Wolfgang Amadeus Mozart Cuarteto de cuerda n.° 19 en do mayor, « Dissonance » Vídeos
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Loewenguth Haydn Wolfgang Amadeus Mozart Loewenguth Quartet 2017
Provided to YouTube by NAXOS of America String Quartet No. 19 in C Major, K. 465 "Dissonance": I. Adagio - Allegro (2) · Loewenguth Quartet Loewenguth Quartet, Vol. 1: Haydn & Mozart ℗ 2017 DOREMI Released on: 2017-08-18 Ensemble: Loewenguth Quartet Composer: Wolfgang Amadeus Mozart Auto-generated by YouTube.
Brandis Wolfgang Amadeus Mozart Brandis Quartett 1998
Provided to YouTube by The Orchard Enterprises String Quartet No. 19 in C Major, K. 465 "Dissonance": IV. Allegro Molto · Brandis Quartett · Wolfgang Amadeus Mozart Mozart: Eine Kleine Nachtmusik ℗ 1998 Wyastone Estate Limited Released on: 1998-01-01 Auto-generated by YouTube.
Quatuor Van Kuijk Kuijk Forge Wigmore Hall 1772 1782 2012 2015 2017
Buy here: (http•••) Despite its Dutch-sounding name, the quartet founded by Nicolas Van Kuijk in 2012 is French. But its short career is already international. The Quatuor Van Kuijk won First Prize in the 2015 Wigmore Hall Competition and First Prize and Audience Award at the Trondheim International Chamber Competition, and its members have been named BBC New Generation Artists until 2017. It has also been distinguished by the Academy of the Festival d’Aix-en-Provence, and it is in the framework of the latter’s partnership with Alpha Classics that it has recorded this programme. Mozart is obviously the ideal composer to forge a link between chamber music and opera, the raison d’être of the Aix Festival. This programme combines an impish divertimento by the youthful Mozart of 1772 with two mature quartets composed around 1782, including the famous ‘Dissonance’ Quartet with its eminently dramatic opening. Nowhere else in Mozart’s quartets do theatre and counterpoint form such a happy pairing. Praised by The Guardian for its ‘style, energy, and a sense of risk’, the QVK is one of the most promising chamber groups of the new generation. Alpha is proud to accompany it for several recording projects. FACEBOOK→ www.facebook.com/alphaclassics TWITTER → www.twitter.com/alpha_classics INSTAGRAM → www.instagram.com/alpha_classics/ YOUTUBE → www.youtube.com/c/alphaclassics WEBSITE → www.outhere-music.com/alphaclassics
Alexander Schneider Bartók Hauser Schubert George Szell Beethoven Milton Katims Walter Trampler Budapest Quartet Ensemble Modern Kodály 1917 1927 1932 1936 1938 1945 1946 1962 1967
Adagio, Allegro recorded in 1932 Josef Roisman - violin Alexander Schneider - violin István Ipolyi - viola Mischa Schneider - cello Founded in 1917 in Budapest, Hungary, the Budapest Quartet became the most internationally successful chamber ensemble of modern times. Across 50 years, and a repertory ranging from Mozart to Bartók, the group brought chamber music of these composers to audiences on two continents, and further popularized the music through their recordings. The Budapest Quartet's original members were Emil Hauser, Imre Poganyi, Istvan Ipolyi, and Harry Son, all of whom had played in the Budapest Opera Orchestra. Their debut concert in 1917, at Kolozsvar in Hungary, was a great success, and by the early 1920s they'd begun touring Europe. The group was acclaimed by audiences and critics everywhere for their superb ensemble playing and the depth and insight that they brought to their repertory, which extended from the Classical to the contemporary, including the quartets of Bartók and Kodály. The group flourished during the late 1920s and early 1930s despite numerous membership changes. Joseph Roisman, who joined on second violin in 1927, became the leader of the group a few years later, replacing Emil Hauser in the 1930s. Ipolyi was succeeded by Alexander Schneider, while Son was replaced by Schneider's brother Mischa, and in 1936 Boris Kroyt joined on the viola. The second generation Budapest Quartet was, if anything, even more technically impressive than the first, more incisive in its playing, and overall faster, with more frequent (and modern) use of vibrato. Roisman's leadership brought the group to America, at first simply on tour, and also into the recording studio in a serious way for the first time. From 1938 onward, amid the growing uncertainty of life in Europe, the Budapest Quartet moved to the United States and was based for the next 24 years as the quartet-in-residence at the Library of Congress in Washington, D.C., before moving to the State University of New York at Buffalo in 1962. Among their more notable work for the Library of Congress, they recorded Schubert's "Trout" Quintet and other works with the conductor George Szell on the piano during 1945 and 1946. Their major commercial recording activity, however, was done for Columbia Masterworks (now Sony Classical) beginning in the early 1950s. Key to the group's repertory during their American era were the Beethoven quartets, which they recorded several times and performed complete nearly every year. For performances of the quintets, they were augmented with the presence of Milton Katims and Walter Trampler. Their work continued until 1967, when they gave their last performance. The ravages of age and illness forced the retirement of Mischa Schneider, and then Roisman and Kroyt. The Budapest Quartet was among the most honored and respected chamber ensembles of the early and middle twentieth century, an era in which the orchestra was the dominant force in classical music. The performances of the original quartet brought the chamber music of such varied composers as Mozart and Bartók to a wider audience than ever before, and the later group's embrace of the Beethoven quartets and quintets, in concert and on record, gave these works the best hearings they had in modern times.
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