Robert Schumann Blumenstück in D-flat, Op. 19 Vídeos
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Provided to YouTube by Kontor New Media GmbH Flower Piece in D-Flat Major, Op. 19 · Norman Shetler Schumann: Kinderszenen, Blumenstück, Drei Romanzen & Arabeske ℗ Eterna/Edel Germany GmbH Released on: 1976-01-01 Artist: Norman Shetler Piano: Norman Shetler Composer: Robert Schumann Music Publisher: Copyright Control Auto-generated by YouTube.
Provided to YouTube by NAXOS of America Piano Sonata No. 15 in C Major, D. 840, "Reliquie": II. Andante · John F. Strauss Schumann, R.: Kinderszenen / Blumenstuck in D-Flat Major / Schubert, F.: Piano Sonata No. 15 ℗ 2006 Centaur Records, Inc. Released on: 2006-01-01 Artist: John F. Strauss Composer: Franz Schubert Auto-generated by YouTube.
Robert Schumann Vladimir Horowitz Becker Clara Wieck Voigt Friedrich Wieck 1810 1838 1839 1840 1856 1966
- Composer: Robert Schumann (8 June 1810 / 29 July 1856) - Performer: Vladimir Horowitz - Year of recording: 1966 (Live) Blumenstück {Flower Piece} in D flat major, Op. 19, written in 1839. Blumenstück consists of short, connected and thematically related episodes, of which the second forms a recurring refrain while undergoing changes in both key and mood. It is considered to reflect the amorous human activities with which flowers are associated, rather than as depictions of flowers themselves. The companion piece to Blumenstück Op. 19 is the Arabeske in C Op. 18, written in December 1838. Other works written around this time were the Humoreske Op. 20, and the final movement of the Sonata No. 2 in G minor, Op. 22. Schumann wrote that he composed the Arabeske and Blumenstück "hoping to elevate myself to the front rank of favourite composers of the women of Vienna." In his letter of 15 August 1839 to Ernst Becker, Schumann dismissed both works as simply delicate salon pieces fit only for ladies to play; however, they both contain great beauty and are full of intimate charm. His intended fiancee Clara Wieck was in Paris, but Schumann stayed in Vienna to compose and write for the Neue Zeitschrift für Musik, for which he had moved to Vienna from Leipzig. The two pieces were published simultaneously in August 1839, although not as a set. However, in a letter of 11 August 1839 to Henriette Voigt, Schumann seems to regard them as a pair of works, as he described them together as "less important than the Humoreske". Both works were dedicated to Majorin Friederike Serre auf Maxen, the wife of Major Anton Serre, who together lent Schumann great encouragement in his romance with Clara Wieck, despite being close friends of her father Friedrich Wieck, who was implacably opposed to the marriage. Blumenstück features a falling four-note motif that Schumann had previously used to refer to Clara Wieck in Carnaval, Op. 9. Rather than in his manuscript book, Schumann sketched Blumenstück in his Brautbuch; it was offered, along with the song cycle Myrthen, Op. 25, of 1840, as a bridal gift. In a letter to Clara on 24 January 1839, Schumann wrote that he had recently completed a number of small piano pieces, with the titles: - Guirlande ("variations, but not on a theme"; this could be a mistranslation of "but not on one theme", meaning "but not on a single theme") - Rondolette, and - "other small things, of which I have so many, and which I shall chain together prettily under the title Kleine Blumenstücke, much like one might name a series of pictures". The Blumenstück is in the form of a double theme and variations, and the Arabeske is in rondo form. It is unclear whether the first two titles refer to works that are now lost or whether they are the original titles of Blumenstück and the Arabeske respectively. It has also been suggested that both these works were originally meant to be included in the otherwise unidentified Kleine Blumenstücke.
Robert Schumann Leo Ornstein Clara Wieck 1838 1839 1893 2002
Leo Ornstein +••.••(...)) piano. Robert Schumann wrote his Arabeske in C major, Op. 18 in 1839 when he was 29 years old, dedicating it to Frau Majorin Friederike Serre auf Maxen, to whom he also dedicated his Blumenstück in D-flat, Op. 19. In the autumn of 1838 Schumann had left Leipzig for Vienna. His relationship with Clara Wieck had reached a point of no return, as her father vehemently opposed anything that might interfere with his daughter's career as a pianist and strongly disapproved of Schumann as a possible son-in-law. Geographically yet not emotionally detached from Clara, he was able to communicate with her only through letters and in his own music. This has been proposed as an explanation for this work, which alternates passages of wistful longing with more robust, declamatory episodes. continue: (http•••) Scanned early '900 Ampico Piano roll n. 56166, digitally restored by me with midi software and modern piano samples! The Youtube piano rolls project When i discovered that old piano rolls could be easily scanned with modern hardwares and then converted into an exact MIDI copy of the roll, i was pretty surprised that nobody has really taken the "duty" to upload, on a stable and frequented site like Youtube, all the material available on the internet. So today im planning to upload all the 1k files i have my hands on, trying to always respect the copyrights and trying when possible to search and synchronize the music sheets with the audio which is sampled from MIDI using some free software around online! What I've unexpectedly found is an almost infinite list of GREAT pieces, totally and inexplicably forgotten! Some of the pieces are completely never uploaded on any source on the net and some others are very rare to find; togheter whit these rare pearls we have also a lot of fantastic and very interesting performances of great and better known classical pieces recorded more or less one hundred years ago, where I've found that interpreting a piece was significantly different, hear to believe! This entire project is of course taking a lot of my free time (time to select, to fix with midi editor, to find the best sound with samplers and options, to look up the sheets and syncro etc) but that's still a thing I really wanna do, for pleasure, curiosity ,culture and for the others! So if you wanna help a little i may only ask to like, share and subscribe:) nothing more! Thanks if you read up here and have a good time! Bruno
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