Serguéi Prokófiev Cuentos de la vieja abuela, Op. 31 Vídeos
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2024-03-28
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Andjaparidze Fryderyk Chopin Wolfgang Amadeus Mozart Tchaikovsky Alexander Scriabin Sergey Prokofiev Tales Olivier Messiaen Benjamin Britten Aaron Copland Doll Sob 1928 2014 2022
Eteri Andjaparidze and Her Students in Recital “Mother, a Cradle to Hold Me” Fryderyk Chopin: Etude in c-sharp minor, Op. 25, No. 7 Eteri Andjaparidze, piano Wolfgang Amadeus Mozart: Sonata in a minor, K. 310 Fares Al Habboubi, piano Peter Ilyich Tchaikovsky: Mama, Op. 39. No. 4 Alexander Scriabin: Feuillet d'album de Monighetti Eteri Andjaparidze, piano Sergey Prokofiev: Tales of an Old Grandmother, Op. 31 Mina Kim, piano Olivier Messiaen: La colombe, Plainte calme Chengyan Paul Li, piano Benjamin Britten: 12 Variations on a Theme Annie Ziyao Huang, piano Aaron Copland: Four Piano Blues Jonathan Yap, piano George Oakley: Sunset - In memory of Yvetta Bachtadze Markus Kaitila, piano Recorded live in New York City on March 5, 2022 MOTHER, A CRADLE TO HOLD ME Maya Angelou +••.••(...)) It is true I was created in you. It is also true That you were created for me. I owned your voice. It was shaped and tuned to soothe me. Your arms were molded Into a cradle to hold me, to rock me. The scent of your body was the air Perfumed for me to breathe. Mother, During those early, dearest days I did not dream that you had A large life which included me, For I had a life Which was only you. Time passed steadily and drew us apart. I was unwilling. I feared if I let you go You would leave me eternally. You smiled at my fears, saying I could not stay in your lap forever. That one day you would have to stand And where would I be? You smiled again. I did not. Without warning you left me, But you returned immediately. You left again and returned, I admit, quickly, But relief did not rest with me easily. You left again, but again returned. You left again, but again returned. Each time you reentered my world You brought assurance. Slowly I gained confidence. You thought you know me, But I did know you, You thought you were watching me, But I did hold you securely in my sight, Recording every moment, Memorizing your smiles, tracing your frowns. In your absence I rehearsed you, The way you had of singing On a breeze, While a sob lay At the root of your song. The way you posed your head So that the light could caress your face When you put your fingers on my hand And your hand on my arm, I was blessed with a sense of health, Of strength and very good fortune. You were always the heart of happiness to me, Bringing nougats of glee, Sweets of open laughter. During the years when you knew nothing And I knew everything, I loved you still. Condescendingly of course, From my high perch Of teenage wisdom. I grew older and Was stunned to find How much knowledge you had gleaned. And so quickly. Mother, I have learned enough now To know I have learned nearly nothing. On this day When mothers are being honored, Let me thank you That my selfishness, ignorance, and mockery Did not bring you to Discard me like a broken doll Which had lost its favor. I thank you that You still find something in me To cherish, to admire and to love. I thank you, Mother. I love you.
Victor Merzhanov Prokofiev Rachmaninov Tran Kondrashin Gauk Rozhdestvensky Temirkanov Svetlanov 1500 1919 1936 1941 1945 1947 1949 2007
Victor Merzhanov, piano Prokofiev. Tales of an Old Grandmother, op. 31: 1. Moderato 2. Andantino LAST RECITAL Recorded at Great Hall of Moscow Conservatory on January 12, 2007. (http•••) Victor Merzhanov was once called by a Swedish critic "a descendant of that line of great Russian-born pianists that began with Ziloty and Rachmaninov". Merzhanov graduated from the Moscow Conservatoire with distinction and his name was inscribed in its marble wall along with those of Scryabin and Rachmaninov. During his career he gave more tran 1500 recitals and concerts recitals with such conductors as Zanderling, Kondrashin, Gauk, Rozhdestvensky, Temirkanov, Svetlanov and many others. Merzhanov teaches at Moscow Conservatory since 1947. Выдающийся русский пианист Виктор Мержанов, о котором шведский критик писал как о "достойном потомке великих пианистов, рожденных Россией, начиная с Зилоти и Рахманинова".За 50 лет сценической жизни он сыграл более 1500 концертов, в том числе с такими дирижерами, как К.Зандерлинг, К.Кондрашин, А.Гаук, Г.Рождественский, Ю.Темирканов, Е.Светланов. Он имел блестящий успех во многих странах. В Италии его называли "настоящим волшебником, который поражает неповторимыми возможностями своих рук равно как и мудростью интерпретатора", в Польше писали, что "его игра открывает глаза на мир высочайшей гармонии, душевной красоты и благородной экспрессии, а его манера игры - образец недосягаемости"; в Америке отмечали "пластичность музыкального языка, необычную для исполнителей любой страны". Виктор Мержанов родился в 1919 г. в Тамбове. В 1936 - 1941 гг. он учился в Московской консерватории по классу фортепиано у С.Фейнберга и по классу органа у А.Гедике. Окончил консерваторию с отличием, его имя занесено на мраморную стелу Московской консерватории и стоит в одном ряду с именами Скрябина, Рахманинова. В 1941 - 1945 гг. В.Мержанов служил в армии. После войны учился в аспирантуре Московской консерватории. В 1945 г. получил Первую премию на Всесоюзном конкурсе музыкантов- исполнителей, разделив ее с С.Рихтером. В 1949 г. стал лауреатом конкурса Шопена в Варшаве. С 1947 г. Виктор Мержанов - профессор Московской консерватории. (http•••)
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