William Byrd Ut Re Mi Fa Sol La Vídeos
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Wolfe Pleyel Newman Merrill Richards Edwards William Munday John Redford William Blitheman Thomas Tallis Galliard Thomas Tomkins John Bull William Byrd Webster Aitken Wanda Landowska Buff 1570 1907 1950 1957 1966 1998
Released ca. 1957 by Expériences Anonymes EA 0013 The harpsichord on this record is a Pleyel, and has two. manuals and six pedals, The lower manual has an eight-foot stop, a four-foot stop and a coupler; the upper, two eight-foot stops - one nasal- and the lute. Also released 1966 by Musical Heritage Society MHS 679 title: Music Of The 16th And 17th Centuries, Volume 1: English Keyboard Music Recorded at Esoteric Sound Studios, N. Y. C. by JERRY NEWMAN Production: BEVERLY MERRILL Side A 00:00 Anonymous: O Ye Happy Dames 0'56 00:55 Richards Edwards: When Griping Griefs 1'06 02:01 William Munday: Tres Partes In Una 0'59 03:00 John Redford: Christe Qui Lux with a Meane 0'49 03:50 John Redford: Christe Qui Lux 0'44 04:34 John Redford: Eterne Rex Altissime 1'21 05:55 William Blitheman: Gloria Tibi Trinitas III 1'11 07:07 William Blitheman: Gloria Tibi Trinitas IV 1'51 08:58 Newman: Pavan 2'53 11:51 Newman: A Fansye 1'11 13:02 Thomas Tallis: Ex More Docti Mistico 1'11 14:13 Thomas Tallis: O Ye Tender Babes 2'15 16:29 Thomas Tallis: Natus Est Nobis 0'27 16:56 Galliard (Selected From The Mulliner Book ca. 1570) 3'27 Side B 20:22 Thomas Tomkins: The Perpetual Round 4'04 24:27 John Bull: In Nomine 3'36 28:03 William Byrd: Ut Re My Fa Sol La 3'31 31:34 Thomas Tomkins: Fortune My Foe 9'28 PAUL WOLFE was born in Waco, Texas. He majored in music at the University of Texas, from which he received his Master's Degree in 1950. Mc. Wolfe has studied piano with Webster Aitken and harpsichord with Denise Restout. He is now studying with Madame Wanda Landowska. Mc. Wolfe has appeared in concerts in many eastern universities and in New York City. Larry Palmer (ca. 1998) wrote for lyrichordmedia at (http•••) In Paul Wolfe's first recordings of early Italian and early English music, we find ourselves aurally close to the early years of the harpsichord revival, for the instrument on which he recorded these works is a striped zebra-wood Pleyel from 1907. Between the Ionic columns, which form the legs of the instruments stand, is a lyre containing six pedals. These pedals worked in reverse to those of most harpsichord makers: off when down, on when raised. The registers engaged and disengaged by these devices include two sets of strings for the lower keyboard (one at unison pitch, one an octave higher). The upper keyboard controlled one unison stop, which could be plucked by two different sets of plectra, one of which gave a more nasal sound. A set of tiny dampers, known as a buff (or lute) stop, could be engaged with this set of strings to create a dry, pizzicato sound; and there was a mechanical coupling device to allow both keyboards to be played together. The plectra, which pluck the strings, were of hardened leather. #PleyelHarpsichord #PaulWolfe
Kipnis Thurston Dart Buff Myers John Johnson Robison Handel Tomkins Byrd Farnaby Couperin Rondeau Howard Ferguson 1972
Throughout this recording in the two-harpsichord pieces, Thurston Dart is heard on the right channel, playing an instrument by Thomas Goff, and Igor Kipnis is heard on the left channel, playing an instrument by Robert Goble & Sons. For the duets the sound of the two harpsichords has been combined. The disposition for both instruments is 4', 8', 16', and buff stops on the lower manual and 8', 8' English lute on the upper manual. Released 1972 by CBS for the UK CBS Classics 61300 Released 1972 by CBS for the US Columbia Masterworks M 31240 Produced by Paul Myers Tape editor: Steven E. Paul Engineering: David Hunt, Milton Cherin and John Johnson Notes by Judith Robison Side 1 HANDEL: SUITE A DEUX CLAVECINS IN C MINOR · (Arr.: Thurston Dart) 00:00 1. Allemande (3'15) 03:16 2. Courante (2'24) 05:40 3. Sarabande (5'15) 10:56 4. Chaconne (1'00) 12:00 TOMKINS:. FANCY: FOR TWO TO PLAY (2'10) 14:15 BYRD: UT RE MY FA SOL LA (3'25) 17:45 FARNABY: FOR TWO VIRGINALS (1'04) LE ROUX: SUITE IN G MINOR 18:57 1. Allemande Ia Vauvert (2'04) 21:02 2. Courante (2'06) 23:09 3. Gavotte (1'31) 24:38 4. Menuet I and II (1'51) 26:29 5 . Gigue (2'03) Side 2 28:33 COUPERIN: ALLEMANDE A DEUX CLAVECINS (IX" ORDRE) (3'45) 32:25 LA JULLIET (RONDEAU) (XIV" ORDRE) (1'56) 34:22 LA LETIVILLE (XVI" ORDRE) (2'00) 36:23 MUSETE DE CHOISI (XV" ORDRE) (4'02) 40:27 MUSETE DE TAVERNI (XV" ORDRE) (3'32) MOZART: SONATA IN C MAJOR FOR FOUR HANDS, K.19d (Edited by Howard Ferguson) 44:03 1. (Allegro moderato) (4'04) 48:08 2. Menuetto and Trio (3'18) 51:26 3. Rondo I Allegretto-Adagio-Allegro (4'35) 56:02 MOZART: FUGUE IN C MINOR, K. 426 (4'18) #ThomasGoff #RobertGoble #IgorKipnis #ThurstonDart
William Byrd Galliard Alman Rowland Gustav Leonhardt 1542 1623
William Byrd +••.••(...)). Harpsichord Music * Pavan (16a) * Galliard (16b) * Clarifica Me, Pater (49) * Qui Passe (19) * Alman (89) * Pavan (14a) * Galliard (14b) * La Volta (91) * Pavan (23a) * Galliard (23b) * Ut Re Mi Fa Sol La (64) * Ground (43) * Rowland (7) * Fantasia (13) – Gustav Leonhardt, Harpsichord
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