Johannes Brahms Schicksalslied, Op. 54 Vídeos
- textos de Friedrich Hölderlin
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2024-04-19
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Johannes Brahms Eugen Jochum Klaus Tennstedt Bruno Walter Bruckner Abbado Beethoven London Philharmonic Orchestra Berlin Philharmonic 1702 1976 2003
00:00 - I. Un poco sostenuto — Allegro – Meno allegro 17:02 - II. Andante sostenuto 25:52 - III. Un poco allegretto e grazioso 30:36 - IV. Adagio — Più andante — Allegro non troppo, ma con brio – Più allegro Recorded: 29-30.VI, 1-5.VII and 1-3 & 8-9.X, 1976 Kingsway Hall, London (http•••) (http•••) Brummy21 5.0 out of 5 stars Wonderful and Inspired Brahms Reviewed in the United Kingdom on 7 November 2003 "It is difficult to concentrate on writing this while I listen to Jochum's Brahms 1st which just sweeps you along with its inspired conducting, wonderful orchestral playing and brilliant sound. These Jochum performances of three of Brahms' four symphonies, together with the Academic Festival and Tragic overtures, are vintage 1970s Kingsway Hall recordings, remastered on a 2CD bargain price issue from EMI. And what a bargain ! Eugen Jochum, steeped in the Germanic tradition, knows exactly how he wants these symphonies to sound and the London Philharmonic Orchestra rise to the occasion with playing they have probably never bettered, with producer Christopher Bishop giving them a sound to match. A dramatic First Symphony is followed by a wonderfully lyrical Second and a warm and weighty Third. What a pity then, that to complete the Jochum Brahms Symphony set you will have to buy another 2CD bargain EMI issue to get the Fourth, but coupled with a far less inspiring Brahms German Requiem and Schicksalslied, from Klaus Tennstedt. Still, don't let that put you off these 2CDs of inspired Brahms at almost a giveaway price. This set has replaced my Bruno Walter discs as my first choice listening for these Brahms symphonies - there can be no higher praise !" (http•••) "Brahms: I've written elsewhere about Jochum's extraordinary achievements in the symphonic works of Brahms and – aside from Bruckner – this is the music for which the conductor is most remembered. Jochum's first cycle was made with a post-war Berlin Philharmonic, and not only did he obtain staggering results given the time period, but nobody in Berlin has yet been able to match it (though Abbado comes close!) Late in his career, Jochum led the London Philharmonic in these marvelous performances. At first, it might have been disappointing to listeners to discover the Philharmonic had been chosen. After all, EMI had been making important recordings in Dresden, Vienna, and Berlin. The London Philharmonic would have (rightly) been seen as inferior, and maybe it still is. Even for modern listeners, there's a good chance that some of us missed these recordings the first time around. The cycle was split across two two-disc sets a few years back, and while that might have made sense at EMI, it would probably have been best to just box the cycle up and call it a day. Here at last, everything is sensibly collected, along with the overtures and a smattering of overtures by Beethoven from elsewhere in London. The cycle shows the London Philharmonic in absolutely smashing form. Jochum elicits stunning virtuosity from his players, to the point where one doesn't regret the choice of orchestra at all. Again, comparisons with Furtwangler are telling, because at no point does the older conductor come close to executing similar results in his Brahms. Sure, Furtwangler has perhaps some of the greatest "conceptions" of Brahms ever, but what is a conception if you can't hear it outside of the conductor's head? Each disc in this box is generously filled, sounds great, and represents each composer faithfully within the "Romantic" and Germanic tradition. Purists will undoubtedly prefer a lighter and more (currently) idiomatic sound, but for those of us who like this kind of thing (and admit it, there's still lots of us), this Icon set is one of the brightest and best in terms of how to acquire all of this music at once. I say this a lot these days, but both seasoned veterans and curious listeners will find endless enjoyment here." Brian Wigman (http•••)
Johannes Brahms Bernard Haitink Straus Wiener Staatsoper Wiener Philharmoniker 1980
Provided to YouTube by Universal Music Group Brahms: Schicksalslied, Op. 54 · Chor der Wiener Staatsoper · Wiener Philharmoniker · Bernard Haitink Brahms: Ein Deutsches Requiem/Schicksalslied ℗ 1980 Universal International Music B.V. Released on: 1980-01-01 Producer, Recording Producer: Volker Straus Composer: Johannes Brahms Author: Friedrich Johann Christian Hölderlin Auto-generated by YouTube.
Johannes Brahms Herbert Blomstedt San Francisco Symphony San Francisco Symphony Chorus 1990 2012
Provided to YouTube by Universal Music Group Brahms: Schicksalslied, Op. 54 · San Francisco Symphony Chorus · San Francisco Symphony · Herbert Blomstedt Brahms: Symphony No.4; Alto Rhapsody; Nanie ℗ 1990 Decca Music Group Limited Released on: 2012-01-01 Producer: Andrew Cornall Studio Personnel, Recording Engineer: James Lock Composer: Johannes Brahms Author: Friedrich Johann Christian Hölderlin Auto-generated by YouTube.
Brahms Martynas Stakionis Visus Ąžuoliukas 1996 2010 2011 2012 2013 2014 2015
Martīns Staķonis (Martynas Stakionis, 1996, Lietuva) Martīns Staķonis pēc Viļņas mūzikas skolas Ąžuoliukas beigšanas, kur viņš sāka mācīties piecu gadu vecumā, 2011. gadā iestājās M. K. Čurļoņa Nacionālajā mākslu skolā kā kordiriģēšanas students. Šobrīd viņa pedagogs ir kordiriģents Romualds Gražinis. M. Staķonis apgūst arī orķestra diriģēšanu pie Lietuvas Nacionālās operas un baleta teātra diriģenta Martīna Staškus. M. Staķonis gan organizē, gan piedalās ikgadējos skolas pasākumos un koncertos. Piemēram, viņš bija kora diriģents un viens no komponistiem ikgadējā M. K. Čurļoņa Nacionālās mākslu skolas vecāko kursu studentu operas iestudējumā (The Curious Case of Benjamin Button, 2014). Viņš diriģēja arī vairāku skaņdarbu pirmatskaņojumus ikgadējā skolas komponistu koncerteksāmenā. M. Staķonis ir sadarbojies ar tādiem izpildītājiem kā Nora Petročenko, Viktors Gerasimovs, Art Vio, St. Christopher kamerorķestri, kori Aidija u.c. 2014. gada aprīlī viņš debitēja arī kā orķestra diriģents Kauņas pilsētas filharmonijā ar Kauņas Vītauta Dižā universitātes Mūzikas akadēmijas kamerorķestri. M. Staķonis ieguvis godalgas: 3. vietu Hermana Perelšteina jauno kordiriģentu konkursā Viļņā +••.••(...). vietu 9. reliģiskās mūzikas un mākslas jauno kordiriģentu festivālā un konkursā Paņevežā (2012), kora balvu 1. starptautiskajā Imanta Kokara jauno kordiriģentu konkursā Rīgā (2013) un 2. vietu, kora balvu un balvu par labāko operas fragmenta interpretāciju Jona Aleksas jauno kordiriģentu konkursā Viļņā (2014). Pavasara koncerts „Nekur nav tik labi kā mājās” 28.03.2015. plkst. 18.00 VEF Kultūras pilī, Ropažu ielā 2 Sestdien, 28. martā Tautas deju ansamblis „Rotaļa” un Vidējās paaudzes deju kolektīvi "Mana Rotaļa", "Rotaļa XO" un "Daugava" Vidējās paaudzes deju kolektīvi "Mana Rotaļa" visus dejas cienītājus aicina uz Pavasara koncertu VEF Kultūras pilī "Nekur nav tik labi kā mājās". Deju cienītājiem piedāvāsim baudīt dejas no latviešu zelta fonda, kā arī pēdējos gados tapušās horeogrāfijas, ko iecienījuši gan paši dejotāj, gan skatītāji. Šis pavasara koncerts VEF Kultūras pils dejotājiem ir pavisam īpašs, jo viņi zina, ka "nekur nav tik labi, kā mājās".www.wefkp.lv
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