Richard Wagner La boda Vídeos
- Estreno en 1938-02-13 (La boda, Wagner)
- Publicado en 1912 (La boda, Wagner)
- textos de Richard Wagner
Última actualización
2024-03-22
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André David Jammes Guilherme Melo Operti Robson Santana Oliveira Lombardi Machado Souza
Assista ao videoclipe de "Pra Sonhar", feito de forma colaborativa, com cenas de casamentos reais enviadas por casais do Brasil todo. Obrigado Vanessa e Hugo, Carol e Fabio, Anna Carolina e Bruno, Sabrina e Saulo, Camila e Wagner, Jorge e Julie, André David e Thaís, Raquel e Junior, Adriana e Paulo, Renata e Rafael, Keite e Ricardo, Anabelly e André (ou Petit & Xucrutix), Raphael e Heike, Janaina e João Pedro, Eduardo e Rosângela, Tati e Felipe, Alécio e Luiz Felipe, Gabi e Ricardo, Alexandre e Marcia, Helton e Jammes, Maynara e Felipe, Márcio e Shirlei, Gabriela e Vinicius, Viviane e Vinícius, Michele e Alison, Sammia e Thiago, Renata e Bruno, Nina e Guga, Anne e Thiago, Camilla e Pedro, Clarissa e Mario, Clara e Felipe, Luciana e Pedro, Paula e Cristiano, Paula e Edgar, Bruna e Alexandre, Larissa e Renato, Maria do Carmo e Rogerio, Stelio e Elifabia, Marcelo e Veronica. Obrigado também às produtoras de vídeo que nos cederam as imagens que compõem "Pra Sonhar": Brigadeiro Filmes, Clarté, Cleiton Tiburcio, Comunik Filmes, Erick De Vasconcelos Filmes, Evolution Wedding, Flavio Jobim filmes, Foco Films, Giovanna Borgh, Goiabada com Queijo, Guilherme Frejah, Impacto Produções, Jeff e Gal, Lenito, Emotion.me, Macuca Produções, Marcos Melo, Mariana Lima, Operti, Olho Mágico, OUI Filmes, Robson Santana Video, Rodrigo Oliveira wedding vídeo, Valsinha Filmes, 3EFE Filmes. Participam do projeto "Pra Sonhar": Recheio Digital - Criação e realização Daniela Cucchiarelli - Diretora Bianca Lombardi - Gerente de Projeto Natália Neni Amaral - Assistente de direção Pedro Henrique Galiza - Assistente de direção Andrea M. Machado - Montagem Bruna Vinuesa - Assistente de montagem William Terra - Direção de Arte e Finalização Karina Sallum - Relações Públicas Adriano Brandão e Bianca Lombardi - Plano de Conteúdo Vinicius Tamamoto e Maria Claudia Brigido - Conteúdo Marcio Souza - Analista Social Media Pessoa Produtora - Produção Artística MPP Interativa - Projeto e Desenvolvimento Web Sete 8 Comunicação - Assessoria de Imprensa
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Mahler Schubert Beethoven Schumann Siegfried Wagner Lowe 2010
Mahler's Lieder eines fahrenden Gesellen covers a wide range of emotions through unorthodox tonality, falling fourths and so on. One might say that this wayfaring lad is a nephew of the wanderer in Schubert's Winter Journey'. Both wayfarers were forsaken by their loved ones which plunged them into despair. In Mahler's case the cycle re-echoes his unhappy love affair with the actress Johanne Richter. Furthermore, unlike the cycles of Beethoven, Schubert and Schumann, the poems were written by Mahler himself. In the first song the cheerful music which will enliven the wedding party soon takes on a gloomy atmosphere as the dejected lover tries to console himself with the beauties of nature by imitating the song of the birds as does young Siegfried in Wagner's opera of that name. But there is a sense of grief in the soft-footed piano accompaniment which brings into reality this self-deception. The steady rhythm in the piano part of the next song, which fluctuates between staccato and legato, seems to say that for the moment the youth is happy to share in spring's jubilation. In the last line of the song we come to realise that his yearning is all in vein. The fortissimo chords which herald in the voice in an outburst of despair in the following song has a suicidal ring to it. Here, the agony is so unbearable it seems as if a dagger has been plunged into his breast. His cries of bitter resentment to the pain that never rests is mirrored in the piano part. In the last, and most beautiful of the songs, the blue eyes of the young girl are the only consolation as the traveller sets out on his lonely journey with love and sorrow as his only companions. The tranquil movement of the song is akin to the 'Brook's Lullaby' with which Schubert brings his cycle Die schone Mullerin to a close. 1. On my sweetheart's wedding day 2. Walking in the fields today 3. I have a burning dagger in my heart 4. These two blue eyes Performed in his own translation by Jeffrey Benton, with Rona Lowe on Piano "The singer here has succeeded in demonstrating beyond doubt that German lieder can and should be performed in English. These excellent translations, which are his own, should convince anyone who hears them that only the SOUND of German is lost, but the marriage of words and music is as strong as ever". (reviewed 2010)
Gustav Mahler Schubert Beethoven Schumann Siegfried Wagner Lowe 1989
Gustav Mahler's Lieder eines fahrenden Gesellen covers a wide range of emotions through unorthodox tonality, falling fourths and so on. One might say that this wayfaring lad is a nephew of the wanderer in Schubert's Winter Journey'. Both wayfarers were forsaken by their loved ones which plunged them into despair. In Mahler's case the cycle re-echoes his unhappy love affair with the actress Johanne Richter. Furthermore, unlike the cycles of Beethoven, Schubert and Schumann, the poems were written by Mahler himself. In the first song the cheerful music which will enliven the wedding party soon takes on a gloomy atmosphere as the dejected lover tries to console himself with the beauties of nature by imitating the song of the birds as does young Siegfried in Wagner's opera of that name. But there is a sense of grief in the soft-footed piano accompaniment which brings into reality this self-deception. The steady rhythm in the piano part of the next song, which fluctuates between staccato and legato, seems to say that for the moment the youth is happy to share in spring's jubilation. In the last line of the song we come to realise that his yearning is all in vein. The fortissimo chords which herald in the voice in an outburst of despair in the following song has a suicidal ring to it. Here, the agony is so unbearable it seems as if a dagger has been plunged into his breast. His cries of bitter resentment to the pain that never rests is mirrored in the piano part. In the last, and most beautiful of the songs, the blue eyes of the young girl are the only consolation as the traveller sets out on his lonely journey with love and sorrow as his only companions. The tranquil movement of the song is akin to the 'Brook's Lullaby' with which Schubert brings his cycle Die Schone Mullerin to a close. Recorded Live 1989 Jeffrey Benton - Baritone Rona Lowe - Piano English Singing Translation By Jeffrey Benton
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