Il Giardino Armonico Vidéos
ensemble musical italien
Commémorations 2025 (Création: Il Giardino Armonico)
- Orchestre de chambre
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2024-04-25
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Arcangelo Corelli Giovanni Antonini Boeke Fabio Vacchi Verdi Ottavio Dantone Fabio Biondi Rinaldo Alessandrini Cecilia Bartoli María Espada Vivica Genaux Ann Hallenberg Montenegro Emma Kirkby Montanari Enrico Onofri Rial Andreas Scholl Delibes Handel Trento Luigi Cherubini Felix Mendelssohn Bartholdy Ghielmi Zehnder Andrea Marcon Enrico Dindo Emmanuel Pahud Bach Accademia Bizantina Europa Galante Il Giardino Armonico Stavanger Symphony Orchestra Orquestra Comunitat Valenciana Gewandhaus Leipzig Schola Cantorum Teatro Scala Berliner Philharmonie Berliner Konzerthaus Bozar Teatro Pergola Alte Oper Frankfurt Oper Frankfurt Gewandhaus Wiener Konzerthaus Tonhalle Zurich Festival Beaune Festival Música Canarias Innsbrucker Festwochen Alten Musik Salle Gaveau Cité Musique Teatro Arcimboldi Teatro Regio Teatro Regio Parma Teatro Real Madrid 1653 1707 1713 1975 1980 2010 2014 2017 2019
NEW CD!! Arcangelo Corelli: Solos and Concertos Fitted for the Flutes - Arcana (http•••)/ Marco Scorticati, recorder Davide Pozzi, harpsichord Arcangelo Corelli +••.••(...)) Sonata in F major Op.V n.4 for recorder and b.c. (London, 1707) Adagio, Allegro, Vivace, Adagio, Allegro Padua, Sala della Carità, 1th June 2010 European Recorder Teachers' Association - ERTA Italia Video by Edoardo Lambertenghi ((http•••) MARCO SCORTICATI Born in Milan in 1980, he began studying recorder at a very early age. He studied with Giovanni Antonini and Pedro Memelsdorff in Milan, with Walter van Hauwe in Amsterdam, and with Kees Boeke in Zurich. He also studied composition with Fabio Vacchi at the “G. Verdi” Conservatory in Milan, and baroque transverse flute with Marco Brolli in Milan. As a recorder and transverse flute player he regularly performs with his ensemble Estro Cromatico, and collaborates a.o. with Accademia Bizantina (O. Dantone), Europa Galante (F. Biondi) and Il Giardino Armonico (G. Antonini). He has performed with the Milan Teatro alla Scala Orchestra directed by Ottavio Dantone, Giovanni Antonini and Rinaldo Alessandrini; he has also appeared as a soloist with the Stavanger Symphony Orchestra and the Orquestra de la Comunitat Valenciana, both directed by Fabio Biondi, and with the Orchestra da Camera di Mantova. He has played together with such well-known soloists as Cecilia Bartoli, Fabio Biondi, María Espada, Vivica Genaux, Ann Hallenberg, María Hinojosa Montenegro, Emma Kirkby, Stefano Montanari, Enrico Onofri, Nuria Rial, Andreas Scholl and Mária Zádori. He appears on CD and DVD recordings with Accademia Bizantina (Decca, Naïve Classique), Europa Galante (Virgin Classics, Dynamic) and Il Giardino Armonico (Warner Classics, Naïve Classique). He has performed as a soloist in some of the most important European concert halls and festivals, such as Berliner Philharmonie and Berliner Konzerthaus, Bozar (Brussels), Die Glocke (Bremen), Musikhalle Hamburg, Teatro della Pergola (Florence), Alte Oper Frankfurt, Gewandhaus (Leipzig), Barbican Hall (London), Philharmonie Luxenbourg, Baluarte (Pamplona), Théâtre des Champs Elysées (Paris), Auditorio di Santa Cecilia (Rome), Auditorio Kursaal in San Sebastián, Stavanger Concert Hall (Norway), De Oosterpoort (Utrecht), Palau de les Arts Reina Sofía (Valencia), Auditorio Miguel Delibes (Valladolid), Wiener Konzerthaus, Tonhalle (Zurich), Berliner Tage für Alte Musik, Musikinstrumenten-Museum Berlin, Festival de Beaune, Festival de Música de Canarias, Festival de Música de Compostela, Opera Rara Krakow, Innsbrucker Festwochen der Alten Musik, MilanoArteMusica, Musica e Poesia a San Maurizio and Società del Quartetto (Milan), Tage Alter Musik Regensburg, Settimane Musicali di Stresa e del Lago Maggiore and Lingotto Musica (Torino). With Estro Cromatico he has recorded the albums “Son d’Amore - Recorder sonatas by G.F. Handel” (Stradivarius, 2014) and "Arcangelo Corelli: Solos and Concertos Fitted for the Flutes" (Arcana, 2019). He taught recorder at the Conservatories in Bari, Trento, Rome and Cosenza, and is currently teaching at the "Luigi Cherubini" Conservatory in Florence and at the Hochschule für Musik und Theater "Felix Mendelssohn Bartholdy" in Leipzig. DAVIDE POZZI Born in 1975, he graduated with honors in harpsichord, fortepiano and clavichord, as well as organ and organ composition at the Conservatorio "G. Verdi" in Milan. He then continued his studies at the Civica Scuola di Musica in Milan receiving his diploma, cum laude, in Lorenzo Ghielmi's baroque organ class. He attended the "Schola Cantorum" of Basel for post-graduate studies in organ with Jean-Claude Zehnder and in harpsichord with Andrea Marcon. He has played in numerous countries such as Italy, France, Germany, Switzerland, Luxembourg, Portugal, Spain, Austria, Croatia, Poland, Finland, Latonya, Israel, USA and Japan, performing at such well-known music festivals and venues as Tage Alte Musik Regensburg, Museum of Musical Instruments, Konzerthaus and Philarmonie in Berlin, Salle Gaveau and Cité de la Musique in Paris, Vienna Konzerhaus, Concertgebow in Amsterdam, Tonhalle in Zurich, Società del Quartetto, Auditorium, Teatro degli Arcimboldi and Teatro alla Scala in Milan, Teatro Regio in Parma, Teatro Real in Madrid a.o. He has played as a soloist with such artists as Enrico Dindo, Sergio Azzolini and Emmanuel Pahud. He recorded C.P.E. Bach's fortepiano works with Streicherakademie Bozen under Sergio Azzolini (Sony Classical), C.P.E. Bach's harpsichord and fortepiano sonatas (Stradivarius) and J.S. Bach's Goldberg Variations (Pan Classics, 2017). He appears on CD recordings for Decca, Sony, Arcana, Stradivarius, Naive, Glossa, Chandos, Amadeus, Bongiovanni, Tactus, Bottega Discantica and Arts. He teaches harpsichord at the Cosenza Conservatory.
Il Giardino Armonico Enrico Onofri Giovanni Antonini Antonio Vivaldi 1994
Provided to YouTube by Warner Classics International The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": III. Presto · Il Giardino Armonico · Enrico Onofri Heroic Classics ℗ A Warner Classics/Teldec release, ℗ 1994 Warner Music UK Limited Violin: Enrico Onofri Conductor: Giovanni Antonini Ensemble: Il Giardino Armonico Composer: Antonio Vivaldi Auto-generated by YouTube.
Bach Carl Philipp Emanuel Bach Wolfgang Amadeus Mozart Joseph Haydn Beethoven Lassus Monteverdi Gesualdo Georg Anton Benda Benda Ernst Wilhelm Wolf Johann Gottfried Müthel Friedrich Wilhelm Rust Wilhelm Rust Felix Mendelssohn Weber Robert Schumann Johannes Brahms Alfred Wotquenne Helm Friedemann Bach Il Giardino Armonico 1906 1941 1989 2000
Through the later half of the 18th century, the reputation of Carl Philipp Emanuel Bach stood very high. Wolfgang Amadeus Mozart said of him, "He is the father, we are the children." The best part of Joseph Haydn's training was derived from a study of his work. Beethoven expressed for his genius the most cordial admiration and regard.[citation needed] His keyboard sonatas, for example, mark an important epoch in the history of musical form. Lucid in style, delicate and tender in expression, they are even more notable for the freedom and variety of their structural design; they break away altogether from both the Italian and the Viennese schools, moving instead toward the cyclical and improvisatory forms that would become common several generations later. The content of his work is full of invention and, most importantly, extreme unpredictability, and wide emotional range even within a single work, a style that may be categorized as empfindsamer Stil. It is no less sincere in thought than polished and felicitous in phrase. He was probably the first composer of eminence who made free use of harmonic colour for its own sake since the time of Lassus, Monteverdi, and Gesualdo.[citation needed] In this way, he compares well with the most important representatives of the First Viennese School. In fact he exerted enormous influence on the North German School of composers, in particular Georg Anton Benda, Bernhard Joachim Hagen, Ernst Wilhelm Wolf, Johann Gottfried Müthel, Friedrich Wilhelm Rust and many others. His influence was not limited to his contemporaries, and extended to Felix Mendelssohn and Carl Maria von Weber. His name fell into neglect during the 19th century, with Robert Schumann notoriously opining that "as a creative musician he remained very far behind his father";[8] in contrast, Johannes Brahms held him in high regard and edited some of his music. The revival of C. P. E. Bach's works has been underway since Helmuth Koch's rediscovery and recording of his symphonies in the 1960s, and Hugo Ruf's recordings of his keyboard sonatas. There is an ongoing project to record his complete works, led by Miklós Spányi (de) on the Swedish record label BIS. The works of C. P. E. Bach are known by "Wq" numbers, from Alfred Wotquenne's catalogue (1906) and by "H" numbers from a catalogue by Eugene Helm (1989). He was portrayed by Wolfgang Liebeneiner in the 1941 biopic of his brother Friedemann Bach. (Wikipedia)
Vivaldi Cecilia Bartoli Giovanni Antonini Il Giardino Armonico
Il Giardino Armonico, Giovanni Antonini
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