Teatro Dei Fiorentini Vídeos
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2024-05-02
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Giovanni Paisiello Prick Cox Sartori Evelyn Mandac Teatro Fiorentini 1789
Nel Cor Più Non Mi Sento (from Giovanni Paisiello’s opera L’amor Contrastato or La Molinara) Giovanni Paisiello was well known for his comic operas. "L’amor Contrastato" enjoyed immense popularity for 40 years after it was first performed at the Teatro dei Fiorentini in Naples in 1789. The aria "Nel Cor Più Non Mi Sento" from this opera is recognised as an aria antiche or antique aria today. As the Black Queen in my own music video, I playfully liken Love to a Game of Chess. Italian Lyrics Nel cor più non mi sento Brillar la gioventù; Cagion del mio tormento, Amor, sei colpa tu. Mi pizzichi, mi stuzzichi, Mi pungichi, mi mastichi; Che cosa è questo ahimè? Pietà, pietà, pietà! Amore è un certo che, Che disperar mi fa. English Translation In my heart I feel no more the sparkle of youth. The cause of my torment, Love, it is your fault. You pinch me, you tease me, you prick me, you bite me. What is this thing, oh my! Pity, pity, pity! Love is a certain something, which makes me despair. Soprano and Video Producer: Chiara Cox Accompaniment: Industria dell'Opera Italiana (P) G7Music Kind permission of G7Music Background Images: Giann Sartori, Carmilla, Videvo With deepest gratitude to my dearest mentors, Evelyn Mandac and Michael Dadap, for teaching me to be a better musician, performer, and human being. For more information: (http•••) www.chiaracox.com (http•••) (http•••) (http•••) #ariaantiche #nelcorpiunonmisento #giovannipaisiello #soprano #lyric #opera #lamorcontrastato #lamolinara #love #chess #loveisagame #blackqueen #kingsandqueens #filipinoamerican #chiaracox #filipino #american #classicalvoice #music #greenscreen #theatre #homestudio
Nenna Leonardo Vinci 1690 1722 1730
«Nenna mia, nun saje ca l’ommo» da «Li zite ‘ngalera» (prima rappresentazione, Napoli, teatro dei Fiorentini, 3 gennaio 1722) di Leonardo Vinci (1690 – 1730) libretto di Bernardo Saddumene Col’Agnolo Nenna mia, nun saje ca l’ommo quanno arriva a ‘sta età mia addeventa piccerillo. Donca comm’a fegliulillo pur’io voglio pazzeja’. Sa’ che diceno l’antiche? Ch ‘a no viecchio se concede, pe’ da’ premio a le ffatiche, lo potere ‘e se spassa’.
Le astuzie femminili è un melodramma giocoso composto da Domenico Cimarosa su libretto di Giuseppe Palomba. Fu messa in scena la prima volta al Teatro dei Fiorentini di Napoli il 26 agosto 1794; questo fu il suo secondo lavoro teatrale dal suo ritorno a Napoli avvenuto verso la metà dell'anno precedente, dalla quale città rimase lontano per circa 6 anni. Questa opera è generalmente considerata una delle migliori di Cimarosa.
Giovanni Battista Cirri Mozart Bach Concert Spirituel 1711 1724 1739 1759 1760 1763 1764 1770 1780 1782 1787 1808
Illustrated with images from Forli (Italia), city where G.B. Cirri was born and died. / Composser's biography: Giovanni Battista Cirri was born and died in Forlì, current Emilia-Romagna (1 October 1724 / 11 June 1808). Cirri was an Italian cellist and composer. He had his first musical studies with his brother Ignazio +••.••(...)), he was also organist at Forli Cathedral from 1759 and also composer of 12 organ sonatas (Op.1 / London,1770). He was admitted to holy orders in 1739 but pursued a mostly varied musical career. From 1759 he was a member of the Accademia Filarmonica. He was in Paris during the first half of the 1760's and his first works were published including a "Symphony" which was performed at the Concert Spirituel on 5th April 1763. In 1764 he settled in London where he was employed as chamber musician to the Duke of York and Director of music to the Duke of Gloucester. His first public appearance in London on 16th May 1764 was as accompanist to violinist Marcella. He played solos at the eight-year-old Mozart's first public concert in London. He also participated in the Bach-Abel Concerts. In 1780 he returned to Forli to help his ailing brother at the Cathedral, though he played away from Forli and in 1782 was principal cellist at the Teatro dei Fiorentini in Naples. In 1787 he succeeded his brother as "maestro di cappella" at Forli Cathedral.
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