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2024-04-27
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José Cura Shakespeare Dorothea Röschmann Alvarez Benjamin Bernheim Christa Mayer Mayer Georg Zeppenfeld Bror Magnus Tødenes Csaba Szegedi Gordon Bintner Christian Thielemann Lacroix Lemaire Moor Salzburg Easter Festival Sächsische Staatskapelle Dresden 2016
JOSÉ CURA, "OTELLO" / Atto 2 (Scena 3 ~ 5), from "Ciò m'accora.(Jago)" to "Sì, pel ciel marmoreo giuro!". in Salzburg Easter Festival in 2016 For the 400th anniversary year of Shakespeare's death. / JOSÉ CURA, "OTELLO" / 2016 Salzburg Easter Festival / March 19 and 27 at Grosses Festspielhaus in Salzburg JOSÉ CURA SHONE IN THE TITLE ROLE Here the Otello is tenor José Cura. He looks magnificent, this victorious Venetian general, his costumed appearance inspired by the splendor of the Serenissima. And he splendidly blares “Esultate"! / NZZ Otello: JOSÉ CURA Desdemona: Dorothea Röschmann Iago: Carlos Alvarez Cassio: Benjamin Bernheim Emilia: Christa Mayer Lodovico: Georg Zeppenfeld Rodrigo: Bror Magnus Tødenes Montano: Csaba Szegedi Araldo: Gordon Bintner Conductor: Christian Thielemann Director: Vincent Boussard Costumes designer: Christian Lacroix Stage designer: Vincent Lemaire Choir: Sächsischer Staatsopernchor, Dresden und Salzburger, Orchestra: Sächsische Staatskapelle, Dresden JOSÉ CURA AS OTELLO LEFT LITTLE TO BE WISHED FOR. / DNN, March 2016 Argentinian JOSÉ CURA is a reputable tenor and Otello has been one of his major roles throughout his career. His experience, together with a well elaborated technique and strong stage presence, help him to present a homogenous and convincing interpretation. The Salzburg Easter festival convinces again with its high quality. / Opera Online JOSÉ CURA—as a singer, conductor and director who is intimately familiar with Otello— stepped into the title role and presented his short-tempered commander with solid vocal line. Applause at the end of the evening. / Salzburg24 JOSÉ CURA is still a singer who goes to the limit, he has an Italian flair in his voice, and he sings some beautiful melodic lines. As a performer, he is intense; his Otello is a brooder, an intellectual, almost a sage. One is happy watching him—but any opera with Cura would be just as good. / Kurier A superb new Otello from the Salzburg Easter Festival: Cura is a commanding Otello with his richly coloured tenor and both fragile delicacy and fiery ardour. / Südwestpresse JOSÉ CURA sings as an aging Otello, broken from the start, the radiant, heroic youthfulness far in the past; he is withdrawn from the beginning. JOSÉ CURA's tenor still has plenty of brilliance… / Wiener Zeitun JOSÉ CURA convinces as Otello with his colorful tenor, fragile delicacy and fiery glow. At the end much applause, not necessarily fiery but persistent. / SWP The Festival called on JOSÉ CURA for their Otello. His is a strong voice, used with a certain intelligence and defends himself and the role well: JOSÉ CURA saved the performance. There is shrewd understanding in his singing; there is emotion; he is truly formidable. In the end, Cura did well despite the problems with the production and an orchestra that was not always helpful. / The Wanderer What I really liked about the singing and acting of the Otello of JOSÉ CURA was the range, subtlety and depth. Cura presented a fully human, attractive but deeply flawed Moor. He was endlessly fascinating. An earlier Salzburg recording was the BBC’s top pick for an Otello video (before this one came out of course). I think this one beats it on every count. / OperaRamblings (DVD)
Giuseppe Verdi Angelo Zanardini Ivan Repušić Garrido Vitalij Kowaljow Dinara Alieva Alieva Riccardo Massi Anna Smirnova Smirnova Andrei Bondarenko Herold Simeon Esper Alexandros Stavrakakis Sebastian Wartig Padraic Rowan Lawson Norbert Anger Semperoper Sächsische Staatskapelle Dresden 2021
Opera in vier Akten von Giuseppe Verdi mit einem Prolog für Orchester (Uraufführung) und einem Zwischenspiel für Violoncello solo von Manfred Trojahn. Libretto von Joseph Mery und Camille du Locle in der italienischen Übersetzung von Achille de Lauzieres-Themines und Angelo Zanardini. Inszenierung von Vera Nemirova in der Spielzeit 2021/22 in der Semperoper. Premiere am 22. Oktober 2021. Musikalische Leitung: Ivan Repušić Inszenierung: Vera Nemirova Künstlerische Mitarbeit Regie: Sonja Nemirova Bühnenbild: Heike Scheele Kostüme: Frauke Schernau Licht: Fabio Antoci Choreografie Prolog: Altea Garrido Chor: André Kellinghaus Video : rocafilm Dramaturgie: Kai Weßler Filippo II: Vitalij Kowaljow Elisabetta di Valois: Dinara Alieva Don Carlo: Riccardo Massi La principessa Eboli: Anna Smirnova Rodrigo, Marchese di Posa: Andrei Bondarenko Graf von Lerma: Joseph Dennis Gräfin d'Aremberg: Hyunduk Na Tebaldo: Mariya Taniguchi Herold: Simeon Esper Der Großinquisitor: Alexandros Stavrakakis Ein Mönch: Tilmann Rönnebeck Stimme von oben: Ofeliya Pogosyan Erster flandrischer Deputierter: Sebastian Wartig Zweiter flandrischer Deputierter: Padraic Rowan Dritter flandrischer Deputierter: Mateusz Hoedt Vierter flandrischer Deputierter: Lawson Anderson Fünfter flandrischer Deputierter: Rupert Grössinger Sechster flandrischer Deputierter: Martin-Jan Nijhof Die junge Elisabetta: Malwina Stepien Der junge Carlo: Brian Scalini Violoncello solo: Norbert Anger Sächsischer Staatsopernchor Dresden Sächsische Staatskapelle Dresden Eine Koproduktion mit den Osterfestspielen Salzburg Mit freundlicher Unterstützung der Stiftung Semperoper – Förderstiftung
György Ligeti Omer Meir Wellber Bauer Hoffmann Eule Hila Baggio Bennigsen Christopher Ainslie Frode Olsen Olsen Iris Vermillion Gerhard Siegel Markus Marquardt Schreyer Brühl Schwarzer Henneberg Semperoper Teatro Real Madrid Sächsische Staatskapelle Dresden 2019
Oper in zwei Akten von György Ligeti. Inszenierung von Calixto Bieito in der Spielzeit 2019/20 an der Semperoper Dresden. Premiere am 3. November 2019 . Musikalische Leitung: Omer Meir Wellber Inszenierung: Calixto Bieito Bühnenbild: Rebecca Ringst Kostüme: Ingo Krügler Licht: Michael Bauer Video: Sarah Derendinger Chor: Jan Hoffmann Dramaturgie: Johann Casimir Eule . Venus/Gepopo: Hila Baggio Amanda: Katerina von Bennigsen Amando: Annelie Sophie Müller Go-Go: Christopher Ainslie Astradamors: Frode Olsen Mescalina: Iris Vermillion Piet vom Faß: Gerhard Siegel Nekrotzar: Markus Marquardt Ruffiak: Reinhold Schreyer-Morlock Schobiak: Wooram Lim Schabernack: Markus Brühl Weißer Minister: Aaron Pegram Schwarzer Minister: Matthias Henneberg . Sächsischer Staatsopernchor Dresden Sächsische Staatskapelle Dresden . Eine Koproduktion mit dem Teatro Real in Madrid
David Fyodorovich Oistrakh Franz Konwitschny Wolfgang Amadeus Mozart Sächsische Staatskapelle Dresden 1756 1791 1901 1908 1954 1962 1974
Wolfgang Amadeus Mozart +••.••(...)) Violin Concerto No. 5 in A major "Turkish" K. 219 (Cadenzas by Joseph Joachim) 00:00 - I. Allegro aperto 09:32 - II. Adagio 20:36 - III. Rondo; Tempo di menuetto; Allegro David Fyodorovich Oistrakh +••.••(...)), Violin Franz Konwitschny +••.••(...)), Conductor Sächsische Staatskapelle Dresden Recorded 15th February of 1954, at the Hygiene-Museum, Dresden, Saxony, Germany.
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