Johannes Ciconia O rosa bella Vídeos
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Johannes Ciconia 1350 1372 1373 1401 1403 1412
Johannes Ciconia (b Liège, c 1335 or c 1373; d Padua, 10 June-13 July 1412). Liégeois composer and theorist. Two men of the name are known. The elder was in service in Avignon in 1350, accompanied Cardinal Albornoz on an Italian campaign, 1358-67, and returned to Liège in 1372 as a priest at St John the Evangelist. A Liège document of 1385 however refers also to a choirboy called Johannes Ciconia, and recent opinion favours the younger Ciconia as the composer, which is more plausible on grounds of musical style. In 1401 this Ciconia received a benefice for a small Paduan church and from 1403 was custos and cantor at Padua Cathedral. His music combines elements of the French Ars Nova with the Italian 14th-century style and strongly influenced other early 15th-century composers. His Italian songs, which include four madrigals and at least seven ballate, betray aspects of the French style then current in northern Italy, chansons, of which only two virelais and a canon survive, exploit the rhythmic complexities of the Ars Subtilior. Of his 11 motets, four are isorhythmic but others are closer in style to the Italian songs; most were written to celebrate important events or as eulogies. His mass music consists of 11 or 12 settings of the Gloria or Credo. He also wrote three theoretical treatises.
Johannes Ciconia Hauwe Adorno Garda Fontayne Massa 1370 1412
Una panthera Johannes Ciconia (Liège, 1335 ou 1370 - Pádua, 1412) (Madrigali in honour of the city of Lucca (Italy) allegedly founded by Mars and having the panther in its arms) Little Consort Lucia Meeuwsen, mezzo-soprano Walter van Hauwe, flutes, Toyohiko Satoh, mediaeval lute Kees Boeke, viella, flutes "Una panthera in compagnia de Marte Candido Jove d`un sereno adorno Constant`è l`arme chila garda intorno Dando a ciaschun mortal che ne sia degno Triumpho, gloria e parte in questo regno. Questo guberna la cità luchana Con soa dolcezza el cielo dispensa e dona Secondo el meritar iusta corona Dando a ecc." Paintings: Denis van Alsloot Ciconia's music is an eclectic blend of styles. Pieces typical of northern Italy, such as his madrigal Una panthera, appear with pieces steeped in the French ars nova. The more complex ars subtilior style surfaces in Sus un fontayne. While it remains late medieval in style, his writing increasingly points toward the melodic patterning of the Renaissance, for instance in his setting of O rosa bella. He wrote music both secular (French virelais, Italian ballate and madrigals) and sacred (motets and Mass movements, some of them isorhythmic) in form. He is also the author of two treatises on music, Nova Musica and De Proportionibus (which expands on some ideas in Nova Musica). Wikipédia A música de Ciconia é uma mistura eclética de estilos. Peças típicas do norte da Itália, como seu madrigal Una panthera, aparecem com peças mergulhadas na ars nova francesa. As superfícies mais complexas do estilo subtilior em Sus un fontayne. Embora permaneça em estilo medieval tardio, sua escrita aponta cada vez mais para o padrão melódico da Renascença, por exemplo, em seu cenário de O rosa bella. Escreveu música secular (virelais franceses, ballate e madrigals italianos) e sagrada (motets e movimentos de massa, alguns deles isorítmicos) em forma. Ele também é autor de dois tratados sobre música, Nova Musica e De Proportionibus (que expande algumas idéias em Nova Musica). Wikipédia
Johannes Ciconia Padova 1370 1401 1412
Johannes Ciconia (Liegi 1370 - Padova 1412), è stato un compositore del periodo tardomedievale. Nato a Liegi, figlio di un musicista dello stesso nome che soggiornò a lungo in Italia (cosa che ha portato molta confusione nella sua biografia), le prime notizie certe di lui risalgono al 1391, quando fu al servizio di Papa Bonifacio IX a Roma. Dal 1401 fino alla morte fu attivo a Padova, dove era amico dei più influenti personaggi della città. La sua musica è una felice sintesi dell'Ars Nova francese con quella italiana, ed evolverà in seguito in uno stile ormai Rinascimentale (ad esempio nelle splendide ballate su testo italiano "Ligiadra Donna" e "O Rosa bella"). La ballata a 2 voci su testo italiano "La fiamma del to amor" è in uno stile vicino a quello dell'Art Subtilior, con una linea melodica fluente e un contrappunto sincopato di grande sottigliezza. Nelle fotografie immagini della città di Padova Johannes Ciconia (Liège 1370 - Padua 1412), was a composer of the late medieval period. Born in Liège, the son of a musician of the same name who lived a long time in Italy (which has brought much confusion in his biography), the first news of it date back to 1391, when he was in the service of Pope Boniface IX in Rome. From 1401 until his death he was active in Padua, where he was a friend of the most influential personalities of the city. His music is a successful synthesis of both French and Italian Ars Nova, and will evolve later in a Renaissance style (for example in the beautiful ballads with Italian text "Ligiadra Donna" and "O Rosa bella"). The 2-part ballad on Italian text "La fiamma del to amor" is in a style close to that of Art Subtilior, with a flowing melodic line and a syncopated counterpoint of great subtlety. In the pictures some views of Padua.