John Dowland Flow, my tears, fall from your springs Vídeos
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John Dowland Antipov 1563 1626
Magdalina Gluschenko — alto / Vasiliy Antipov — lute Flow, my tears, fall from your springs! Exiled for ever, let me mourn; Where night's black bird her sad infamy sings, There let me live forlorn. Down vain lights, shine you no more! No nights are dark enough for those That in despair their last fortunes deplore. Light doth but shame disclose. Never may my woes be relieved, Since pity is fled; And tears and sighs and groans my weary days, my weary days Of all joys have deprived. From the highest spire of contentment My fortune is thrown; And fear and grief and pain for my deserts, for my deserts Are my hopes, since hope is gone. Hark! you shadows that in darkness dwell, Learn to contemn light Happy, happy they that in hell Feel not the world's despite. Теките, мои слезы, проливайтесь из своих источников! Изгнан я навек, так дайте ж мне предаться скорби; Там, откуда слышится печальное пение ночной черной птицы, Там позвольте мне жить в забвении. Угасните, напрасные огни, не светите больше Никакая ночь не может быть достаточно темной для тех, Кто в отчаянии оплакивает свою последнюю судьбу — Свет лишь их позор раскрывает. Никогда не облегчится горе мое, Даже когда сожаление рассеется; И слезы, и вздохи, и стоны опустошат мои дни, Лишив всех радостей. С высочайшего шпиля счастливой судьбы Сврей фортуной сброшен я; И страх, и горе, и боль — вот все надежды в моей пустыне, С тех пор, как надежда ушла. Слушайте, тени, что во тьме обитают, Учитесь презирать свет. Счастливы, счастливы те, кто в аду, Ибо не чувствуют, что мир им вопреки.
John Dowland Ayres 1600 1658 2014
Hey everyone~! Please consider a donation, (http•••) and we will make more videos like this one :) Dowland's signature song, "Flow my tears, fall from your springs," performed by Phoebe Jevtovic Rosquist, soprano, and David Tayler, archlute. Voices of Music FAQ Q. How can I support Voices of Music? A. Donate here: (http•••) and we will make more videos like this one :) These videos cost thousands of dollars to make, and the money comes from individual donors. Q. Where can I learn more about this music? A. You can visit our website, (http•••) Also, subscribe to our video channel! Just click on the logo on our videos. Q. Where can we hear you play in concert? A. We perform in the San Francisco Bay Area. For a concert schedule, visit our website or join our mailing list (http•••) Q. Where can I buy CDs? Our CDs are available on iTunes, Google, Amazon, CD Baby and just about everywhere; you can also buy a CD in a jewel case from Kunaki: (http•••) Q. What is Early Music performance, or historical performance? A. We play on instruments from the time of the composers, and we use the original music and playing techniques: it’s a special sound. Q. Why are there no conductors? A. Conductors weren’t invented until the 19th century; since we seek to recreate a historical performance, the music is led from the keyboard or violin, or the music is played as chamber music~or both Q. What are period instruments or original instruments; how are they different from modern instruments? A. As instruments became modernized in the 19th century, builders and players tended to focus on the volume of sound and the stability of tuning. Modern steel strings replaced the older materials, and instruments were often machine made. Historical instruments, built individually by hand and with overall lighter construction, have extremely complex overtones—which we find delightful. Modern instruments are of course perfectly suited to more modern music. Q. Why is the pitch lower, or higher? A. Early Music performance uses many different pitches, and these pitches create different tone colors on the instruments. See (http•••) Live, HD video from the "Saturday Night at the Movies" concert presented by the Early Music ensemble Voices of Music, January, 2014, in San Francisco. Dowland's song, also know as "Lachrimae", which means "tears" in Latin, was the most famous English song of the early 17th century and was well-known throughout Europe--many composers wrote variations on Dowland's theme and harmonies. The first four notes of the melody form the bass part for Dowland's song, "I saw my lady weep," both works were published in the Second book of Ayres (London, 1600). The poem is the subject of many articles. My own view is that "night's black bird" refers to the Greek goddess Nyx, the black-winged goddess of the night and one of the "protogenoi" (first-born elemental gods). In one creation myth, Nyx was born from Chaos, and her symbols were the bird and shadows--the shadow theme appears at the end of the poem as well as in Dowland's other works. According to the philosophy of the time, tears were also a symbol of lost hope ("are my hopes since hope is gone"), and this sentiment is described by Thomas Hobbes in 1658, even as the idea of "humours" was falling out of favor. Once a year, Voices of Music invites early music groups to participate in a day of filming in San Francisco. You provide the music, we provide the cameras, and we all watch the magic. Visit us on the web at www.voicesofmusic.org. #Dowland #Lachrimae
John Dowland Boden 1563 1626 2012
Flow My Tears (Pavane Lachrymae) by John Dowland +••.••(...)) Kaltrina Miftari, soprano Florin Fanaj, lute Kosova KamerFest October, 2012 Anthony Boden calls the song "probably the most widely known English song of the early 17th century." Lyrics Flow, my tears, fall from your springs! Exiled for ever, let me mourn; Where night's black bird her sad infamy sings, There let me live forlorn. Down vain lights, shine you no more! No nights are dark enough for those That in despair their last fortunes deplore. Light doth but shame disclose. Never may my woes be relieved, Since pity is fled; And tears and sighs and groans my weary days Of all joys have deprived. From the highest spire of contentment My fortune is thrown; And fear and grief and pain for my deserts Are my hopes, since hope is gone. Hark! you shadows that in darkness dwell, Learn to contemn light Happy, happy they that in hell Feel not the world's despite
John Dowland William Byrd Bach 1543 1563 1595 1600 1623 1626
(http•••) John Dowland +••.••(...)) set by William Byrd +••.••(...)) Pavana Lachrymae Here is William Byrd's exquisite arrangement of Dowland's celebrated lute piece, Lachrimae Pavan. Dowland composed this piece around 1595 and in 1600 published it as the lute song 'Flow my Tears', which is this music's most famous incarnation. Flow, my tears, fall from your springs! Exiled for ever, let me mourn; Where night's black bird her sad infamy sings, There let me live forlorn..... Byrd freely based his keyboard setting around the lute piece, adding figurations and ornamentation and capturing all the dark melancholy of the original. Source: Fitzwilliam Virginal Book Welcome to the BACHPIANIST channel. Daniel Martyn Lewis plays Bach... and even earlier keyboard music. SUBSCRIBE! PLEASE SHARE this video (http•••) You can find my latest CD here (http•••)
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