Wolfgang Amadeus Mozart Adagio y Allegro en fa menor Vídeos
Última actualización
2024-04-23
Actualizar
Tracklist below. Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): (http•••) More Information: (http•••) Brilliant Classics Spotify: (http•••) Brilliant Classics Facebook: (http•••) Described by the composer himself as ‘the king of instruments’, the organ and its music form a small but not insignificant part of Mozart’s vast œuvre. This new release, performed by acclaimed Italian organist Ivan Ronda, comprises all of his major works for the instrument, including the extended Adagio and Rondo in C minor and the small-scale works from the London Sketchbook. Also included is the charming Adagio in C for the glass harmonica: just 28 bars in length, the work was originally conceived for this curious instrument, which consists of glass bowls that rotate in water, but is equally effective on the organ. Mozart’s output of Church Sonatas – notable for their single movement form – are represented here by the Sonata in C K336, the only one to have a proper solo part for the organ, and was specially transcribed by André Isoir for this recording. The disc is rounded off with the imposing Fantasia in F minor. Described in Mozart’s own catalogue of work as ‘an organ piece for a clock’, it was commissioned by Count Joseph Deym for a musical automaton that contained a small pipe organ. When transferred to an organ on the scale of that at the Church of Maria Vergine Immacolata in Gallo Cavour, Italy, where this recording was made, it takes on a certain grandeur, and exploits the various echo and dialogue effects of the instrument. 00:00:00 Suite in C Major, K. 399: I. Overture 00:05:00 Andante in F Major, K. 616 00:12:41 Adagio and Allegro in F Minor, K. 594 00:25:10 Adagio in C Major, K. 356 00:29:23 Church Sonata in C Major, K. 336 00:34:28 Piece in F Major, K. 33b 00:35:57 The London Sketchbook: Rondo in F Major, K. 15hh 00:37:23 The London Sketchbook: Allegro in F Major, K. 15a 00:38:39 The London Sketchbook: Rondo in D Major, K. 15d 00:40:16 Adagio and Rondo in C Minor, K. 617 00:53:10 Fantasia in F Minor, K. 608
Wolfgang Amadeus Mozart Brönnimann Ramm Conlon Nancarrow Rondeau 2006
Tracklist below. Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): (http•••) More Information: (http•••) Brilliant Classics Spotify: (http•••) Brilliant Classics Facebook: (http•••) Composer: Wolfgang Amadeus Mozart Artists: Ensemble Pyramide, Markus Brönnimann (flute), Barbara Tillmann (oboe), Ulrike Jacoby (violin), Muriel Schweizer (viola), Anita Jehli (cello) For many Mozart is more ‘perfector’ than ‘innovator’, a composer who drew on an already extant vocabulary to create some of the greatest works in European culture. In this recording, however, we are introduced to Mozart the ‘trailblazer’: the first composer in history to take wind instruments seriously. Whereas his colleagues were inclined to employ the so-called Harmonie merely to reinforce the general sonority, Mozart took it upon himself to exploit the character of each of these instruments, endowing them with a much more individualistic, distinctive role – as soloists, in the orchestra or in chamber music, the subject of this engaging release. Such writing is evident in the Quartet for oboe and strings, a work of wide leaps and brilliant passages that was composed for the Mannheim virtuoso Friedrich Ramm, and the Flute Quartet in D – written for the highly accomplished amateur musician Ferdinand Dejean and in which the principal voice, equipped with pearling runs in the first movement, is treated with great care, displaying nothing of the composer’s supposed aversion to the instrument. Both works are milestones of their respective genres, and they are joined on this recording by three pieces originally composed for mechanical organ (and arranged for this recording by flautist Markus Brönnimann), originally commissioned by Count Deym to be used as accompaniment for a newly erected mausoleum in Vienna. Among these, the Fantasia in F minor K608 stands out as the most intense and dramatic, combining rigorous harmonic invention with memorable melody, polyphonic complexity and compositional virtuosity. Brönnimann’s suggestion as to a possible comparison with the works of the American-born composer Conlon Nancarrow, as mentioned in the booklet note, reveals just how forwardthinking this music was for its time. At hand to perform these works is Ensemble Pyramide, a group whose diverse repertoire ranges from Baroque to 21st century and whose recital programmes are often based around the juxtaposition between new and old. Based in Zurich and awarded the city’s cultural stipend ‘Werkjahr für Interpretation’ in 2006, its recordings for radio and on CD (which take in labels such as Naxos and Ars Musici) are complemented by an active recording schedule throughout Europe. 00:00:00 Quartet in F Major, K. 370: I. Allegro 00:07:03 Quartet in F Major, K. 370: II. Adagio 00:10:05 Quartet in F Major, K. 370: III. Rondeau. Allegro 00:14:46 Adagio and Allegro in F Minor K. 594 (Adagio - Allegro - Adagio) 00:24:54 Andante in F Major, K. 616 00:32:18 Fantasia in F Minor, K. 608 (Allegro - Andante - Tempo primo) 00:41:40 Quartet in D Major, K. 285: I. Allegro 00:48:49 Quartet in D Major, K. 285: II. Adagio 00:51:41 Quartet in D Major, K. 285: III. Rondeau. Allegretto
¿No más?
Cada día soclassiq busca nuevos artículos, vídeos, conciertos, etc. sobre música clásica y ópera, sus artistas, lugares, orquestas....
Adagio y Allegro en fa menor ? Todavía no hemos reunido mucho contenido sobre este tema, pero seguimos buscando.
o
- Las mejores obras para solista
- Obras imprescindibles: época clásica • época romántica
- Índices (por orden alfabético): A...