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2024-05-01
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Erin Wall Britten Mahler Anna Mozart Andrew Davis Elgar Gounod Handel Massenet Lyric Opera Chicago Santa Fe Opera 1975 2001 2003 2004 2007 2014
Erin Wall, 44, Dies; Acclaimed Soprano in Mozart and Strauss Erin Wall, whose silvery yet warm soprano voice infused works by Mozart, Strauss, Britten and Mahler with luminous elegance, died on Oct. 8 at a hospital in Mississauga, Ontario. She was 44. The cause was metastatic breast cancer, Lyric Opera of Chicago said. Lyric Opera was an artistic home base for Ms. Wall, who received her professional start as a member of the company’s prestigious young artist program, now known as the Patrick G. and Shirley W. Ryan Opera Center. Chicago was the site of the dramatic season-opening performance that jolted her nascent career in 2004, when she jumped in with just a few hours’ notice to replace an ill colleague as Donna Anna in Mozart’s “Don Giovanni.” John von Rhein of The Chicago Tribune wrote in his review that “in classic showbiz style, she came, she sang and she conquered.” He praised her voice’s “wide compass, gleaming high extension and ability to float a ravishing, seamless line.” Lyric Opera’s music director, Andrew Davis, a frequent collaborator with Ms. Wall, recalled their performance of Elgar’s oratorio “The Kingdom” in London in 2014. “There’s a marvelous soprano aria in that, ‘The sun goeth down,’” Mr. Davis said in an interview. “And I’ve never heard anyone sing it more beautifully, with such ease and such poignancy. I think of her singing and I get goose bumps.” Erin Marie Wall was born on Nov. 4, 1975, in Calgary, Alberta, to two American musicians, Michael Wall and Suzanne (Hill) Wall, and grew up in Vancouver. She started in music as a pianist, but she was concentrating on singing by the time she attended Western Washington University in Bellingham. She later transferred to Rice University in Houston. From Rice, she entered Lyric Opera’s young artist program in 2001. She swiftly established herself as a rising talent: a lyric soprano with a full-bodied yet agile voice and dazzling facility in her top register. It was an instrument ideal for youthful roles like Marguerite in Gounod’s “Faust,” which she sang in Chicago in 2003, as well as Mozart’s Donna Anna, Pamina (in “The Magic Flute”) and Konstanze (in “The Abduction From the Seraglio”). “The voice definitely evolved,” Michael Benchetrit, Ms. Wall’s manager, said in an interview. “The middle and lower parts became richer with time.” This evolution came as she increasingly took on Strauss roles that benefited from more tonal opulence, like Arabella, Chrysothemis (in “Elektra”) and Daphne. When she starred in “Daphne” at the Santa Fe Opera in 2007, Mr. Benchetrit said, the effect was overwhelming. Tags: erin wall,soprano erin wall,erin nichole wall,erin,wall,erin wall handel: messiah,ballet,erin wall massenet: thaïs thaïs,erin wall britten: peter grimes,erin wood,mccaw hall,va pure ad altri in braccio,great britain,international,1st prize winner,christine goerke,aria,war memorial opera house,lyric,italy,a cappella (musical genre),ellie caulkins opera house,violin,singer,cinema,winner,primer,human rights concert in geneva,violine,musical,singing,arizona,alfredo,italian
Opera Colorado Ellie Caulkins Opera House Verdi Kreider Ari Pelto 2018
Nowadays, we find ourselves thinking back to the biggest, most raucous parties we used to stage at the Ellie Caulkins Opera House... Flora (Kira Dills DeSurra) threw an epic party for for the ages in our 2018 production of Verdi's "La Traviata." In "Noi siamo zingarelle venute da lontano" (We are gypsy girls who have come from afar), Flora invites a squad of dancers to entertain her guests. But she may have gotten more than she bargained for, as her beau, the Marchese d’Obigny (Nicholas Kreider), gets swept away by a sultry dancer. Even Dr. Grenvil (Eric McConnell) gets in on the action! Tune in next week for part two of this epic party! We hear Flora invited some macho matadors... #SempreOC Verdi''s "La Traviata" was performed at the Ellie Caulkins Opera House in 2018. Videography by Brad Stabio Stage Direction by Alison Moritz Choreography by Alison Moritz, Sally Sparrow, and Frances Rabalais Featuring the Opera Colorado Chorus and Orchestra Opera Colorado Music Director Ari Pelto conducting
Opera Colorado Ellie Caulkins Opera House Christopher Magiera Dehn Moore Treviño Richard Wiegold Ari Pelto 2013
Don Giovanni from Opera Colorado | March 30, 2013 Ellie Caulkins Opera House Opera Colorado Orchestra Don Giovanni: Christopher Magiera Donna Anna: Ellie Dehn Donna Elvira: Melody Moore Leporello: Matthew Treviño Don Ottavio: Jonathan Boyd Zerlina: Maria Lindsey Masetto: Christian Bowers Commendatore: Richard Wiegold Conductor: Ari Pelto
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