Robert Schumann Album, Op. 68 Vídeos
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2024-04-17
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Vladimir Samoylovich Horowitz Chopin Bach Debussy Schumann Alexander Scriabin Sergei Rachmaninoff Tchaikovsky Thomas Beecham Liszt Toscanini Brahms Scarlatti Haydn Clementi Beethoven Samuel Barber Prokofiev Kabalevsky Schonberg Carnegie Hall 1757 1903 1915 1925 1928 1932 1933 1936 1940 1950 1953 1965 1985 1987 1989
LIKE and SUBSCRIBE for more videos ! (http•••) SUBSCRIBE to my PATREON ! → (http•••) Vladimir Horowiz : Carnegie Hall Rehearsal, 7 January 1965 (Bach, Chopin, Debussy, Schumann, Conversations etc...) Performer : Vladimir Horowitz, piano Date : 7 January 1965 Place : Carnegie Hall Program : Rehearsal 00:00 Horowitz improvising 03:24 Conversation and Horowitz testing the piano 05:24 Horowitz improvising II 10:31 Conversation I 11:28 Bach : Toccata Adagio and Fugue in C Major, BWV 564, I Preludio 17:57 II Intermezzo Adagio 22:15 III Fuga Moderamente scherzando un poco umoristico 27:19 Conversation II 28:15 Chopin - Polonaise Fantaisie in A Flat Major Op. 61 41:19 Conversation III 41:42 Debussy : Etudes Livre II No. 11 Pour les arpeges composés 45:45 Conversation IV 47:12 Schumann : Fantasie in C Major Op. 17 I Durchaus phantastisch und leidenschaftlich vorzutragen fragment 58:08 Conversation V 58:24 Chopin : Nocturne No. 15 in F Minor Op. 55 No. 1 BIOGRAPHY The most famous pianist of the twentieth century, his name known to the proverbial man on the street the world over, Vladimir Samoylovich Horowitz (1903–1989) was born in 1903 in Kiev. Horowitz showed enough prodigious talent to play for Alexander Scriabin in 1915, just before the Russian composer-pianist’s early death. Horowitz would become a superlative interpreter of Scriabin’s music, which the pianist described as “mystical… expressionistic.” Horowitz also became friends with another great Russian composer-pianist (and Scriabin’s former schoolmate), Sergei Rachmaninoff – who was the acme of Romanticism. He also made a benchmark recording of Rachmaninoff’s Piano Sonata No. 2. Emigrating from Russia in 1925 and eventually settling in New York City, Horowitz made his American debut with Tchaikovsky’s Piano Concerto No. 1 in 1928 at Carnegie Hall, which would become his home venue, the site of many recordings. Impressed by the pianist’s tonal dynamism, conductor Thomas Beecham, who led that concert, reportedly said: “Really, Mr. Horowitz, you can’t play like that – it shows the orchestra up.” Horowitz made a series of solo recordings for HMV at London’s Abbey Road Studios in 1932, including several Chopin pieces and an electrifying take on Liszt’s B Minor Sonata, helping to establish the piece in the standard repertoire. A review of a 1933 London concert declared Horowitz “the greatest pianist dead or alive.” Horowitz would make hit recordings with Toscanini of the Tchaikovsky concerto and the Brahms Piano Concerto No. 2 in 1940–41. Over the course of his career, Horowitz’s recorded repertoire stretched far beyond those early specialties of Chopin, Brahms, Liszt, Tchaikovsky, Scriabin and Rachmaninoff; in long associations for RCA, then Columbia and, finally, Deutsche Grammophon, Horowitz also ranged from Scarlatti, Haydn and Clementi to Beethoven, Schumann and miniatures across the ages with artistic and commercial success; in a period of applying himself to modern music, he premiered Samuel Barber’s Sonata in 1950, along with recording sonatas by Prokofiev and Kabalevsky. Driven to “grow until I die,” he said, the pianist reapplied himself to select Beethoven sonatas in his middle period and then several Mozart works as he grew older. Horowitz also crafted his own transcriptions and arrangements, including such showstoppers as his variations on Carmen and Stars and Stripes Forever. In his book The Great Pianists, critic Harold Schonberg wrote: “As a technician, Horowitz was one of the most honest in the history of modern pianism. Famously high-strung, his art always a mental-physical high-wire act, Horowitz took four sabbaticals from public performance to deal with various issues, his returns much-ballyhooed events. The first layoff was for two years in 1936; the longest was 1953 to 1965, followed by a tremendous homecoming to Carnegie Hall. But even over his later breaks, he recorded regularly at home in his Manhattan townhouse, documenting his art as it subtly evolved even beyond great venues and the recording studio. A 1985 film, The Last Romantic, captured the pianist in his last years, performing at home as well as reminiscing about Scriabin and Rachmaninoff. The next year, Horowitz returned to Russia, 61 years after leaving — a hugely emotional event for both artist and audience, documented in the concert album and film Horowitz in Moscow. In 1987, he played his final recital, in Hamburg; he died two years later. “Piano playing consists of intellect, heart and technique,” Horowitz said. “All should be equally developed. Without intellect, you will be a fiasco; without technique, an amateur; without heart, a machine. The profession has its perils.”
Bach Schumann Beethoven Dvořák Rameau Dandrieu Kalivodová Pugnani Kreisler Janků Paganini Lukáš 1900 2021
Absolventský online koncert ZUŠ Hostivař 21. 6. 2021, 19:00 PROGRAM: 1/ Luka BORSKÝ, violoncello / ze třídy Barbory Soukupové J. S. Bach - Gigue (Suita č. 1 G dur) 2/ Karolína KEJZLAROVÁ, klavír / ze třídy Niny Leovac R. Schumann - Skladbička (z cyklu Album pro mládež, op. 68 č. 5) 3/ Zuzana HAVLÍČKOVÁ, housle / ze třídy Radky Preislerové L. van Beethoven - Moderato (Sonatina G dur) J. S. Bach - Menuet G dur Egli Prifti, klavírní doprovod 4/ Tereza BUBENÍČKOVÁ, housle / ze třídy Radky Preislerové G. F. Händel - Gavotte e moll A. Dvořák: Romantický kus č.1 Egli Prifti, klavírní doprovod 5/ Barbora KOZLÍKOVÁ, zobcová flétna / ze třídy Hany Stejskalové V. Bachtíková - Tanec na hradě Lemberku - U Zdislaviny studánky - Masopustní veselí v Jablonném (z cyklu Krajem paní Zdislavy) Denisa Ulmanová, klavírní doprovod 6/ Natalija GELTNEROVÁ, housle / ze třídy Radky Preislerové J. Ph. Rameau - La Villageoise Egli Prifti, klavírní doprovod 7/ Nora HÄUSLEROVÁ, akordeon / ze třídy Romana Poláka A. F. Bečvářovský - Rondo 8/ Anežka MATĚJKOVÁ, basová zobcová flétna / ze třídy Petra Svobody J. F. Dandrieu - Rondo Hana Fišerová, klavírní doprovod 9/ Kateřina TOLMANOVÁ, altová zobcová flétna / ze třídy Petra Svobody W. A. Mozart - Árie z opery Kouzelná flétna Hana Fišerová, klavírní doprovod 10/ Nikita KALIVODOVÁ, housle / ze třídy Zuzany Kožinové Pugnani - F. Kreisler - Preludium a Allegro Zuzana Selčanová, klavírní doprovod 11/ Šárka VLČKOVÁ, housle / ze třídy Romana Janků N. Paganini - Cantabile 12/ Jonáš ELSNIC, violoncello / ze třídy Lukáše Vaňka J. B. Barrierie - Sonáta X. - 3. věta Lukáš Vaněk, violoncello 13/ Jakub ELSNIC, akordeon / ze třídy Michala Poláka W. A. Mozart - Sonáta A dur K331, Rondo (Turecky pochod) Děkujeme všem, kteří umožnili vznik tohoto videa a blahopřejeme absolventům!
Max Bruch Schumann Brahms Liszt Mahler Abbado Gergiev Muti Gatti Nagano Bach Satie Tchaikovsky Beethoven Chopin Haydn Ravel Debussy Verdi Vivaldi Handel Schubert Mendelssohn Rachmaninoff Verbier Festival Copenhagen Philharmonic 1738 1838 1909 1920
Max Bruch +••.••(...)) enjoyed a long, successful and fruitful career as a composer and conductor, holding several important posts in Germany. His musical language is firmly rooted in the German Romantic Tradition of Schumann and Brahms, as opposed to the “New Music” of Liszt, Wagner and Mahler. Bruch wrote his works for clarinet at the end of his musical life, when he actually had declared that his “source of inspiration had dried up”. But the clarinet playing of his son Max Felix inspired him to write two substantial works featuring the clarinet: the beautiful and still neglected Double Concerto for Clarinet, Viola and Orchestra Op. 88 and the substantial “8 Pieces for Clarinet, Viola and Piano” Op. 83, delightful Character Pieces in the style of Schumann’s Märchenerzählungen. Giovanni Punzi is one of the foremost clarinet players of the young Italian generation. He played in the Mahler Youth Orchestra, the Verbier Festival Orchestra under conductors like Abbado, Gergiev, Muti, Gatti and Nagano. On this recording he plays with the Copenhagen Philharmonic Orchestra, of which he is principal Clarinetist. Composer: Max Bruch Artists: Giovanni Punzi (clarinet), Eva Katrine Dalsgaard (viola), Tanja Zapolski (piano), Copenhagen Philharmonica, Vincenzo Millitarì (conductor) Ripe and romantic chamber and orchestral music from the Indian summer of Bruch’s career. The spring of Bruch’s invention was running dry in the first decade of the last century when it was refreshed once more by the sound of the clarinet. Just as the playing of Richard Muhlfeld had inspired Brahms to write his Clarinet Quintet and two sonatas, so Bruch discovered the melodies flowing from his pen once more thanks to his clarinettist son, Max Felix, to write the two works on this new album. Having composed no chamber music for several decades, he wrote the Eight Pieces for clarinet, viola and piano in 1909. They belong to the genre of character pieces by Schumann such as the eight Fantasiestücke Op.12, though they lean towards reflective introversion. The cycle’s high-point arrives with the fourth piece, a Romanian melody introduced to him by a young and beautiful aristocrat, the Princess zu Wied. Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): (http•••) More Information: (http•••) Tracklist: Max Bruch: Double Concerto in E Minor, Op. 88: 00:00 I. Andante con moto 06:56 II. Allegro moderato 12:24 III. Allegro molto 8 Pieces for Clarinet, Viola and Piano, Op. 83: 17:38 I. Andante 21:05 II. Allegro molto 23:37 III. Andante con moto 30:18 IV. Allegro agitato 34:12 V. Rumanische Melodie 38:42 VI. Nachtgesang 44:22 VII. Allegro vivace, ma non troppo 47:54 VIII. Moderato Social media links: Instagram: (http•••) Facebook: (http•••) TikTok: (http•••) Spotify Playlists: Brilliant Classics Spotify: (http•••) New Classical Releases: (http•••) The Best of Liszt: (http•••) The Best of Bach: (http•••) Most Popular Piano Music: (http•••) Beautiful Classical Music: (http•••) Classical Music For Dinnertime: (http•••) Thank you for watching this video by Brilliant Classics, we hope you enjoyed it! Don’t forget to share it and subscribe to our YouTube channel: (http•••) And visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more! #Bruch #Punzi #Dalsgaard #Zapolski #Copenhagen #Philharmonica #Millitari #Clarinet #Violin #Piano #Classical #Music #BrilliantClassics
Eric Lu Fryderyk Chopin Franz Schubert Brahms Schumann Warsaw Philharmonic Concert Hall 1700 1797 1810 1828 1849 2021
XVII Międzynarodowy Festiwal Muzyczny „Chopin i jego Europa” Tak daleko, tak blisko… 14-31 sierpnia 2021 22.08.21 Niedziela 17:00 Sala Koncertowa Filharmonii Narodowej Recital fortepianowy Wykonawcy: Eric Lu fortepian Program: Franz Schubert [1797–1828] Allegretto c-moll D 915 Fryderyk Chopin [1810–1849] Nokturn c-moll op. 48 nr 1 Franz Schubert [1797–1828] Sonata a-moll D 784 [przerwa] Franz Schubert [1797–1828] Sonata A-dur D 959 Posłuchaj albumu Erica Lu Chopin, Brahms, Schumann tutaj http: // w.lnk.to/cel ........ [EN:] 17. Chopin and his Europe International Music Festival So far away, and yet so close… 14-31 August 2021 22.08.21 Sunday 17:00 Warsaw Philharmonic Concert Hall Piano recital Performers: Eric Lu piano Program: Franz Schubert [1797–1828] Allegretto in C minor, D 915 Fryderyk Chopin [1810–1849] Nocturne in C minor, Op. 48 No. 1 Franz Schubert [1797–1828] Piano Sonata in A minor, D. 784 [intermission] Franz Schubert [1797–1828] Piano Sonata in A major, D. 959 Listen to Eric Lu’s Album Chopin, Brahms, Schumann here (http•••)
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