Johannes Brahms Quinteto para piano en fa menor, Op. 34 Vídeos
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Brahms Christoph Eschenbach Norbert Brainin Lovett Amadeus Quartet 1968 1969
Piano Quintet In F Minor, Op.34 I. Allegro Non Troppo II. Andante, Un Poco Adagio III. Scherzo: Allegro IV. Finale: Poco Sostenuto - Allegro Non Troppo - Presto Non Troppo Piano – Christoph Eschenbach Violin – Norbert Brainin, Siegmund Nissel Viola – Peter Schidlof Cello – Martin Lovett Mastered July 1968 Vinyl transfer of 1969 Deutsche Grammophon – 139 397
Quatuor Danois Serge Collot Noël Lee Johannes Brahms 1997
Provided to YouTube by naïve classique Piano Quintet in F Minor, Op. 34: III. Scherzo: Allegro · Quatuor Danois · Serge Collot · Noël Lee · Johannes Brahms Brahms: String Quintet Nos. 1, 2 & Piano Quintet ℗ Auvidis Released on: 1997-01-01 Auto-generated by YouTube.
Edvard Grieg Chien Kwan Lin Stern Emmanuel Chabrier Johannes Brahms Howell Astor Piazzolla Matthews Zhao Ming 2019
Eastman Saxophone Project Chien-Kwan Lin, director Zachary Stern, assistant director Thursday, April 11, 2019 Kilbourn Hall Eastman School of Music University of Rochester Program: Emmanuel Chabrier (arr. Clancy Ellis): España Johannes Brahms (arr. Jeremy Howell): Piano Quintet in F Minor, Op. 34, I. Allegro non troppo Edvard Grieg (arr. Clancy Ellis): Peer Gynt Suite No.1, Op. 46 Morning Mood Aase's Death Anitra's Dance In the Hall of the Mountain King Jeremy Howell: Miniature Robot Dance +••.••(...)World Premiere) Astor Piazzolla (arr. Uday Singh): Contrabajissimo Encore: Philippe Geiss: Sir Patrick Eastman Saxophone Project: Ian Briffa Trevor Chu Colin Crake Clancy Ellis Raleigh Fagerhaug Scarlet Gouk Jeremy Howell Richard Kim Michael Matthews Joseph Moruzzi Siobhan Plouffe Uday Singh Zachary Stern Ian van Nuys Stephanie Venturino Jiaqi Zhao piano Pi-Lin Ni Percussion Hannah Dick Gordon Fry Miles Kim Oliver Xu Recording Engineerings: Steven Philbert, Zilin Zeng, Jiayi Ren, Ming-Lun Lee Post-production: Ming-Lun Lee 3D Audio Research Lab Department of Electrical and Computer Engineering Audio and Music Engineering Program University of Rochester Kandao Obsidian R 8K VR Camera and Eigenmike Microphone
Anton Bruckner Atkinson Eliahu Inbal Lorin Maazel Herbert Karajan Nielsen Myung Whun Chung Mahler Georg Solti Brahms Maurizio Pollini Bernard Haitink Simon Rattle Frankfurt Radio Symphony Pittsburgh Symphony Orchestra Berliner Philharmoniker Gothenburg Symphony Orchestra Chicago Symphony Orchestra Quartetto Italiano Royal Concertgebouw Orchestra Concertgebouw Orchestra 1913
Please support this channel on Patreon: (http•••) Richard Atkinson discusses Anton Bruckner’s obsession with inverting his thematic material, specifically in the prodigious 6th Symphony. This is a fair use educational commentary that uses excerpts from the following recordings/performances: Bruckner, Symphony No. 6: Eliahu Inbal, Frankfurt Radio Symphony (hr-Sinfonieorchester) Saint-Saëns, Danse Bacchanale, from “Samson et Dalila”: Lorin Maazel, Pittsburgh Symphony Orchestra Bruckner, Symphony No. 4: Herbert von Karajan, Berliner Philharmoniker Nielsen, Symphony No. 3: Myung-whun Chung, Gothenburg Symphony Orchestra Mahler, Symphony No. 6: Georg Solti, Chicago Symphony Orchestra Brahms, Piano Quintet in F minor, Op. 34: Maurizio Pollini (pianoforte) with Quartetto Italiano Bruckner, Symphony No. 5: Bernard Haitink, Royal Concertgebouw Orchestra Brahms, Symphony No. 3: Simon Rattle, Berliner Philharmoniker 00:00 - Introduction 00:38 - Movement 1 19:13 - Movement 2 29:10 - Movement 3 35:08 - Movement 4
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