John Dowland Come, heavy sleep Vídeos
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John Dowland Benjamin Britten 1992
Provided to YouTube by NAXOS of America Nocturnal after John Dowland: Reflections on Come, heavy sleep, Op. 70: VII. Gently rocking · Jukka Savijoki Britten, B.: Songs From the Chinese / Nocturnal After John Dowland / Berkeley, L.: Theme and Variations / Songs of the Half-Light ℗ 1992 Ondine Released on: 1992-01-01 Artist: Jukka Savijoki Composer: Benjamin Britten Auto-generated by YouTube.
John Dowland Nigel Rogers Paul O Dette Wilt Monteverdi Handel Baroque Orchestra Schola Cantorum 1550 1563 1626 1851 1987
Today’s talents will be tomorrow’s legends. Please Subscribe to our New channel @PAINTED. Discover and Empower classical music Artists all around the World ! (http•••) ——— John Dowland +••.••(...)) - Flow my Tears Album : Songs for Tenor and Lute. *Clique pour activer les sous-titre en français (00:00-02:22)* Book 2 Flow my tears (00:00) Book 1 Come heavy sleep (04:21) Wilt thou unkind thus reave me? (08:43) If my complaints could passions move (12:29) My thoughts are winged with hopes (15:50) Awake sweet love (18:51) Come away, come sweet love (21:35) Book 2 Sorrow, stay (23:41) Fine knacks for ladies (27:06) Shall I sue (29:44) I saw my lady weep (32:23) Book 3 When Phoebus first did Daphne love (36:25) Say, love, if ever thou didst find (38:16) Fie on this feigning (40:07) Weep you no more sad fountains (42:03) Book 4 (A Pilgrimes Solace) Love those beams (46:44) Sweet stay awhile (49:32) To ask for all thy love (52:41) Were every thought an eye (56:11) Shall I strive with words to move? (57:49) Tenor : Nigel Rogers Lute : Paul O’Dette Recorded in 1987, at London Find CMRR's recordings on Spotify: (http•••) Nigel Rogers began singing at an early age as a boy treble and later became a Choral Scholar at King's College, Cambridge. After graduating he went first to Italy and then to Germany, where he studied at the Hochschulefür Musik. During the early 1960s he toured all over the world before returning to England, where he began to take a greater interest in Baroque music. The special technique he uses in Italian Baroque vocal music draws on performances by the singers of Classical Indian and Arabian music that he heard in India and the Middle East. He has given solo recitals throughout the world and has performed with many distinguished groups of musicians. He has also taken part in productions of Baroque opera from Monteverdi to Handel. In recent years he has directed his own Chiaroscuro vocal ensemble and Baroque orchestra in many concerts and recordings. He is also an experienced teacher and has taught in Switzerland, Holland, Australia, the USA and at the Royal College of Music in London. Paul O'Dette was born in Pittsburgh and began playing the guitar at the age of eleven. After several years of performing rock music, he took up the classical guitar, and within six months had won first prize in the Columbus (Ohio) Symphony Orchestra's young Musicians Competition. Using the treatises and method books of the sixteenth century, he taught himself the lute and developed an interest in, and a preference for, early music. He subsequently enrolled at the Schola Cantorum Basiliensis, where he studied medieval and Renaissance performance practice with Thomas Binkley and the lute with Eugen Dombois. He has travelled widely throughout Europe, North America and the Middle East, both as a soloist and with early music ensembles. He is currently Director of Early Music at the Eastman School ofMusic in Rochester, New York. Dowland - Complete Lute Galliards Works/Lachrimae + Presentation (Century's record. : Paul O'Dette) : (http•••)
Benjamin Britten John Dowland Goss Morse 2017
'Nocturnal', after John Dowland, Op. 70. I. Musingly II. Very Agitated III. Restless IV. Uneasy V. March-Like VI. Dreaming VII. Gently Rocking VIII. Passacaglia - Slow and quiet Performed by Max Lyman For a thorough analysis, check out Stephen Goss' article: 'Come, heavy sleep: motive & metaphor in Britten's Nocturnal, opus 70' (http•••) Recorded in Morse Recital Hall at Yale University, as part of my M.M. degree recital. April 27th, 2017.
Benjamin Britten John Dowland Fleta Farrell Cowan Moore Kerr Dobney Scherer 1897 1913 1953 1976 1977 2013
"Come, Heavy Sleep (Molto Tranquillo)" from Nocturnal After John Dowland, op.70 by Benjamin Britten +••.••(...)) played by Mattias Schulstad. Filmed in the Patio from the Castle of Vélez Blanco at The Metropolitan Museum of Art, August, 2013. Performed on a guitar made by Ignacio Fleta +••.••(...)), Barcelona, 1953. Learn more about this guitar at: (http•••) Production support was provided by The Augustine Foundation A production of the Digital Media Department The Metropolitan Museum of Art Produced and Directed by Kate Farrell Edited by Marina Zarya Camera by Alex Rappaport and Sarah Cowan Lighting by Ned Hallick Sound Recording and Post-Production Audio by Marlan Barry Production Coordinator: Stephanie Wuertz Production Assistant: Marina Zarya Lighting by Ned Hallick Sound Recording and Post-Production Audio by Marlan Barry Production Coordinator: Stephanie Wuertz Production Assistant: Marina Zarya Organized by the Department of Musical Instruments J. Kenneth Moore, Frederick P. Rose curator-in-charge Jayson Kerr Dobney, Associate Curator and Administrator Bradley Strauchen-Scherer, Associate Curator Susana Caldeira, Assistant Conservator Pamela Summey, Programs Coordinator Marian Eines, Associate for Administration
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