Verdi, as well as Music Director of the Orchestre National des Pays et des Loire (ONPL). A former pupil of Leonard Bernstein, he is one of today's most in-demand conductors. Recent recordings include a much-praised Berlioz and Ravel disc with Veronique Gens and the ONPL for Ondine Classics (which led respected US broadcaster Tom Manoff to write, "Just when I was beginning to worry about the future of classical music, I'm discovering new great conductors [like John Axelrod]"), "American Serenade" ("5 stars" / Diapason) with the ONPL and violinist Rachel Kolly d'Alba (Warner Classics), and Gorecki's Third Symphony with the Danish National Symphony Orchestra for Sony Classical. He regularly conducts other leading orchestras including the Leipzig Gewandhaus, Chicago Symphony and NHK Symphony and conducted the La Scala premiere of Bernstein's Candide. He recently conducted a world tour with superstar pianists Lang Lang and Herbie Hancock. He has been fascinated by challenging musical preconceptions since his early days in Houston when he founded the boundary-breaking "Orchestra X". His book, "How Great Music Is Made, Or Not" was recently published to critical acclaim in German by Schott-Henschel and will be published in English later this year.
Johannes Brahms Strande Johan Botha Bertrand Billy Nem 1749 1832 1863 1868
A Rinaldo Johannes Brahms 1863-1868 között írt hét tételből álló tenorszólóból,férfikarból és zenekarból álló műve,a művet Johann Wolfgang von Goethe (Frankfurt am Main, 1749. augusztus 28. – Weimar, 1832. március 22.) német író, költő, grafikus, művészetteoretikus, természettudós, jogász és politikus azonos című műve alapján készült,a mű bemutatója 1869.február 28-án Bécsben volt maga Brahms vezényletével. 1.Bevezetés, Kórus: "Zum den Strande" (A strandokhoz). Allegro 00:00 2.Tenorszóló és kórus: "Stelle her der Goldnen Tage" (Hogy az arany napok). Poco adagio 04:57 3.Kórus: "Nein nicht lager" (Nem nincs raktáron). Allegro non troppo 14:48 4.Kórus: "Zurück nur, zurücke!" (Csak hátul, hátul!). Allegretto non troppo 18:46 5.Tenorszóló és Kórus: "Zum zweiten male" (Másodszor). Andante con moto e poco agitato 20:52 6.Kórus és szóló: "Schon stand sie erhöret" (Már hallották). Andante 26:02 7.Záró kórus a tengeren: "Segel schwellen" (A vitorlák duzzadnak). Allegro 32:26 Johan Botha-tenor Bécsi Állami Operaház Férfikara Bécsi Rádió Szimfonikus Zenekara Vezényel:Bertrand de Billy
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