Academia De Música De Brooklyn (Bam) Vídeos
- Brooklyn
- Estados Unidos
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2024-04-27
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Paul Gérimont Monteverdi Simon Keenlyside René Jacobs Brooklyn Academy Music 1999 2000 2006 2007
MONTEVERDI - L'ORFEO - CARONTE (part one) - PAUL GERIMON, Paul Gérimont, Deep Bass, Basse Noble, Basso Profondo - Deep D, live on stage, singer, actor, opera, theatre, film, cinema. with Simon Keenlyside (Orfeo) production: La Monnaie - RTBF - Brooklyn Academy of Music - Festival d'Aix-en-Provence - Royal Opera House - Théâtre des Champs Elysées - Harmonia Mundi 2DVD 2006 - René Jacobs - Trisha Brown - Roland Aeschlimann Awards : Best Lyrical Performance of the Year, Choc du Monde de la Musique 2006, Prix Caecilia 2006, Dinant - Belgium - Official website: www.paulgerimon.com BBC MUSIC MAGAZINE : «A tremendous vocal cast: especially the lithe and mercurial Orfeo (Simon Keenlyside), the searingly affecting Messenger (Graciela Oddone) and sonorous Paul Gerimon as Caronte.» January, 2007, London. GRAMOPHONE CLASSICAL CD Guide, 12th edition, BBC : «Charon's strangely angular lines, with their air of menace appropriate to one who spends time in contact with the Underworld, are expertly managed by Paul Gérimon, who shows himself to be a true Monteverdi bass.» I.Fenlon, 1999-2000, London. BBC MUSIC MAGAZINE : «Une formidable distribution vocale: spécialement l'agile et vif Orfeo (Simon Keenlyside), l'incisive et touchante Messagère (Graciela Oddone) et le Caronte sonore de Paul Gérimon.» janvier 2007, Londres. GRAMOPHONE CLASSICAL : «La magistrale interprétation de Paul Gérimon qui montre par lui-même ce qu'est une véritable basse montéverdienne.» 1999-2000, Londres.
Paul Gérimont Monteverdi Purcell Verdi Kern Hammerstein Maximilien Probst Rodgers Pergolesi Nicholas Lens Pitti Shakespeare René Jacobs Olivier Holt Simon Keenlyside Sylva Rivera Claron McFadden Christophe Rousset Teatro Massimo Maggio Musicale Fiorentino Barbican Centre Brooklyn Academy Music Mystère Voix Bulgares Concerto Vocale Les Talens Lyriques
Paul Gerimon, Paul Gérimont, bass, basse noble, basso profondo, singer, actor, opera, theatre, film, musical, cinema, song, Deep D Low Voice, live on stage and in concert, Caronte, L'Orfeo, Monteverdi, Fiesco, Simon Boccanegra, Verdi, Motet, Du Mont, Go Down Moses, Spiritual, Old Man River, Show Boat, Kern, Hammerstein II, Maximilien Kolbe, Dominique Probst, Eugène Ionesco, Some Enchanted Evening, South Pacific, Rodgers, Uberto, La Serva Padrona, Pergolesi, Cold Genius, King Arthur, Purcell, Russian Song, Amor Aeternus, Accacha Chronicles, Nicholas Lens - Recordings for Harmonia Mundi, Fnac, Emi, Virgin, Fedor Records, Sony, BMG Classics, WDR, RTBF, FR3 - Le Stanze di Orfeo, Théâtre Royal de La Monnaie, Teatro Massimo, Maggio Musicale Fiorentino, Palazzo Pitti, Festival d'Aix-en-Provence, Théâtre des Champs Elysées, Royal Opera House, Barbican Centre, Royal Shakespeare Company, Brooklyn Academy of Music, Berlin Philarmony - René Jacobs, Trisha Brown, Olivier Holt, Simon Keenlyside, Sylva Pozzer, Andrea Snarski, Jean-François Maljean, Cyril Orcel, Xavier Rivera, Claron McFadden, Le Mystère des Voix Bulgares, Concerto Vocale, Christophe Rousset, Les Talens Lyriques - Brussels, Paris, Florence, London, Berlin, New-York,... Dinant-Belgium, www.paulgerimon.com
Brooklyn Academy Music Lincoln Center Teatro Colón Philharmonie Munich Herbst Tomassini Brooklyn Philharmonic Oakland Symphony San Jose Symphony 2014
The 2014 mini-documentary on soprano Juliana Yaffé and her Yiddish Folksong Project. This film (beautifully produced by People's Television, Inc.) includes footage from Juliana's live performance at the National Opera Center in New York City as well as interview segments, in which she talks about the genesis of the project and her rediscovery of Robert De Cormier's classical arrangements of the 42 Yiddish folk songs. For twelve years, Juliana Yaffé was a full-time Principal Soprano at the German opera houses of Münster, Essen and Stuttgart. Solo guest engagements found her in San Francisco, Darmstadt, Aachen, Osnabrück, Kassel, Berlin, Miami, and with the Brooklyn Academy of Music, Lincoln Center Festival, New-York Historical Society, 92nd Street Y, Steirischer Herbst Festival (Austria), Westchester Chorale, Concordia Orchestra, Colorado Springs Symphony, Brooklyn Philharmonic, Dallas Symphony, Oakland Symphony, San Jose Symphony, Florida Philharmonic, Istanbul Philharmonic, Orchester der deutschen Oper Berlin, Tokyo City Philharmonic, Orquestra del Teatro Colón (Buenos Aires), Orchestra dell'Opera di Genova, Südwestdeutsche Philharmonie, and the Munich Graunke Symphony Orchestra. She has recorded American, German and Italian art songs for the Southwest German Radio Network. She is currently a member of the Voice Department faculty at the Mannes College of Music in New York City. Her excellent collaborators include her husband, conductor John Yaffé (piano), and established New York violinist Patrisa Tomassini. Performance excerpts: A dudele Rozhinkes mit mandlen Tum-balalayke Tayere Malke Freylekh
Richard Bonelli Bonelli Teschemacher Brunswick Jenkins Jean Reszke Gounod Catalani Carnevale Verdi Claudia Muzio Antonio Cortis Rossini Flotow Gatti Casazza Lily Pons Tito Schipa Ezio Pinza Rosa Ponselle Burke Armand Tokatyan Leoncavallo Ashton Donizetti Puccini Frank Guarrera Lucine Amara Norman Mittelmann Edward Johnson Titta Ruffo Robert Merrill Giovanni Martinelli Elisabeth Rethberg Brooklyn Academy Music Lincoln Center Music Academy West San Carlo Opera Company Chicago Opera Company San Francisco Opera Chicago Civic Opera Metropolitan Opera 1889 1915 1922 1923 1924 1925 1926 1927 1931 1932 1935 1936 1940 1941 1942 1945 1949 1966 1980
Richard Bonelli sings 'Calling Me Home to You,' recorded for Brunswick on 11 October 1927. Bonelli had an excellent voice, but Brunswick's 'light ray' method of recording was temperamental. Sometimes, it produced quite good results. At other times, the sound was intermodulated and distorted. In general terms, the process improved with time, until it was quietly dropped in favour of more conventional recording methods.Regrettably, this relatively late example of the process is a good advertisement for its defects, but it is still worth listening to. From Wikipedia: Richard Bonelli (February 6, 1889 – June 7, 1980) was an American operatic baritone active from 1915 to the late 1970s. Bonelli was born George Richard Bunn to Martin and Ida Bunn of Port Byron, New York. His family later moved to Syracuse and soon George preferred to be called Richard. Prior to deciding on a career in music, Bonelli was a friend of race car driver and later mayor of Salt Lake City, Ab Jenkins. Bonelli studied at Syracuse University and his voice teachers included Arthur Alexander in Los Angeles, Jean de Reszke and William Valonat in Paris. Bonelli's operatic debut came on April 21, 1915 at the Brooklyn Academy of Music as Valentin in Gounod's Faust. He toured with the San Carlo Opera Company between 1922 and 1924. In 1923 he made his European debut as Dardano in Catalani's Dejanice during the Carnevale season in Modena, Italy. He returned to Europe in 1924 to sing at the Monte Carlo Opera and was eventually engaged by the Théâtre de la Gaîté in Paris. Between 1925 and 1931 Bonelli performed with the Chicago Opera Company and between 1926 and 1942 frequently performed at the San Francisco Opera. His Chicago debut in 1925 was in the role of Germont in Verdi's La Traviata with Claudia Muzio (Violetta) and Antonio Cortis (Alfredo). His debut role in San Francisco was Figaro in Rossini's Il Barbiere di Siviglia, after appearing in Flotow's Martha at the Los Angeles Grand Opera earlier in September 1926. Seizing the opportunity of a one-year collapse of Chicago Civic Opera, the Met impresario Giulio Gatti-Casazza quickly engaged Bonelli for leading baritone roles in New York. His first performance with the Metropolitan Opera was on 29 November 1932, again as Rossini's Figaro, at the company's tour to Philadelphia. (It was also the role for his last Met stage performance on 14 March 1945.) The cast included Lily Pons (Rosina), Tito Schipa (Count Almaviva), and Ezio Pinza (Don Basilio). Bonelli's New York Metropolitan Opera debut came on December 1, 1932 as Giorgio Germont in Verdi's La traviata opposite Rosa Ponselle as Violetta and Tito Schipa as Alfredo. He remained on the Met's active roster until 1945, making his final performance as Rossini's Figaro on March 14 that year. He was the Tonio in the first ever live telecast of opera, from the Met on March 10, 1940 alongside Hilda Burke and Armand Tokatyan. He returned to the Met in 1966 as an honored guest at the 'Gala Farewell' marking the last performance by the Metropolitan Opera in the old opera house at Broadway and 39th Street, before moving to the Lincoln Center. Of his many roles, Bonelli was known best for his Verdi repertory as Giorgio Germont, Di Luna, Renato, Rigoletto and Amonasro, and also for his portrayals of Valentin in Gounod's Faust, Wolfram in Wanger's Tannhäuser, Tonio in Leoncavallo's Pagliacci, Rossini's Figaro, Enrico Ashton in Donizetti's Lucia and Sharpless in Puccini's Madama Butterfly. In Italy, he performed under the name Riccardo Bonelli. He also appeared in two movies; a supporting role in 1935's Enter Madame and a cameo appearance in 1941's The Hard-Boiled Canary. After retiring from singing, Bonelli became a successful voice teacher at the Curtis Institute of Music in Philadelphia, the Music Academy of the West in Santa Barbara, and in New York. Among his students were Frank Guarrera, Enrico Di Giuseppe, Lucine Amara, and Norman Mittelmann. In 1949 when Edward Johnson retired from his position of general manager of the Metropolitan Opera, Bonelli was a contender for the job though it ultimately went to Rudolf Bing. Bonelli's favorite baritone was Titta Ruffo. American baritone Robert Merrill had stated that Bonelli was his inspiration to study singing, after hearing him perform the Count di Luna at the Met alongside Giovanni Martinelli and Elisabeth Rethberg in 1936. Even after retiring from teaching, he periodically performed on stage into his 80s. His later appearances were more on the West Coast of the United States. He was actor Robert Stack's uncle. Bonelli died in Los Angeles on June 7, 1980 at the age of 91.
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