Ballet Y Ópera Nacional Vídeos
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2024-04-21
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Jules Massenet Francesco Rosa Dimitrova Sancho Pavlova Rodrigues Georgiev Feodor Chaliapin Lucy Arbell Vanni Marcoux Fugère Cervantes Sofia National Opera National Opera Ballet 1910
Dynamic all rights reserved www.dynamic.it Conductor: Francesco Rosa - Orchestra & chorus of the Sofia Opera Chorus master: Violeta Dimitrova Stage Director :Plamen Kartaloff Sofia National Opera and Ballet, Bulgaria Scenes & Costume designer: Yoanna Manoledaki Choreographer: Antonaeta Alexieva Cast: (Don Quichotte) Orlin Anastasov - (Sancho) Ventselav Anastasov (Pedro) Silvia Teneva - (Garsias) Rositsa Pavlova-Indzheva - (Rodrigues) Krasimir Dinev (Juan) Plamen Papazikov - (Bandit) chief Alexander Georgiev Even though it is mainly to Manon and Werther that Massenet owes his renown, he composed operas of different genre and character, which just as effectively reveal his fine lyrical vein and talent in depicting various emotions. Don Quichotte is brilliantly comic. Finished in 1910, after a career studded with successes, the opera was premièred at the Opera Theatre in Monte Carlo. It was a resounding success, fostered by the presence, in the main roles, of famous singers such as the Russian bass Feodor Chaliapin as Don Quichotte and Lucy Arbell as Dulcinée. A few months later, in December of the same year, it would be repeated at Paris's Théâtre Galté-Lyrique, with Lucy Arbell this time partnered by Vanni Marcoux (Don Quichotte) and Lucine Fugère (Sancho Panza). The subject, from Cervantes's masterpiece, had been versified by the young and extravagant writer Jacques Le Lorrain. The story is quite different from that of Miguel de Cervantes's hero, appearing, rather, as a self-portrait of the poet himself: the knight becomes a model of virtue, of generosity, driven by lofty ideals; Dulcinée, from maid in an inn becomes a woman of the world. Massenet, who, despite the difficult period he was going through,conceived a rich score, full of verve and maturity.
Sonora Vaice Latvian National Opera Ballet National Opera Ballet
Le Nozze di Figaro - Mozart, Contessa Porgi ammor, Sonora Vaice Latvian National Opera and Ballet. Conductor Zbignjev Graza
Sonora Vaice Janis Liepins Latvian National Opera Ballet National Opera Ballet
Latvian National Opera and Ballet. Conductor Janis Liepins
Vaclovas Daunoras Pavarotti Beethoven Bach Verdi Glinka Tchaikovsky Weill Opera Ballet Theatre Scala Bolshoi Theatre Carnegie Hall Lithuanian National Opera Ballet Theatre National Opera Ballet Metropolitan Opera Chicago Orchestra 1937 1960 1962 1966 1967 1971 1993 2012 2018
The outstanding Lithuanian bass cantante Vaclovas Daunoras (b. 1937) joined the Lithuanian Opera and Ballet Theatre in Vilnius in 1960, where through 1993 he performed leading roles with the company throughout the world. His illustrious career with international performances includes La Scala and major prizes such as at the Toulouse Competition (a winner). He has critical acclaim for his numerous appearances as Philip II in Don Carlos, seen at the Bolshoi in Moscow, Sweden's Malme Opera House, Ruse State Opera in Bulgaria, and many houses in the Netherlands, Italy and Belgium. Other major roles in Daunoras' repertoire are the title role in Boris Godunov, sung on the Lithuanian State Opera Tour to the Bolshoi Theatre in Moscow, where he earlier appeared as Monterone in Rigoletto. He sang the latter role at La Scala in 1967 with Pavarotti as leading tenor. Other performed roles in his repertoire are Mephistopheles (Faust), Don Basilio (Il Barbiere di Siviglia), Raimondo (Lucia de Lammermoor), Galitsky (Prince Igor), Grand Inquisitor (Don Carlos), King Henry (Lohengrin), Gran Sacerdote (Idomeneo), and Marcel (Les Huguenots). His appearances have included performances of Beethoven's Symphony No. 9, the Bach Magnificat, and Verdi‘s Requiem. Daunoras received the Bronze medal at the Glinka Competition in Moscow in 1962, was a laureate of the Tchaikovsky Voice Competition (1966) and the winner of the 1971 Grand Prix in Toulouse, France. In 1993 Daunoras moved to the United States where he sang mainly at the Metropolitan Opera. Appearances in the United States also included solo recitals at Carnegie Hall, Weill Hall, and Chicago's Orchestra Hall. In 2012 he returned to his native Lithuania. On the 23rd of December, 2018, on the eve of the singer’s birthday, in the premises of the Lithuanian National Opera and Ballet Theatre, a Daunoras’ biography book by Jūratė Katinaitė “Karalių kuria aplinka” (“The King is Created by the Surroundings”) was presented. The event was graced with the presence of many honored guests. Despite Daunoras' poor health, the festive mood helped him to sign some two hundred copies of the book! More recordings of Daunoras can be found at (http•••)
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